The City of God, Volume I · of Hippo Augustine
PREFACE.
Let us see, now, what he says concerning the second kind. "The second kind which I have explained," he says, "is that concerning which philosophers have left many books, in which they treat such questions as these: what gods there are, where they are, of what kind and character they are, since what time they have existed, or if they have existed from eternity; whether they are of fire, as Heraclitus believes; or of number, as Pythagoras; or of atoms, as Epicurus says; and other such things, which men's ears can more easily hear inside the walls of a school than outside in the Forum." He finds fault with nothing in this kind of theology which they call _physical_, and which belongs to philosophers, except that he has related their controversies among themselves, through which there has arisen a multitude of dissentient sects. Nevertheless he has removed this kind from the Forum, that is, from the populace, but he has shut it up in schools. But that first kind, most false and most base, he has not removed from the citizens. Oh, the religious ears of the people, and among them even those of the Romans, that are not able to bear what the philosophers dispute concerning the gods! But when the poets sing and stage-players act such things as are derogatory to the dignity and the nature of the immortals, such as may befall not a man merely, but the most contemptible man, they not only bear, but willingly listen to. Nor is this all, but they even consider that these things please the gods, and that they are propitiated by them.
But some one may say, Let us distinguish these two kinds of theology, the mythical and the physical,--that is, the fabulous and the natural,--from this civil kind about which we are now speaking. Anticipating this, he himself has distinguished them. Let us see now how he explains the civil theology itself. I see, indeed, why it should be distinguished as fabulous, even because it is false, because it is base, because it is unworthy. But to wish to distinguish the natural from the civil, what else is that but to confess that the civil itself is false? For if that be natural, what fault has it that it should be excluded? And if this which is called civil be not natural, what merit has it that it should be admitted? This, in truth, is the cause why he wrote first concerning human things, and afterwards concerning divine things; since in divine things he did not follow nature, but the institution of men. Let us look at this civil theology of his. "The third kind," says he, "is that which citizens in cities, and especially the priests, ought to know and to administer. From it is to be known what god each one may suitably worship, what sacred rites and sacrifices each one may suitably perform."
Let us still attend to what follows. "The first theology," he says, "is especially adapted to the theatre, the second to the world, the third to the city." Who does not see to which he gives the palm? Certainly to the second, which he said above is that of the philosophers. For he testifies that this pertains to the world, than which they think there is nothing better. But those two theologies, the first and the third,--to wit, those of the theatre and of the city,--has he distinguished them or united them? For although we see that the city is in the world, we do not see that it follows that any things belonging to the city pertain to the world. For it is possible that such things may be worshipped and believed in the city, according to false opinions, as have no existence either in the world or out of it. But where is the theatre but in the city? Who instituted the theatre but the state? For what purpose did it constitute it but for scenic plays? And to what class of things do scenic plays belong but to those divine things concerning which these books of Varro's are written with so much ability? 6. _Concerning the mythic, that is, the fabulous, theology, and the civil, against Varro._
O Marcus Varro! thou art the most acute, and without doubt the most learned, but still a man, not God,--now lifted up by the Spirit of God to see and to announce divine things, thou seest, indeed, that divine things are to be separated from human trifles and lies, but thou fearest to offend those most corrupt opinions of the populace, and their customs in public superstitions, which thou thyself, when thou considerest them on all sides, perceivest, and all your literature loudly pronounces to be abhorrent from the nature of the gods, even of such gods as the frailty of the human mind supposes to exist in the elements of this world. What can the most excellent human talent do here? What can human learning, though manifold, avail thee in this perplexity? Thou desirest to worship the natural gods; thou art compelled to worship the civil. Thou hast found some of the gods to be fabulous, on whom thou vomitest forth very freely what thou thinkest, and, whether thou willest or not, thou wettest therewith even the civil gods. Thou sayest, forsooth, that the fabulous are adapted to the theatre, the natural to the world, and the civil to the city; though the world is a divine work, but cities and theatres are the works of men, and though the gods who are laughed at in the theatre are not other than those who are adored in the temples; and ye do not exhibit games in honour of other gods than those to whom ye immolate victims. How much more freely and more subtly wouldst thou have decided these hadst thou said that some gods are natural, others established by men; and concerning those who have been so established, the literature of the poets gives one account, and that of the priests another,--both of which are, nevertheless, so friendly the one to the other, through fellowship in falsehood, that they are both pleasing to the demons, to whom the doctrine of the truth is hostile.
