The Twilight of the Idols · Friedrich Wilhelm Nietzsche
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There is a time when all passions are simply fatal in their action, when they wreck their victims with the weight of their folly,—and there is a later period, a very much later period, when they marry with the spirit, when they “spiritualise” themselves. Formerly, owing to the stupidity inherent in passion, men waged war against passion itself: men pledged themselves to annihilate it,—all ancient moral-mongers were unanimous on this point, “_il faut tuer les passions._” The most famous formula for this stands in the New Testament, in that Sermon on the Mount, where, let it be said incidentally, things are by no means regarded _from a height._ It is said there, for instance, with an application to sexuality: “if thy eye offend thee, pluck it out”: fortunately no Christian acts in obedience to this precept. To annihilate the passions and desires, simply on account of their stupidity, and to obviate the unpleasant consequences of their stupidity, seems to us to-day merely an aggravated form of stupidity. We no longer admire those dentists who extract teeth simply in order that they may not ache again. On the other hand, it will be admitted with some reason, that on the soil from which Christianity grew, the idea of the “spiritualisation of passion” could not possibly have been conceived. The early Church, as everyone knows, certainly did wage war against the “intelligent,” in favour of the “poor in spirit” In these circumstances how could the passions be combated intelligently? The Church combats passion by means of excision of all kinds: its practice, its “remedy,” is _castration._ It never inquires “how can a desire be spiritualised, beautified, deified?”—In all ages it has laid the weight of discipline in the process of extirpation (the extirpation of sensuality, pride, lust of dominion, lust of property, and revenge).—But to attack the passions at their roots, means attacking life itself at its source: the method of the Church is hostile to life.
Ideas discussed in this chapter
Text from Project Gutenberg, public domain in the United States.