Emile · Jean-Jacques Rousseau
SOPHY, OR WOMAN
But whither am I going? O Emile! what art thou now? Is this my pupil? How art thou fallen! Where is that young man so sternly fashioned, who braved all weathers, who devoted his body to the hardest tasks and his soul to the laws of wisdom; untouched by prejudice or passion, a lover of truth, swayed by reason only, unheeding all that was not hers? Living in softness and idleness he now lets himself be ruled by women; their amusements are the business of his life, their wishes are his laws; a young girl is the arbiter of his fate, he cringes and grovels before her; the earnest Emile is the plaything of a child. So shift the scenes of life; each age is swayed by its own motives, but the man is the same. At ten his mind was set upon cakes, at twenty it is set upon his mistress; at thirty it will be set upon pleasure; at forty on ambition, at fifty on avarice; when will he seek after wisdom only? Happy is he who is compelled to follow her against his will! What matter who is the guide, if the end is attained. Heroes and sages have themselves paid tribute to this human weakness; and those who handled the distaff with clumsy fingers were none the less great men.
If you would prolong the influence of a good education through life itself, the good habits acquired in childhood must be carried forward into adolescence, and when your pupil is what he ought to be you must manage to keep him what he ought to be. This is the coping-stone of your work. This is why it is of the first importance that the tutor should remain with young men; otherwise there is little doubt they will learn to make love without him. The great mistake of tutors and still more of fathers is to think that one way of living makes another impossible, and that as soon as the child is grown up, you must abandon everything you used to do when he was little. If that were so, why should we take such pains in childhood, since the good or bad use we make of it will vanish with childhood itself; if another way of life were necessarily accompanied by other ways of thinking? The stream of memory is only interrupted by great illnesses, and the stream of conduct, by great passions. Our tastes and inclinations may change, but this change, though it may be sudden enough, is rendered less abrupt by our habits. The skilful artist, in a good colour scheme, contrives so to mingle and blend his tints that the transitions are imperceptible; and certain colour washes are spread over the whole picture so that there may be no sudden breaks. So should it be with our likings. Unbalanced characters are always changing their affections, their tastes, their sentiments; the only constant factor is the habit of change; but the man of settled character always returns to his former habits and preserves to old age the tastes and the pleasures of his childhood.
If you contrive that young people passing from one stage of life to another do not despise what has gone before, that when they form new habits, they do not forsake the old, and that they always love to do what is right, in things new and old; then only are the fruits of your toil secure, and you are sure of your scholars as long as they live; for the revolution most to be dreaded is that of the age over which you are now watching. As men always look back to this period with regret so the tastes carried forward into it from childhood are not easily destroyed; but if once interrupted they are never resumed. Most of the habits you think you have instilled into children and young people are not really habits at all; they have only been acquired under compulsion, and being followed reluctantly they will be cast off at the first opportunity. However long you remain in prison you never get a taste for prison life; so aversion is increased rather than diminished by habit. Not so with Emile; as a child he only did what he could do willingly and with pleasure, and as a man he will do the same, and the force of habit will only lend its help to the joys of freedom. An active life, bodily labour, exercise, movement, have become so essential to him that he could not relinquish them without suffering. Reduce him all at once to a soft and sedentary life and you condemn him to chains and imprisonment, you keep him in a condition of thraldom and constraint; he would suffer, no doubt, both in health and temper. He can scarcely breathe in a stuffy room, he requires open air, movement, fatigue. Even at Sophy's feet he cannot help casting a glance at the country and longing to explore it in her company. Yet he remains if he must; but he is anxious and ill at ease; he seems to be struggling with himself; he remains because he is a captive. "Yes," you will say, "these are necessities to which you have subjected him, a yoke which you have laid upon him." You speak truly, I have subjected him to the yoke of manhood.
Emile loves Sophy; but what were the charms by which he was first attracted? Sensibility, virtue, and love for things pure and honest. When he loves this love in Sophy, will he cease to feel it himself? And what price did she put upon herself? She required all her lover's natural feelings--esteem of what is really good, frugality, simplicity, generous unselfishness, a scorn of pomp and riches. These virtues were Emile's before love claimed them of him. Is he really changed? He has all the more reason to be himself; that is the only difference. The careful reader will not suppose that all the circumstances in which he is placed are the work of chance. There were many charming girls in the town; is it chance that his choice is discovered in a distant retreat? Is their meeting the work of chance? Is it chance that makes them so suited to each other? Is it chance that they cannot live in the same place, that he is compelled to find a lodging so far from her? Is it chance that he can see her so seldom and must purchase the pleasure of seeing her at the price of such fatigue? You say he is becoming effeminate. Not so, he is growing stronger; he must be fairly robust to stand the fatigue he endures on Sophy's account.
