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Literary and Philosophical Essays · Michel de Montaigne

VI.

One can understand how greatly this invincible attraction to fables must have discredited the Celtic race in the eyes of nationalities that believed themselves to be more serious. It is in truth a strange thing, that the whole of the mediaeval epoch, whilst submitting to the influence of the Celtic imagination, and borrowing from Brittany and Ireland at least half of its poetical subjects, believed itself obliged, for the saving of its own honour, to slight and satirise the people to which it owed them. Even Chretien de Troyes, for example, who passed his life in exploiting the Breton romances for his own purposes, originated the saying-- "Les Gallois sont tous par nature Plus sots que betes de pature." Some English chronicler, I know not who, imagined he was making a charming play upon words when he described those beautiful creations, the whole world of which deserved to live, as "the childish nonsense with which those brutes of Bretons amuse themselves." The Bollandists [Footnote: A group of Jesuits who issued a collection of "Lives of the Saints". The first five volumes were edited by John Bolland.] found it incumbent to exclude from their collection, as apocryphal extravagances, those admirable religious legends, with which no Church has anything to compare. The decided leaning of the Celtic race towards the ideal, its sadness, its fidelity, its good faith, caused it to be regarded by its neighbours as dull, foolish, and superstitious. They could not understand its delicacy and refined manner of feeling. They mistook for awkwardness the embarrassment experienced by sincere and open natures in the presence of more artificial natures. The contrast between French frivolity and Breton stubbornness above all led, after the fourteenth century, to most deplorable conflicts, whence the Bretons ever emerged with a reputation for wrong-headedness.

It was still worse, when the nation that most prides itself on its practical good sense found confronting it the people that, to its own misfortune, is least provided with that gift. Poor Ireland, with her ancient mythology, with her Purgatory of St. Patrick, and her fantastic travels of St. Brandan, was not destined to find grace in the eyes of English puritanism. One ought to observe the disdain of English critics for these fables, and their superb pity for the Church which dallies with Paganism, so far as to keep up usages which are notoriously derived from it. Assuredly we have here a praiseworthy zeal, arising from natural goodness; and yet, even if these flights of imagination did no more than render a little more supportable many sufferings which are said to have no remedy, that after all would be something. Who shall dare to say where, here on earth, is the boundary between reason and dreaming? Which is worth more, the imaginative instinct of man, or the narrow orthodoxy that pretends to remain rational, when speaking of things divine? For my own part, I prefer the frank mythology, with all its vagaries, to a theology so paltry, so vulgar, and so colourless, that it would be wronging God to believe that, after having made the visible world so beautiful he should have made the invisible world so prosaically reasonable.

In presence of the ever-encroaching progress of a civilisation which is of no country, and can receive no name, other than that of modern or European, it would be puerile to hope that the Celtic race is in the future to succeed in obtaining isolated expression of its originality. And yet we are far from believing that this race has said its last word. After having put in practice all chivalries, devout and worldly, gone with Peredur in quest of the Holy Grail and fair ladies, and dreamed with St. Brandan of mystical Atlantides, who knows what it would produce in the domain of intellect, if it hardened itself to an entrance into the world, and subjected its rich and profound nature to the conditions of modern thought? It appears to me that there would result from this combination, productions of high originality, a subtle and discreet manner of taking life, a singular union of strength and weakness, of rude simplicity and mildness. Few races have had so complete a poetic childhood as the Celtic; mythology, lyric poetry, epic, romantic imagination, religious enthusiasm--none of these failed them; why should reflection fail them? Germany, which commenced with science and criticism, has come to poetry; why should not the Celtic races, which began with poetry, finish with criticism? There is not so great a distance from one to the other as is supposed; the poetical races are the philosophic races, and at bottom philosophy is only a manner of poetry. When one considers how Germany, less than a century ago, had her genius revealed to her, how a multitude of national individualities, to all appearance effaced, have suddenly risen again in our own days, more instinct with life than ever, one feels persuaded that it is a rash thing to lay down any law on the intermittence and awakening of nations; and that modern civilisation, which appeared to be made to absorb them, may perhaps be nothing more than their united fruition.

Text from Project Gutenberg, public domain in the United States.

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