The dialogues of Plato in five volumes, Vol. 2 · Plato
INTRODUCTION.
A profession of seriousness on the part of Callicles reassures him, and they proceed with the argument. Pleasure and good are the same, but knowledge and courage are not the same either with pleasure or good, or with one another. Socrates disproves the first of these statements by showing that two opposites cannot co-exist, but must alternate with one another—to be well and ill together is 496 impossible. But pleasure and pain are simultaneous, and the cessation of them is simultaneous; e. g. in the case of drinking and thirsting, whereas good and evil are not simultaneous, and do not cease 497 simultaneously, and therefore pleasure cannot be the same as good. [Sidenote: _Analysis 494-501._] Callicles has already lost his temper, and can only be persuaded to go on by the interposition of Gorgias. Socrates, having already guarded against objections by distinguishing courage and knowledge from pleasure and good, proceeds:—The good are good by the presence of good, and the bad are bad by the presence of evil. And the brave and wise are good, and the cowardly and foolish 498 are bad. And he who feels pleasure is good, and he who feels pain is bad, and both feel pleasure and pain in nearly the same degree, and sometimes the bad man or coward in a greater degree. Therefore the bad man or coward is as good as the brave or may 499 be even better.
Callicles endeavours now to avert the inevitable absurdity by affirming that he and all mankind admitted some pleasures to be good and others bad. The good are the beneficial, and the bad are the hurtful, and we should choose the one and avoid the other. But this, as Socrates observes, is a return to the old doctrine of himself and Polus, that all things should be done for the sake of the good. [Sidenote: _Analysis 501-506._] Callicles assents to this, and Socrates, finding that they are 500 agreed in distinguishing pleasure from good, returns to his old division of empirical habits, or shams, or flatteries, which study 501 pleasure only, and the arts which are concerned with the higher interests of soul and body. Does Callicles agree to this division? Callicles will agree to anything, in order that he may get through the argument. Which of the arts then are flatteries? Flute-playing, harp-playing, choral exhibitions, the dithyrambics of Cinesias are all equally condemned on the ground that they give pleasure only; and Meles the harp-player, who was the father of 502 Cinesias, failed even in that. The stately muse of Tragedy is bent upon pleasure, and not upon improvement. Poetry in general is only a rhetorical address to a mixed audience of men, women, and children. And the orators are very far from speaking with a view to what is best; their way is to humour the assembly as if they were children.
But if he be wrong in this, and if self-control is the true secret of happiness, then the paradox is true that the only use of rhetoric is in self-accusation, and Polus was right in saying that to do wrong is worse than to suffer wrong, and Gorgias was right in saying that the rhetorician must be a just man. And you were wrong in taunting me with my defenceless condition, and in saying that I might be accused or put to death or boxed on the ears with impunity. For I may repeat once more, that to strike is worse than to be stricken—to do than to suffer. What I said then 509 is now made fast in adamantine bonds. I myself know not the true nature of these things, but I know that no one can deny my words and not be ridiculous. To do wrong is the greatest of evils, and to suffer wrong is the next greatest evil. He who would 510 avoid the last must be a ruler, or the friend of a ruler; and to be the friend he must be the equal of the ruler, and must also resemble him. Under his protection he will suffer no evil, but will he also do no evil?
Nay, will he not rather do all the evil which he can and escape? And in this way the greatest of all evils will 511 befall him. ‘But this imitator of the tyrant,’ rejoins Callicles, ‘will kill any one who does not similarly imitate him.’ Socrates replies that he is not deaf, and that he has heard that repeated many times, and can only reply, that a bad man will kill a good one. ‘Yes, and that is the provoking thing.’ Not provoking to a man of sense who is not studying the arts which will preserve him from danger; and this, as you say, is the use of rhetoric in courts of justice. But how many other arts are there which also save men from death, and are yet quite humble in their pretensions—such as the art of swimming, or the art of the pilot? Does not the pilot do men at least as much service as the rhetorician, and yet for the voyage from Aegina to Athens he does not charge more than two obols, and when he disembarks is quite unassuming in his demeanour?
That is because you are in love with Demos. But let us have a little more conversation. You remember the two processes—one which was directed to pleasure, the other which was directed to making men as good as possible. And those who have the care of the city should make the citizens as good as possible. But who 514 would undertake a public building, if he had never had a teacher of the art of building, and had never constructed a building before? or who would undertake the duty of state-physician, if he had never cured either himself or any one else? Should we not examine him before we entrusted him with the office? And as Callicles is about to enter public life, should we not examine him? Whom has he made better? For we have already admitted that 515 this is the statesman’s proper business. And we must ask the same question about Pericles, and Cimon, and Miltiades, and Themistocles. Whom did they make better? Nay, did not Pericles make the citizens worse? For he gave them pay, and at first he was very popular with them, but at last they condemned him to death.
