The Twilight of the Idols · Friedrich Wilhelm Nietzsche
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The spiritualisation of sensuality is called _love:_ it is a great triumph over Christianity. Another triumph is our spiritualisation of hostility. It consists in the fact that we are beginning to realise very profoundly the value of having enemies: in short that with them we are forced to do and to conclude precisely the reverse of what we previously did and concluded. In all ages the Church wished to annihilate its enemies: we, the immoralists and Antichrists, see our advantage in the survival of the Church. Even in political life, hostility has now become more spiritual,—much more cautious, much more thoughtful, and much more moderate. Almost every party sees its self-preservative interests in preventing the Opposition from going to pieces; and the same applies to politics on a grand scale. A new creation, more particularly, like the new Empire, has more need of enemies than friends: only as a contrast does it begin to feel necessary, only as a contrast does it _become_ necessary. And we behave in precisely the same way to the “inner enemy”: in this quarter too we have spiritualised enmity, in this quarter too we have understood its value.
A man is productive only in so far as he is rich in contrasted instincts; he can remain young only on condition that his soul does not begin to take things easy and to yearn for peace. Nothing has grown more alien to us than that old desire—the “peace of the soul,” which is the aim of Christianity. Nothing could make us less envious than the moral cow and the plump happiness of a clean conscience. The man who has renounced war has renounced a grand life. In many cases, of course, “peace of the soul” is merely a misunderstanding,—it is something _very different_ which has failed to find a more honest name for itself. Without either circumlocution or prejudice I will suggest a few cases. “Peace of the soul” may for instance be the sweet effulgence of rich animality in the realm of morality (or religion). Or the first presage of weariness, the first shadow that evening, every kind of evening, is wont to cast. Or a sign that the air is moist, and that winds are blowing up from the south. Or unconscious gratitude for a good digestion (sometimes called “brotherly love”). Or the serenity of the convalescent, on whose lips all things have a new taste, and who bides his time.
Or the condition which follows upon a thorough gratification of our strongest passion, the well-being of unaccustomed satiety. Or the senility of our will, of our desires, and of our vices. Or laziness, coaxed by vanity into togging itself out in a moral garb. Or the ending of a state of long suspense and of agonising uncertainty, by a state of certainty, of even terrible certainty. Or the expression of ripeness and mastery in the midst of a task, of a creative work, of a production, of a thing willed, the calm breathing that denotes that “freedom of will” has been attained. Who knows?—maybe _The Twilight of the Idols_ is only a sort of “peace of the soul.”
Text from Project Gutenberg, public domain in the United States.