The Divine Comedy of Dante Alighieri · Dante Alighieri
FOOTNOTES:
These symbolise the trouble of his conscience, and, assailing him with threats, shake his already trembling faith in the Divine government. How, in the face of such foes, is he to find the peace and liberty of soul of which he is in search? That this is the city of unbelief he has not yet been told, and without knowing it he is standing under the very walls of Doubting Castle. And now, if he chance to let his eyes rest on the Gorgon's head, his soul will be petrified by despair; like the denizens of Hell, he will lose the 'good of the intellect,' and will pass into a state from which Virgil--or reason--will be powerless to deliver him. But Virgil takes him in time, and makes him avert his eyes; which may signify that the only safe course for men is to turn their backs on the deep and insoluble problem of how the reality of the Divine government can be reconciled with the apparent triumph of evil. [343] _From Heaven_: The messenger comes from Heaven, and his words are holy. Against the obvious interpretation, that he is a good angel, there lies the objection that no other such is met with in Inferno, and also that it is spoken of as a new sight for him when Dante first meets with one in Purgatory. But the obstruction now to be overcome is worthy of angelic interference; and Dante can hardly be said to meet the messenger, who does not even glance in his direction. The commentators have made this angel mean all kind of outlandish things.
Text from Project Gutenberg, public domain in the United States.