Yet surely he would be a bad tamer of animals who, 516 having received them gentle, taught them to kick and butt, and man is an animal; and Pericles who had the charge of man only made him wilder, and more savage and unjust, and therefore he could not have been a good statesman. The same tale might be repeated about Cimon, Themistocles, Miltiades. But the charioteer who keeps his seat at first is not thrown out when he 517 gains greater experience and skill. The inference is, that the statesmen of a past age were no better than those of our own. They may have been cleverer constructors of docks and harbours, but they did not improve the character of the citizens. I have told you again and again (and I purposely use the same images) that the soul, like the body, may be treated in two ways—there is the meaner and the higher art. You seemed to understand what 518 I said at the time, but when I ask you who were the really good statesmen, you answer—as if I asked you who were the good trainers, and you answered, Thearion, the baker, Mithoecus, the author of the Sicilian cookery-book, Sarambus, the vintner.
And you would be affronted if I told you that these are a parcel of cooks who make men fat only to make them thin. And those whom they have fattened applaud them, instead of finding fault with them, and lay the blame of their subsequent disorders on their physicians. In this respect, Callicles, you are like them; you applaud the statesmen of old, who pandered to the vices of the citizens, and filled the city with docks and harbours, but neglected virtue and justice. And when the fit of illness comes, the 519 citizens who in like manner applauded Themistocles, Pericles, and others, will lay hold of you and my friend Alcibiades, and you will suffer for the misdeeds of your predecessors. The old story is always being repeated—‘after all his services, the ungrateful city banished him, or condemned him to death.’ As if the statesman should not have taught the city better! He surely cannot blame the state for having unjustly used him, any more than the sophist or teacher can find fault with his pupils if they cheat him. And the sophist 520 and orator are in the same case; although you admire rhetoric and despise sophistic, whereas sophistic is really the higher of the two. The teacher of the arts takes money, but the teacher of virtue or politics takes no money, because this is the only kind of service which makes the disciple desirous of requiting his teacher.
For there are two classes of souls who undergo punishment—the curable and the incurable. The curable are those who are benefited by their punishment; the incurable are such as Archelaus, who benefit others by becoming a warning to them. The latter class are generally kings and potentates; meaner persons, happily for themselves, have not the same power of doing injustice. Sisyphus and Tityus, not Thersites, are supposed by Homer to be undergoing everlasting punishment. Not that there is anything to prevent a great man from being a good one, as is shown by the famous example of Aristeides, the son of Lysimachus. 526 But to Rhadamanthus the souls are only known as good or bad; they are stripped of their dignities and preferments; he despatches the bad to Tartarus, labelled either as curable or incurable, and looks with love and admiration on the soul of some just one, whom he sends to the islands of the blest. Similar is the practice of Aeacus; and Minos overlooks them, holding a golden sceptre, as Odysseus in Homer saw him ‘Wielding a sceptre of gold, and giving laws to the dead.’ My wish for myself and my fellow-men is, that we may present our souls undefiled to the judge in that day; my desire in life is to be able to meet death. And I exhort you, and retort upon you 527 the reproach which you cast upon me,—that you will stand before the judge, gaping, and with dizzy brain, and any one may box you on the ear, and do you all manner of evil.
Perhaps you think that this is an old wives’ fable. But you, who are the three wisest men in Hellas, have nothing better to say, and no one will ever show that to do is better than to suffer evil. A man should study to be, and not merely to seem. If he is bad, he should become good, and avoid all flattery, whether of the many or of the few. Follow me, then; and if you are looked down upon, that will do you no harm. And when we have practised virtue, we will betake ourselves to politics, but not until we are delivered from the shameful state of ignorance and uncertainty in which we are at present. Let us follow in the way of virtue and justice, and not in the way to which you, Callicles, invite us; for that way is nothing worth. * * * * * [Sidenote: _The logic and dialectic of the Dialogue._] [Sidenote: INTRODUCTION.] We will now consider in order some of the principal points of the dialogue. Having regard (1) to the age of Plato and the ironical character of his writings, we may compare him with himself and with other great teachers, and we may note in passing the objections of his critics. And then (2) casting one eye upon him, we may cast another upon ourselves, and endeavour to draw out the great lessons which he teaches for all time, stripped of the accidental form in which they are enveloped.