He lives more than two leagues away. That distance serves to temper the shafts of love. If they lived next door to each other, or if he could drive to see her in a comfortable carriage, he would love at his ease in the Paris fashion. Would Leander have braved death for the sake of Hero if the sea had not lain between them? Need I say more; if my reader is able to take my meaning, he will be able to follow out my principles in detail. The first time we went to see Sophy, we went on horseback, so as to get there more quickly. We continue this convenient plan until our fifth visit. We were expected; and more than half a league from the house we see people on the road. Emile watches them, his pulse quickens as he gets nearer, he recognises Sophy and dismounts quickly; he hastens to join the charming family. Emile is fond of good horses; his horse is fresh, he feels he is free, and gallops off across the fields; I follow and with some difficulty I succeed in catching him and bringing him back. Unluckily Sophy is afraid of horses, and I dare not approach her. Emile has not seen what happened, but Sophy whispers to him that he is giving his friend a great deal of trouble. He hurries up quite ashamed of himself, takes the horses, and follows after the party. It is only fair that each should take his turn and he rides on to get rid of our mounts. He has to leave Sophy behind him, and he no longer thinks riding a convenient mode of travelling. He returns out of breath and meets us half-way.
The next time, Emile will not hear of horses. "Why," say I, "we need only take a servant to look after them." "Shall we put our worthy friends to such expense?" he replies. "You see they would insist on feeding man and horse." "That is true," I reply; "theirs is the generous hospitality of the poor. The rich man in his niggardly pride only welcomes his friends, but the poor find room for their friends' horses." "Let us go on foot," says he; "won't you venture on the walk, when you are always so ready to share the toilsome pleasures of your child?" "I will gladly go with you," I reply at once, "and it seems to me that love does not desire so much show." As we draw near, we meet the mother and daughter even further from home than on the last occasion. We have come at a great pace. Emile is very warm; his beloved condescends to pass her handkerchief over his cheeks. It would take a good many horses to make us ride there after this. But it is rather hard never to be able to spend an evening together. Midsummer is long past and the days are growing shorter. Whatever we say, we are not allowed to return home in the dark, and unless we make a very early start, we have to go back almost as soon as we get there. The mother is sorry for us and uneasy on our account, and it occurs to her that, though it would not be proper for us to stay in the house, beds might be found for us in the village, if we liked to stay there occasionally. Emile claps his hands at this idea and trembles with joy; Sophy, unwittingly, kisses her mother rather oftener than usual on the day this idea occurs to her.
Little by little the charm of friendship and the familiarity of innocence take root and grow among us. I generally accompany my young friend on the days appointed by Sophy or her mother, but sometimes I let him go alone. The heart thrives in the sunshine of confidence, and a man must not be treated as a child; and what have I accomplished so far, if my pupil is unworthy of my esteem? Now and then I go without him; he is sorry, but he does not complain; what use would it be? And then he knows I shall not interfere with his interests. However, whether we go together or separately you will understand that we are not stopped by the weather; we are only too proud to arrive in a condition which calls for pity. Unluckily Sophy deprives us of this honour and forbids us to come in bad weather. This is the only occasion on which she rebels against the rules which I laid down for her in private.
One day Emile had gone alone and I did not expect him back till the following day, but he returned the same evening. "My dear Emile," said I, "have you come back to your old friend already?" But instead of responding to my caresses he replied with some show of temper, "You need not suppose I came back so soon of my own accord; she insisted on it; it is for her sake not yours that I am here." Touched by his frankness I renewed my caresses, saying, "Truthful heart and faithful friend, do not conceal from me anything I ought to know. If you came back for her sake, you told me so for my own; your return is her doing, your frankness is mine. Continue to preserve the noble candour of great souls; strangers may think what they will, but it is a crime to let our friends think us better than we are." I take care not to let him underrate the cost of his confession by assuming that there is more love than generosity in it, and by telling him that he would rather deprive himself of the honour of this return, than give it to Sophy. But this is how he revealed to me, all unconsciously, what were his real feelings; if he had returned slowly and comfortably, dreaming of his sweetheart, I should know he was merely her lover; when he hurried back, even if he was a little out of temper, he was the friend of his Mentor.
