The Autobiography of Goethe Truth and Poetry · Johann Wolfgang von Goethe
THIRD BOOK.
Hence arose a new and very singular operation. As one painter best executed figures, another middle-grounds and distances, a third trees, a fourth flowers, it struck the Count that these talents might perhaps be combined in the paintings, and that in this way perfect works might be produced. A beginning was made at once, by having for instance some beautiful cattle painted into a finished landscape. But because there was not always adequate room for all, and a few sheep more or less was no great matter to the cattle-painter, the largest landscape proved in the end too narrow. Now also the painter of figures had to introduce the shepherd, and some travellers; these deprived each other of air, as we may say; and we marvelled that they were not all stifled, even in the most open country. No one could anticipate what was to come of the matter, and when it was finished it gave no satisfaction. The painters were annoyed. They had gained something by their first orders, but lost by these after-labours, though the Count paid for them also very liberally. And as the parts worked into each other in one picture by several hands, produced no good effect after all the trouble, every one, at last, fancied that his own work had been spoiled and destroyed by that of the others; hence the artists were within a hair's-breadth of falling out, and becoming irreconcilably hostile to each other. These alterations, or rather additions, were made in the before-mentioned studio, where I remained quite alone with the artists; and it amused me to hunt out from the studies, particularly of animals, this or that individual or group, and to propose it for the foreground or the distance, in which respect they many times, either from conviction or kindness, complied with my wishes.
He had, by way of conclusion, done the best he could, having represented in paintings to be placed over the doors, the four elements as children and boys, after life, and having expended the greatest care, not only on the figures, but on the accessories. These were delivered and paid for, and he thought he was quit of the business for ever; but now he was to come over again, that he might enlarge, by a few touches of his pencil, some figures, the size of which was too small. Another, he thought, could do it just as well; he had already set about some new work; in short, he would not come. The time for sending off the pictures was at hand; they must also have opportunity to dry; every delay was precarious; and the Count, in despair, was about to have him fetched in military fashion. We all wished to see the pictures finally gone, and found at last no expedient than for the gossip interpreter to seat himself in a wagon, and fetch over the refractory subject, with his wife and child. He was kindly received by the Count, well treated, and at last dismissed with liberal payment.
After the pictures had been sent away, there was great peace in the house. The gable-room in the attic was cleaned and given up to me; and my father, when he saw the boxes go, could not refrain from wishing to send off the Count after them. For much as the tastes of the Count coincided with his own, much as he must have rejoiced to see his principle of patronizing living artists so generously followed out by a man richer than himself, much as it may have flattered him that his collection had been the occasion of bringing so considerable a profit to a number of brave artists in a pressing time, he nevertheless felt such a repugnance to the foreigner who had intruded into his house, that he could not think well of any of his doings. One ought to employ painters, but not degrade them to paper-stainers; one ought to be satisfied with what they have done, according to their conviction and ability, even if it does not thoroughly please one, and not be perpetually carping at it. In short, in spite of all the Count's own generous endeavours, there could, once for all, be no mutual understanding. My father only visited that room when the Count was at table, and I can recall but one instance, when, Seekatz having excelled himself, and the wish to see these pictures having brought the whole house together, my father and the Count met, and manifested a common pleasure in these works of art, which they could not take in each other.
Ideas discussed in this chapter
Text from Project Gutenberg, public domain in the United States.