(1) In the Gorgias, as in nearly all the other dialogues of Plato, we are made aware that formal logic has as yet no existence. The old difficulty of framing a definition recurs. The illusive analogy of the arts and the virtues also continues. The ambiguity of several words, such as nature, custom, the honourable, the good, is not cleared up. The Sophists are still floundering about the distinction of the real and seeming. Figures of speech are made the basis of arguments. The possibility of conceiving a universal art or science, which admits of application to a particular subject-matter, is a difficulty which remains unsolved, and has not altogether ceased to haunt the world at the present day (cp. Charmides, 166 ff.). The defect of clearness is also apparent in Socrates himself, unless we suppose him to be practising on the simplicity of his opponent, or rather perhaps trying an experiment in dialectics. Nothing can be more fallacious than the contradiction which he pretends to have discovered in the answers of Gorgias (see Analysis). The advantages which he gains over Polus are also due to a false antithesis of pleasure and good, and to an erroneous assertion that an agent and a patient may be described by similar predicates;—a mistake which Aristotle partly shares and partly corrects in the Nicomachean Ethics, V. i. 4; xi. 2. Traces of a ‘robust sophistry’ are likewise discernible in his argument with Callicles (pp. 490, 496, 516).
The idealism of Plato is founded upon this sentiment. He would maintain that in some sense or other truth and right are alone to be sought, and that all other goods are only desirable as means towards these. He is thought to have erred in ‘considering the agent only, and making no reference to the happiness of others, as affected by him.’ But the happiness of others or of mankind, if regarded as an end, is really quite as ideal and almost as paradoxical to the common understanding as Plato’s conception of happiness. For the greatest happiness of the greatest number may mean also the greatest pain of the individual which will procure the greatest pleasure of the greatest number. Ideas of utility, like those of duty and right, may be pushed to unpleasant consequences. Nor can Plato in the Gorgias be deemed purely self-regarding, considering that Socrates expressly mentions the duty of imparting the truth when discovered to others. Nor must we forget that the side of ethics which regards others is by the ancients merged in politics. Both in Plato and Aristotle, as well as in the Stoics, the social principle, though taking another form, is really far more prominent than in most modern treatises on ethics.
Plato, like other philosophers, is thus led on to the conclusion, that if ‘the ways of God’ to man are to be ‘justified,’ the hopes of another life must be included. If the question could have been put to him, whether a man dying in torments was happy still, even if, as he suggests in the Apology (40 C), ‘death be only a long sleep,’ we can hardly tell what would have been his answer. There have been a few, who, quite independently of rewards and punishments or of posthumous reputation, or any other influence of public opinion, have been willing to sacrifice their lives for the good of others. It is difficult to say how far in such cases an unconscious hope of a future life, or a general faith in the victory of good in the world, may have supported the sufferers. But this extreme idealism is not in accordance with the spirit of Plato. He supposes a day of retribution, in which the good are to be rewarded and the wicked punished (522 E). Though, as he says in the Phaedo, no man of sense will maintain that the details of the stories about another world are true, he will insist that something of the kind is true, and will frame his life with a view to this unknown future. Even in the Republic he introduces a future life as an afterthought, when the superior happiness of the just has been established on what is thought to be an immutable foundation. At the same time he makes a point of determining his main thesis independently of remoter consequences (x. 612 A).
(3) Plato’s theory of punishment is partly vindictive, partly corrective. In the Gorgias, as well as in the Phaedo and Republic, a few great criminals, chiefly tyrants, are reserved as examples. But most men have never had the opportunity of attaining this pre-eminence of evil. They are not incurable, and their punishment is intended for their improvement. They are to suffer because they have sinned; like sick men, they must go to the physician and be healed. On this representation of Plato’s the criticism has been made, that the analogy of disease and injustice is partial only, and that suffering, instead of improving men, may have just the opposite effect. Like the general analogy of the arts and the virtues, the analogy of disease and injustice, or of medicine and justice, is certainly imperfect. But ideas must be given through something; the nature of the mind which is unseen can only be represented under figures derived from visible objects. If these figures are suggestive of some new aspect under which the mind may be considered, we cannot find fault with them for not exactly coinciding with the ideas represented. They partake of the imperfect nature of language, and must not be construed in too strict a manner. That Plato sometimes reasons from them as if they were not figures but realities, is due to the defective logical analysis of his age.
