The Twilight of the Idols · Friedrich Wilhelm Nietzsche
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With Socrates Greek taste veers round in favour of dialectics: what actually occurs? In the first place a noble taste is vanquished: with dialectics the mob comes to the top. Before Socrates’ time, dialectical manners were avoided in good society: they were regarded as bad manners, they were compromising. Young men were cautioned against them. All such proffering of one’s reasons was looked upon with suspicion. Honest things like honest men do not carry their reasons on their sleeve in such fashion. It is not good form to make a show of everything. That which needs to be proved cannot be worth much. Wherever authority still belongs to good usage, wherever men do not prove but command, the dialectician is regarded as a sort of clown. People laugh at him, they do not take him seriously. Socrates was a clown who succeeded in making men take him seriously: what then was the matter? A man resorts to dialectics only when he has no other means to hand. People know that they excite suspicion with it and that it is not very convincing. Nothing is more easily dispelled than a dialectical effect: this is proved by the experience of every gathering in which discussions are held. It can be only the last defence of those who have no other weapons. One must require to extort one’s right, otherwise one makes no use of it. That is why the Jews were dialecticians. Reynard the Fox was a dialectician: what?—and was Socrates one as well?
Is the Socratic irony an expression of revolt, of mob resentment? Does Socrates, as a creature suffering under oppression, enjoy his innate ferocity in the knife-thrusts of the syllogism? Does he wreak his revenge on the noblemen he fascinates?—As a dialectician a man has a merciless instrument to wield; he can play the tyrant with it: he compromises when he conquers with it. The dialectician leaves it to his opponent to prove that he is no idiot: he infuriates, he likewise paralyses. The dialectician cripples the intellect of his opponent. Can it be that dialectics was only a form of revenge in Socrates? I have given you to understand in what way Socrates was able to repel: now it is all the more necessary to explain how he fascinated.—One reason is that he discovered a new kind of _Agon,_ and that he was the first fencing-master in the best circles in Athens. He fascinated by appealing to the combative instinct of the Greeks,—he introduced a variation into the contests between men and youths. Socrates was also a great erotic.
Text from Project Gutenberg, public domain in the United States.