On the Fourfold Root of the Principle of Sufficient Reason, and On the Will in Nature · Arthur Schopenhauer
TRANSLATOR'S PREFACE.
In venturing to lay the present translation[1] before the public, I am aware of the great difficulties of my task, and indeed can hardly hope to do justice to the Author. In fact, had it not been for the considerations I am about to state, I might probably never have published what had originally been undertaken in order to acquire a clearer comprehension of these essays, rather than with a view to publicity. [1] From the fourth edition by Julius Frauenstädt. "Fourfold Root," Leipzig, 1875; "Will in Nature," Leipzig, 1878. The two treatises which form the contents of the present volume have so much importance for a profound and correct knowledge of Schopenhauer's philosophy, that it may even be doubted whether the translation of his chief work, "Die Welt als Wille und Vorstellung," can contribute much towards the appreciation of his system without the help at least of the "Vierfache Wurzel des Satzes vom zureichenden Grunde." Schopenhauer himself repeatedly and urgently insists upon a previous thorough knowledge of Kant's philosophy, as the basis, and of his own "Fourfold Root," as the key, to his own system, asserting that knowledge to be the indispensable condition for a right comprehension of his meaning. So far as I am aware, neither the "Fourfold Root" nor the "Will in Nature" have as yet found a translator; therefore, considering the dawning interest which has begun to make itself felt for Schopenhauer's philosophy in England and in America, and the fact that no more competent scholar has come forward to do the work, it may not seem presumptuous to suppose that this version may be acceptable to those who wish to acquire a more than superficial knowledge of this remarkable thinker, yet whose acquaintance with German does not permit them to read his works in the original.
Now although some portions of both the Essays published in the present volume have of course become antiquated, owing to the subsequent development of the empirical sciences, while others--such as, for instance, Schopenhauer's denunciation of plagiarism in the cases of Brandis and Rosas in the beginning of Physiology and Pathology[2]--can have no interest for the reader of the present day, I have nevertheless given them just as he left them and refrained from all suppression or alteration. And if, on the whole, the "Will in Nature" may be less indispensable for a right understanding of our philosopher's views than the "Fourfold Root," being merely a record of the confirmations which had been contributed during his lifetime by the various branches of Natural Science to his doctrine, that _the thing in itself is the will_, the Second Essay has nevertheless in its own way quite as much importance as the First, and is, in a sense, its complement. For they both throw light on Schopenhauer's view of the Universe in its double aspect as Will and as Representation, each being as it were _a résumé_ of the exposition of one of those aspects. My plea for uniting them in one volume, in spite of the difference of their contents and the wide lapse of time (seventeen years) which lies between them, must be, that they complete each other, and that their great weight and intrinsic value seem to point them out as peculiarly fitted to be introduced to the English thinker.
The chief obstacle I have encountered in translating these Essays, did not therefore consist in the obscurity of the Author's style, nor even in the difficulty of finding appropriate terms wherewith to convey his meaning; although at times certainly the want of complete precision in our philosophical terminology made itself keenly felt and the selection was often far from easy: it lay rather in the great difference in the way of thinking and of expressing their thoughts which lies between the two nations. The regions of German and English thought are indeed separated by a gulf, which at first seems impassable, yet which must be bridged over by some means or other, if a right comprehension is to be achieved. The German writer loves to develop synthetically a single thought in a long period consisting of various members; he proceeds steadily to unravel the seemingly tangled skein, while he keeps the reader ever on the alert, making him assist actively in the process and never letting him lose sight of the main thread. The English author, on the contrary, anxious before all things to avoid confusion and misunderstanding, and ready for this end not only to sacrifice harmony of proportion in construction, but to submit to the necessity of occasional artificial joining, usually adopts the analytical method.
He prefers to divide the thread of his discourse into several smaller skeins, easier certainly to handle and thus better suiting the convenience of the English thinker, to whom long periods are trying and bewildering, and who is not always willing to wait half a page or more for the point of a sentence or the gist of a thought. Wherever it could be done without interfering seriously with the spirit of the original, I have broken up the longer periods in these essays into smaller sentences, in order to facilitate their comprehension. At times however Schopenhauer recapitulates a whole side of his view of the Universe in a single period of what seems intolerable length to the English reader: as, for instance, the _résumé_ contained in the Introduction to his "Will in Nature,"[3] which could not be divided without damage to his meaning. Here therefore it did not seem advisable to sacrifice the unity and harmony of his design and to disturb both his form and his meaning, in order to minister to the reader's dislike for mental exertion; in keeping the period intact I have however endeavoured to make it as easy to comprehend as possible by the way in which the single parts are presented to the eye. [3] Pp. 2 and 3 of the original, and pp. 216 to 218 of the present translation.
As regards the terms chosen to convey the German meaning, I can hardly hope to have succeeded in every case in adequately rendering it, still less can I expect to have satisfied my English readers. Several words of frequent occurrence and of considerable importance for the right understanding of the original, have been used at different times by different English philosophers in senses so various, that, until our philosophical terminology has by universal consent attained far greater precision than at present, it must always be difficult for the writer or translator to convey to the reader's mind precisely the same thought that was in his own. To prevent unnecessary confusion however, by leaving too much to chance, I will here briefly state those terms which give most latitude for misapprehension, explaining the sense in which I employ them and also the special meaning attached to some of them by Schopenhauer, who often differs in this from other writers. They are as follows. (_a._) _Anschauung_ (_anschauen_, literally 'to behold') I have rendered differently, according to its double meaning in German. When used to designate the mental act by which an object is perceived, as the cause of a sensation received, it is rendered by _perception_. When used to lay stress upon _immediate_, as opposed to _abstract_ representation, it is rendered by _intuition_. This last occurs however more often in the adjective form.
Text from Project Gutenberg, public domain in the United States.