This opposition is carried out from a speculative point of view in the Philebus. There neither pleasure nor wisdom are allowed to be the chief good, but pleasure and good are not so completely opposed as in the Gorgias. For innocent pleasures, and such as have no antecedent pains, are allowed to rank in the class of goods. The allusion to Gorgias’ definition of rhetoric (Philebus, 58 A, B; cp. Gorg. 452 D, E), as the art of persuasion, of all arts the best, for to it all things submit, not by compulsion, but of their own free will—marks a close and perhaps designed connection between the two dialogues. In both the ideas of measure, order, harmony, are the connecting links between the beautiful and the good. [Sidenote: _Some minor points._] In general spirit and character, that is, in irony and antagonism to public opinion, the Gorgias most nearly resembles the Apology, Crito, and portions of the Republic, and like the Philebus, though from another point of view, may be thought to stand in the same relation to Plato’s theory of morals which the Theaetetus bears to his theory of knowledge.
It is scarcely necessary to repeat that Plato is playing ‘both sides of the game,’ and that in criticising the characters of Gorgias and Polus, we are not passing any judgment on historical individuals, but only attempting to analyze the ‘dramatis personae’ as they were conceived by him. Neither is it necessary to enlarge upon the obvious fact that Plato is a dramatic writer, whose real opinions cannot always be assumed to be those which he puts into the mouth of Socrates, or any other speaker who appears to have the best of the argument; or to repeat the observation that he is a poet as well as a philosopher; or to remark that he is not to be tried by a modern standard, but interpreted with reference to his place in the history of thought and the opinion of his time. [Sidenote: _The irony of Socrates._] It has been said that the most characteristic feature of the Gorgias is the assertion of the right of dissent, or private judgment. But this mode of stating the question is really opposed both to the spirit of Plato and of ancient philosophy generally. For Plato is not asserting any abstract right or duty of toleration, or advantage to be derived from freedom of thought; indeed, in some other parts of his writings (e. g. Laws, x), he has fairly laid himself open to the charge of intolerance. No speculations had as yet arisen respecting the ‘liberty of prophesying;’ and Plato is not affirming any abstract right of this nature: but he is asserting the duty and right of the one wise and true man to dissent from the folly and falsehood of the many. At the same time he acknowledges the natural result, which he hardly seeks to avert, that he who speaks the truth to a multitude, regardless of consequences, will probably share the fate of Socrates.
‘While rank corruption, mining all within, Infects unseen.’ The ‘accustomed irony’ of Socrates adds a corollary to the argument:—‘Would you punish your enemy, you should allow him to escape unpunished’—this is the true retaliation. (Compare the obscure verse of Proverbs, xxv. 21, 22, ‘Therefore if thine enemy hunger, feed him,’ etc., quoted in Romans xii. 20.) [Sidenote: _Better to suffer for wrong doing than not to suffer._] Men are not in the habit of dwelling upon the dark side of their own lives: they do not easily see themselves as others see them. They are very kind and very blind to their own faults; the rhetoric of self-love is always pleading with them on their own behalf. Adopting a similar figure of speech, Socrates would have them use rhetoric, not in defence but in accusation of themselves. As they are guided by feeling rather than by reason, to their feelings the appeal must be made. They must speak to themselves; they must argue with themselves; they must paint in eloquent words the character of their own evil deeds. To any suffering which they have deserved, they must persuade themselves to submit. Under the figure there lurks a real thought, which, expressed in another form, admits of an easy application to ourselves. For do not we too accuse as well as excuse ourselves? And we call to our aid the rhetoric of prayer and preaching, which the mind silently employs while the struggle between the better and the worse is going on within us. And sometimes we are too hard upon ourselves, because we want to restore the balance which self-love has overthrown or disturbed; and then again we may hear a voice as of a parent consoling us. In religious diaries a sort of drama is often enacted by the consciences of men ‘accusing or else excusing them.’ For all our life long we are talking with ourselves:—What is thought but speech (Soph. 263 E)? What is feeling but rhetoric? And if rhetoric is used on one side only we shall be always in danger of being deceived. And so the words of Socrates, which at first sounded paradoxical, come home to the experience of all of us.
Third Thesis:— We do not what we will, but what we wish. [Sidenote: _We do not what we will, but what we wish._] Socrates would teach us a lesson which we are slow to learn—that good intentions, and even benevolent actions, when they are not prompted by wisdom, are of no value. We believe something to be for our good which we afterwards find out not to be for our good. The consequences may be inevitable, for they may follow an invariable law, yet they may often be the very opposite of what is expected by us. When we increase pauperism by almsgiving; when we tie up property without regard to changes of circumstances; when we say hastily what we deliberately disapprove; when we do in a moment of passion what upon reflection we regret; when from any want of self-control we give another an advantage over us—we are doing not what we will, but what we wish. All actions of which the consequences are not weighed and foreseen, are of this impotent and paralytic sort; and the author of them has ‘the least possible power’ while seeming to have the greatest. For he is actually bringing about the reverse of what he intended.
Text from Project Gutenberg, public domain in the United States.