You see that the young man is very far from spending his days with Sophy, and seeing as much of her as he wants. One or two visits a week are all that is permitted, and these visits are often only for the afternoon and are rarely extended to the next day. He spends much more of his time in longing to see her, or in rejoicing that he has seen her, than he actually spends in her presence. Even when he goes to see her, more time is spent in going and returning than by her side. His pleasures, genuine, pure, delicious, but more imaginary than real, serve to kindle his love but not to make him effeminate. On the days when he does not see Sophy he is not sitting idle at home. He is Emile himself and quite unchanged. He usually scours the country round in pursuit of its natural history; he observes and studies the soil, its products, and their mode of cultivation; he compares the methods he sees with those with which he is already familiar; he tries to find the reasons for any differences; if he thinks other methods better than those of the locality, he introduces them to the farmers' notice; if he suggests a better kind of plough, he has one made from his own drawings; if he finds a lime pit he teaches them how to use the lime on the land, a process new to them; he often lends a hand himself; they are surprised to find him handling all manner of tools more easily than they can themselves; his furrows are deeper and straighter than theirs, he is a more skilful sower, and his beds for early produce are more cleverly planned. They do not scoff at him as a fine talker, they see he knows what he is talking about. In a word, his zeal and attention are bestowed on everything that is really useful to everybody; nor does he stop there.
He visits the peasants in their homes; inquires into their circumstances, their families, the number of their children, the extent of their holdings, the nature of their produce, their markets, their rights, their burdens, their debts, etc. He gives away very little money, for he knows it is usually ill spent; but he himself directs the use of his money, and makes it helpful to them without distributing it among them. He supplies them with labourers, and often pays them for work done by themselves, on tasks for their own benefit. For one he has the falling thatch repaired or renewed; for another he clears a piece of land which had gone out of cultivation for lack of means; to another he gives a cow, a horse, or stock of any kind to replace a loss; two neighbours are ready to go to law, he wins them over, and makes them friends again; a peasant falls ill, he has him cared for, he looks after him himself; [Footnote: To look after a sick peasant is not merely to give him a pill, or medicine, or to send a surgeon to him. That is not what these poor folk require in sickness; what they want is more and better food.
When you have fever, you will do well to fast, but when your peasants have it, give them meat and wine; illness, in their case, is nearly always due to poverty and exhaustion; your cellar will supply the best draught, your butchers will be the best apothecary.] another is harassed by a rich and powerful neighbor, he protects him and speaks on his behalf; young people are fond of one another, he helps forward their marriage; a good woman has lost her beloved child, he goes to see her, he speaks words of comfort and sits a while with her; he does not despise the poor, he is in no hurry to avoid the unfortunate; he often takes his dinner with some peasant he is helping, and he will even accept a meal from those who have no need of his help; though he is the benefactor of some and the friend of all, he is none the less their equal. In conclusion, he always does as much good by his personal efforts as by his money. Sometimes his steps are turned in the direction of the happy abode; he may hope to see Sophy without her knowing, to see her out walking without being seen. But Emile is always quite open in everything he does; he neither can nor would deceive. His delicacy is of that pleasing type in which pride rests on the foundation of a good conscience. He keeps strictly within bounds, and never comes near enough to gain from chance what he only desires to win from Sophy herself. On the other hand, he delights to roam about the neighbourhood, looking for the trace of Sophy's steps, feeling what pains she has taken and what a distance she has walked to please him.
