The Dawn of Day · Friedrich Wilhelm Nietzsche
216.
EVIL PEOPLE AND MUSIC.—Should the full bliss of love, which consists in unlimited confidence, ever have fallen to the lot of persons other than those who are profoundly suspicious, evil, and bitter? For such people enjoy in this bliss the gigantic, unlooked-for, and incredible _exception_ of their souls! One day they are seized with that infinite, dreamy sensation which is entirely opposed to the remainder of their private and public life, like a delicious enigma, full of golden splendour, and impossible to be described by mere words or similes. Implicit confidence makes them speechless—there is even a species of suffering and heaviness in this blissful silence; and this is why souls that are overcome with happiness generally feel more grateful to music than others and better ones do: for they see and hear through music, as through a coloured mist, their love becoming, as it were, more distant, more touching, and less heavy. Music is the only means that such people have of observing their extraordinary condition and of becoming aware of its presence with a feeling of estrangement and relief. When the sound of music reaches the ears of every lover he thinks: “It speaks of me, it speaks in my stead; it knows everything!” THE ARTIST.—The Germans wish to be transported by the artist into a state of dreamy passion; by his aid the Italians wish to rest from their real passions; the French wish him to give them an opportunity of showing their judgment and of making speeches. So let us be just!
Text from Project Gutenberg, public domain in the United States.