That theology, therefore, which they call natural, being put aside for a moment, as it is afterwards to be discussed, we ask if any one is really content to seek a hope for eternal life from poetical, theatrical, scenic gods? Perish the thought! The true God avert so wild and sacrilegious a madness! What, is eternal life to be asked from those gods whom these things pleased, and whom these things propitiate, in which their own crimes are represented? No one, as I think, has arrived at such a pitch of headlong and furious impiety. So then, neither by the fabulous nor by the civil theology does any one obtain eternal life. For the one sows base things concerning the gods by feigning them, the other reaps by cherishing them; the one scatters lies, the other gathers them together; the one pursues divine things with false crimes, the other incorporates among divine things the plays which are made up of these crimes; the one sounds abroad in human songs impious fictions concerning the gods, the other consecrates these for the festivities of the gods themselves; the one sings the misdeeds and crimes of the gods, the other loves them; the one gives forth or feigns, the other either attests the true or delights in the false. Both are base; both are damnable. But the one which is theatrical teaches public abomination, and that one which is of the city adorns itself with that abomination. Shall eternal life be hoped for from these, by which this short and temporal life is polluted? Does the society of wicked men pollute our life if they insinuate themselves into our affections, and win our assent? and does not the society of demons pollute the life, who are worshipped with their own crimes?--if with true crimes, how wicked the demons! if with false, how wicked the worship!
When we say these things, it may perchance seem to some one who is very ignorant of these matters that only those things concerning the gods which are sung in the songs of the poets and acted on the stage are unworthy of the divine majesty, and ridiculous, and too detestable to be celebrated, whilst those sacred things which not stage-players but priests perform are pure and free from all unseemliness. Had this been so, never would any one have thought that these theatrical abominations should be celebrated in their honour, never would the gods themselves have ordered them to be performed to them. But men are in nowise ashamed to perform these things in the theatres, because similar things are carried on in the temples. In short, when the fore-mentioned author attempted to distinguish the civil theology from the fabulous and natural, as a sort of third and distinct kind, he wished it to be understood to be rather tempered by both than separated from either. For he says that those things which the poets write are less than the people ought to follow, whilst what the philosophers say is more than it is expedient for the people to pry into.
"Which," says he, "differ in such a way, that nevertheless not a few things from both of them have been taken to the account of the civil theology; wherefore we will indicate what the civil theology has in common with that of the poet, though it ought to be more closely connected with the theology of philosophers." Civil theology is therefore not quite disconnected from that of the poets. Nevertheless, in another place, concerning the generations of the gods, he says that the people are more inclined toward the poets than toward the physical theologists. For in this place he said what ought to be done; in that other place, what was really done. He said that the latter had written for the sake of utility, but the poets for the sake of amusement. And hence the things from the poets' writings, which the people ought not to follow, are the crimes of the gods; which, nevertheless, amuse both the people and the gods. For, for amusement's sake, he says, the poets write, and not for that of utility; nevertheless they write such things as the gods will desire, and the people perform. 7. _Concerning the likeness and agreement of the fabulous and civil theologies._
That theology, therefore, which is fabulous, theatrical, scenic, and full of all baseness and unseemliness, is taken up into the civil theology; and part of that theology, which in its totality is deservedly judged to be worthy of reprobation and rejection, is pronounced worthy to be cultivated and observed;--not at all an incongruous part, as I have undertaken to show, and one which, being alien to the whole body, was unsuitably attached to and suspended from it, but a part entirely congruous with, and most harmoniously fitted to the rest, as a member of the same body. For what else do those images, forms, ages, sexes, characteristics of the gods show? If the poets have Jupiter with a beard, and Mercury beardless, have not the priests the same? Is the Priapus of the priests less obscene than the Priapus of the players? Does he receive the adoration of worshippers in a different form from that in which he moves about the stage for the amusement of spectators? Is not Saturn old and Apollo young in the shrines where their images stand, as well as when represented by actor's masks? Why are Forculus, who presides over doors, and Limentinus, who presides over thresholds and lintels, male gods, and Cardea between them feminine, who presides over hinges?