The day before his visit, he will go to some neighbouring farm and order a little feast for the morrow. We shall take our walk in that direction without any special object, we shall turn in apparently by chance; fruit, cakes, and cream are waiting for us. Sophy likes sweets, so is not insensible to these attentions, and she is quite ready to do honour to what we have provided; for I always have my share of the credit even if I have had no part in the trouble; it is a girl's way of returning thanks more easily. Her father and I have cakes and wine; Emile keeps the ladies company and is always on the look-out to secure a dish of cream in which Sophy has dipped her spoon. The cakes lead me to talk of the races Emile used to run. Every one wants to hear about them; I explain amid much laughter; they ask him if he can run as well as ever. "Better," says he; "I should be sorry to forget how to run." One member of the company is dying to see him run, but she dare not say so; some one else undertakes to suggest it; he agrees and we send for two or three young men of the neighbourhood; a prize is offered, and in imitation of our earlier games a cake is placed on the goal. Every one is ready, Sophy's father gives the signal by clapping his hands. The nimble Emile flies like lightning and reaches the goal almost before the others have started. He receives his prize at Sophy's hands, and no less generous than Aeneas, he gives gifts to all the vanquished.
In the midst of his triumph, Sophy dares to challenge the victor, and to assert that she can run as fast as he. He does not refuse to enter the lists with her, and while she is getting ready to start, while she is tucking up her skirt at each side, more eager to show Emile a pretty ankle than to vanquish him in the race, while she is seeing if her petticoats are short enough, he whispers a word to her mother who smiles and nods approval. Then he takes his place by his competitor; no sooner is the signal given than she is off like a bird. Women were not meant to run; they flee that they may be overtaken. Running is not the only thing they do ill, but it is the only thing they do awkwardly; their elbows glued to their sides and pointed backwards look ridiculous, and the high heels on which they are perched make them look like so many grasshoppers trying to run instead of to jump. Emile, supposing that Sophy runs no better than other women, does not deign to stir from his place and watches her start with a smile of mockery. But Sophy is light of foot and she wears low heels; she needs no pretence to make her foot look smaller; she runs so quickly that he has only just time to overtake this new Atalanta when he sees her so far ahead. Then he starts like an eagle dashing upon its prey; he pursues her, clutches her, grasps her at last quite out of breath, and gently placing his left arm about her, he lifts her like a feather, and pressing his sweet burden to his heart, he finishes the race, makes her touch the goal first, and then exclaiming, "Sophy wins!" he sinks on one knee before her and owns himself beaten.
Along with such occupations there is also the trade we learnt. One day a week at least, and every day when the weather is too bad for country pursuits, Emile and I go to work under a master-joiner. We do not work for show, like people above our trade; we work in earnest like regular workmen. Once when Sophy's father came to see us, he found us at work, and did not fail to report his wonder to his wife and daughter. "Go and see that young man in the workshop," said he, "and you will soon see if he despises the condition of the poor." You may fancy how pleased Sophy was at this! They talk it over, and they decide to surprise him at his work. They question me, apparently without any special object, and having made sure of the time, mother and daughter take a little carriage and come to town on that very day. On her arrival, Sophy sees, at the other end of the shop, a young man in his shirt sleeves, with his hair all untidy, so hard at work that he does not see her; she makes a sign to her mother. Emile, a chisel in one hand and a hammer in the other, is just finishing a mortise; then he saws a piece of wood and places it in the vice in order to polish it. The sight of this does not set Sophy laughing; it affects her greatly; it wins her respect. Woman, honour your master; he it is who works for you, he it is who gives you bread to eat; this is he!
While they are busy watching him, I perceive them and pull Emile by the sleeve; he turns round, drops his tools, and hastens to them with an exclamation of delight. After he has given way to his first raptures, he makes them take a seat and he goes back to his work. But Sophy cannot keep quiet; she gets up hastily, runs about the workshop, looks at the tools, feels the polish of the boards, picks up shavings, looks at our hands, and says she likes this trade, it is so clean. The merry girl tries to copy Emile. With her delicate white hand she passes a plane over a bit of wood; the plane slips and makes no impression. It seems to me that Love himself is hovering over us and beating his wings; I think I can hear his joyous cries, "Hercules is avenged." Yet Sophy's mother questions the master. "Sir, how much do you pay these two men a day?" "I give them each tenpence a day and their food; but if that young fellow wanted he could earn much more, for he is the best workman in the country." "Tenpence a day and their food," said she looking at us tenderly. "That is so, madam," replied the master. At these words she hurries up to Emile, kisses him, and clasps him to her breast with tears; unable to say more she repeats again and again, "My son, my son!"
Ideas discussed in this chapter
Text from Project Gutenberg, public domain in the United States.