Are not those things found in books on divine things, which grave poets have deemed unworthy of their verses? Does the Diana of the theatre carry arms, whilst the Diana of the city is simply a virgin? Is the stage Apollo a lyrist, but the Delphic Apollo ignorant of this art? But these things are decent compared with the more shameful things. What was thought of Jupiter himself by those who placed his wet nurse in the Capitol? Did they not bear witness to Euhemerus, who, not with the garrulity of a fable-teller, but with the gravity of an historian who had diligently investigated the matter, wrote that all such gods had been men and mortals? And they who appointed the Epulones as parasites at the table of Jupiter, what else did they wish for but mimic sacred rites? For if any mimic had said that parasites of Jupiter were made use of at his table, he would assuredly have appeared to be seeking to call forth laughter. Varro said it,--not when he was mocking, but when he was commending the gods did he say it. His books on divine, not on human, things testify that he wrote this,--not where he set forth the scenic games, but where he explained the Capitoline laws. In a word, he is conquered, and confesses that, as they made the gods with a human form, so they believed that they are delighted with human pleasures.
For also malign spirits were not so wanting to their own business as not to confirm noxious opinions in the minds of men by converting them into sport. Whence also is that story about the sacristan of Hercules, which says that, having nothing to do, he took to playing at dice as a pastime, throwing them alternately with the one hand for Hercules, with the other for himself, with this understanding, that if he should win, he should from the funds of the temple prepare himself a supper, and hire a mistress; but if Hercules should win the game, he himself should, at his own expense, provide the same for the pleasure of Hercules. Then, when he had been beaten by himself, as though by Hercules, he gave to the god Hercules the supper he owed him, and also the most noble harlot Larentina. But she, having fallen asleep in the temple, dreamed that Hercules had had intercourse with her, and had said to her that she would find her payment with the youth whom she should first meet on leaving the temple, and that she was to believe this to be paid to her by Hercules. And so the first youth that met her on going out was the wealthy Tarutius, who kept her a long time, and when he died left her his heir. She, having obtained a most ample fortune, that she should not seem ungrateful for the divine hire, in her turn made the Roman people her heir, which she thought to be most acceptable to the deities; and, having disappeared, the will was found. By which meritorious conduct they say that she gained divine honours.
Now had these things been feigned by the poets and acted by the mimics, they would without any doubt have been said to pertain to the fabulous theology, and would have been judged worthy to be separated from the dignity of the civil theology. But when these shameful things,--not of the poets, but of the people; not of the mimics, but of the sacred things; not of the theatres, but of the temples, that is, not of the fabulous, but of the civil theology,--are reported by so great an author, not in vain do the actors represent with theatrical art the baseness of the gods, which is so great; but surely in vain do the priests attempt, by rites called sacred, to represent their nobleness of character, which has no existence. There are sacred rites of Juno; and these are celebrated in her beloved island, Samos, where she was given in marriage to Jupiter. There are sacred rites of Ceres, in which Proserpine is sought for, having been carried off by Pluto. There are sacred rites Venus, in which, her beloved Adonis being slain by a boar's tooth, the lovely youth is lamented.
There are sacred rites of the mother of the gods, in which the beautiful youth Atys, loved by her, and castrated by her through a woman's jealousy, is deplored by men who have suffered the like calamity, whom they call Galli. Since, then, these things are more unseemly than all scenic abomination, why is it that they strive to separate, as it were, the fabulous fictions of the poet concerning the gods, as, forsooth, pertaining to the theatre, from the civil theology which they wish to belong to the city, as though they were separating from noble and worthy things, things unworthy and base? Wherefore there is more reason to thank the stage-actors, who have spared the eyes of men, and have not laid bare by theatrical exhibition all the things which are hid by the walls of the temples. What good is to be thought of their sacred rites which are concealed in darkness, when those which are brought forth into the light are so detestable? And certainly they themselves have seen what they transact in secret through the agency of mutilated and effeminate men. Yet they have _not_ been able to conceal those same men miserably and vilely enervated and corrupted. Let them persuade whom they can that they transact anything holy through such men, who, they cannot deny, are numbered, and live among their sacred things. We know not what they transact, but we know through whom they transact; for we know what things are transacted on the stage, where never, even in a chorus of harlots, hath one who is mutilated or an effeminate appeared. And, nevertheless, even these things are acted by vile and infamous characters; for, indeed, they ought not to be acted by men of good character. What, then, are those sacred rites, for the performance of which holiness has chosen such men as not even the obscenity of the stage has admitted?
8. _Concerning the interpretations, consisting of natural explanations, which the pagan teachers attempt to show for their gods._ But all these things, they say, have certain physical, that is, natural interpretations, showing their natural meaning; as though in this disputation we were seeking physics and not theology, which is the account, not of nature, but of God. For although He who is the true God is God, not by opinion, but by nature, nevertheless all nature is not God; for there is certainly a nature of man, of a beast, of a tree, of a stone,--none of which is God. For if, when the question is concerning the mother of the gods, that from which the whole system of interpretation starts certainly is, that the mother of the gods is the earth, why do we make further inquiry? why do we carry our investigation through all the rest of it? What can more manifestly favour them who say that all those gods were men? For they are earth-born in the sense that the earth is their mother. But in the true theology the earth is the work, not the mother, of God. But in whatever way their sacred rites may be interpreted, and, whatever reference they may have to the nature of things, it is not according to nature, but contrary to nature, that men should be effeminates.
This disease, this crime, this abomination, has a recognised place among those sacred things, though even depraved men will scarcely be compelled by torments to confess they are guilty of it. Again, if these sacred rites, which are proved to be fouler than scenic abominations, are excused and justified on the ground that they have their own interpretations, by which they are shown to symbolize the nature of things, why are not the poetical things in like manner excused and justified? For many have interpreted even these in like fashion, to such a degree that even that which they say is the most monstrous and most horrible,--namely, that Saturn devoured his own children,--has been interpreted by some of them to mean that length of time, which is signified by the name of Saturn, consumes whatever it begets; or that, as the same Varro thinks, Saturn belongs to seeds which fall back again into the earth from whence they spring. And so one interprets it in one way, and one in another. And the same is to be said of all the rest of this theology.
And, nevertheless, it is called the fabulous theology, and is censured, cast off, rejected, together with all such interpretations belonging to it. And not only by the natural theology, which is that of the philosophers, but also by this civil theology, concerning which we are speaking, which is asserted to pertain to cities and peoples, it is judged worthy of repudiation, because it has invented unworthy things concerning the gods. Of which, I wot, this is the secret: that those most acute and learned men, by whom those things were written, understood that both theologies ought to be rejected,--to wit, both that fabulous and this civil one,--but the former they dared to reject, the latter they dared not; the former they set forth to be censured, the latter they showed to be very like it; not that it might be chosen to be held in preference to the other, but that it might be understood to be worthy of being rejected together with it. And thus, without danger to those who feared to censure the civil theology, both of them being brought into contempt, that theology which they call natural might find a place in better disposed minds; for the civil and the fabulous are both fabulous and both civil.
He who shall wisely inspect the vanities and obscenities of both will find that they are both fabulous; and he who shall direct his attention to the scenic plays pertaining to the fabulous theology in the festivals of the civil gods, and in the divine rites of the cities, will find they are both civil. How, then, can the power of giving eternal life be attributed to any of those gods whose own images and sacred rites convict them of being most like to the fabulous gods, which are most openly reprobated, in forms, ages, sex, characteristics, marriages, generations, rites; in all which things they are understood either to have been men, and to have had their sacred rites and solemnities instituted in their honour according to the life or death of each of them, the demons suggesting and confirming this error, or certainly most foul spirits, who, taking advantage of some occasion or other, have stolen into the minds of men to deceive them? 9. _Concerning the special offices of the gods._
And as to those very offices of the gods, so meanly and so minutely portioned out, so that they say that they ought to be supplicated, each one according to his special function,--about which we have spoken much already, though not all that is to be said concerning it,--are they not more consistent with mimic buffoonery than divine majesty? If any one should use two nurses for his infant, one of whom should give nothing but food, the other nothing but drink, as these make use of two goddesses for this purpose, Educa and Potina, he should certainly seem to be foolish, and to do in his house a thing worthy of a mimic. They would have Liber to have been named from "liberation," because through him males at the time of copulation are liberated by the emission of the seed. They also say that Libera (the same in their opinion as Venus) exercises the same function in the case of women, because they say that they also emit seed; and they also say that on this account the same part of the male and of the female is placed in the temple, that of the male to Liber, and that of the female to Libera. To these things they add the women assigned to Liber, and the wine for exciting lust. Thus the Bacchanalia are celebrated with the utmost insanity, with respect to which Varro himself confesses that such things would not be done by the Bacchanals except their minds were highly excited. These things, however, afterwards displeased a saner senate, and it ordered them to be discontinued. Here, at length, they perhaps perceived how much power unclean spirits, when held to be gods, exercise over the minds of men. These things, certainly, were not to be done in the theatres; for there they play, not rave, although to have gods who are delighted with such plays is very like raving.
Text from Project Gutenberg, public domain in the United States.