Plotinos · Plotinus
INTELLIGENCE CONTAINS THE UNIVERSAL ARCHETYPE.
9. What then are the things contained within the unity of Intelligence which we separate in thinking of them? They must be expressed without disturbing their rest, and we must contemplate the contents of Intelligence by a science that somehow remains within unity. Since this sense-world is an animal which embraces all animals, since it derives both its general and special existence from a principle different from itself,[138] a principle which, in turn, is derived from intelligence, therefore intelligence must itself contain the universal archetype, and must be that intelligible world of which Plato[139] (well) says; "Intelligence sees the ideas contained within the existing animal."[140] Since an animal, whose (seminal) reason exists with the matter fit to receive it, must of course be begotten, so the mere existence of a nature that is intellectual, all-powerful, and unhindered by any obstacle--since nothing can interpose between it and the (substance) capable of receiving the form--must necessarily be adorned (or, created) by intelligence, but only in a divided condition does it reveal the form it receives, so that, for instance, it shows us on one hand a man, and on the other the sun, while intelligence possesses everything in unity. IN THE SENSE-WORLD ONLY THOSE THINGS THAT ARE FORMS PROCEED FROM INTELLIGENCE. 10. Therefore, in the sense-world, all the things that are forms proceed from intelligence; those which are not forms do not proceed therefrom. That is, in the intelligible world we do not find any of the things that are contrary to nature, any more than we find what is contrary to the arts in the arts themselves. Thus the seminal reason does not contain the defects, such as limping would be in a body. Congenital lameness is due to the reason's failure to dominate matter, while accidental lameness is due to deterioration of the form (idea?).
NATURAL CHARACTERISTICS ARE DERIVED FROM THE CATEGORIES IN THE INTELLIGIBLE. The qualities that are natural, quantities, numbers, magnitudes, states, actions and natural experiences, movements and recuperations, either general or particular, are among the contents of the intelligible world, where time is replaced by eternity,[141] and space is replaced by the "telescoping" of intelligible entities (that are within each other). As all entities are together in the intelligible world, whatever entity you select (by itself) is intellectual and living "being," identity and difference, movement and rest;[142] it is what moves, and what is at rest; it is "being," and quality; that is, it is all. There every essence is in actualization, instead of merely being in potentiality; consequently it is not separated from quality. THE INTELLIGIBLE WORLD FAILS TO CONTAIN EARTHLY IMPERFECTIONS. Does the intelligible world contain only what is found in the sense-world, or does it contain anything additional?... Let us consider the arts, in this respect. To begin with, the intelligible world does not contain any imperfection. Evils here below come from lack, privation, omission; it is a state of matter, or of anything similar to matter, which failed to be completely assimilated.[143] SOME ARTS ARE PURELY EARTHLY; OTHERS, LIKE MUSIC, INTELLIGIBLE. 11. Let us therefore consider the arts and their products. Unless as represented within human reason, we cannot refer to the intelligible world arts of imitation such as painting, sculpture, dancing, or acting, because they are born here below, take sense-objects as models, representing their forms, motions, and visible proportions.[144] If, however, we possess a faculty which, by studying the beauties offered by the symmetry of animals, considers the general characteristics of this symmetry, it must form part of the intellectual power which, on high, contemplates universal symmetry. Music, however, which studies rhythm and harmony, is, so far as it studies what is intelligible in these things, the image of the music that deals with intelligible rhythm.
THERE ARE MANY AUXILIARY ARTS WHICH HELP THE PROGRESS OF NATURE. The arts which produce sense-objects, such as architecture and carpentry, have their principles in the intelligible world, and participate in wisdom, so far as they make use of certain proportions. But as they apply these proportions to sense-objects, they cannot wholly be referred to the intelligible world, unless in so far as they are contained within human reason. The case is similar with agriculture, which assists the growth of plants; medicine, which increases health, and (gymnastics) which supplies the body with strength as well as vigor,[145] for on high there is another Power, another Health, from which all living organisms derive their needed vigor. OTHER ARTS ARE INTELLIGIBLE WHEN APPLIED TO THE INTELLIGIBLE. Last, whenever rhetoric, strategy, private and public finance and politics weave beauty in their deeds, and they glance above, they (discover) that they have added to their science a contribution from the intelligible science. The science of geometry, however, which deals (wholly) with intelligible entities, must be referred to the intelligible world. So also with philosophy, which occupies the first rank among sciences because it studies essence. This is all we have to say about arts and their products. THE INTELLIGIBLE WORLD CONTAINS ONLY UNIVERSAL IDEAS; PARTICULARITIES ARE DERIVED FROM MATTER.
12. If the intelligible world contains the idea of Man, it must also contain that of the reasonable man, and of the artist; and consequently the idea of the arts that are begotten by Intelligence. We must therefore insist that the intelligible world contains the ideas of the universals, the idea of Man as such, and not, for instance, that of Socrates. Still we shall have to decide whether the intelligible world does not also contain the idea of the individual man, that is, of the man considered with the things that differ in each individual; for one may have a Roman nose and the other a pug nose. These differences are indeed implied within the idea of man, just as there are differences within the idea of animal. But the differences between a Roman or a snub nose are derived from matter. Likewise, amidst the varieties of colors, some are contained within the seminal reason, while others are derived from matter and space. BESIDES IDEAS OF INDIVIDUAL SOULS AND INTELLIGENCE, THE INTELLIGIBLE WORLD CONTAINS THE SOUL ITSELF AND INTELLIGENCE ITSELF.
13. It remains for us to study whether the intelligible world contains only what is in the sense-world, or whether we should distinguish from the individual soul the Soul itself, from the particular intelligence, Intelligence itself, as we have above distinguished the particular man from Man himself. We should not consider all things here below as images of archetypes, for instance, the soul of a man as the image of the Soul herself. Only degrees of dignity differentiate souls; but these souls are not the Soul itself. As the Soul itself exists really, it must also contain a certain wisdom, justice and science, which are not images of wisdom, justice, and intelligible science, as sense-objects are images of intelligible entities, but which are these very entities located here below in entirely different conditions of existence; for they are not locally circumscribed. Therefore when the soul issues from the body, she preserves these things within herself; for the sense-world exists only in a determinate place, while the intelligible world exists everywhere; therefore all that the soul contains here below is also in the intelligible world. Consequently if, by "sense-objects" we really mean "visible" things, then indeed the intelligible world contains entities not present in this sense-world. If, on the contrary, we include within the "sense-world" the soul and all she implies, then all things that are above are present here below also.
THE SUPREME BEING ENTIRELY ONE DOES NOT EXPLAIN THE ORIGIN OF THE MANIFOLD. 14. Can we identify the nature that contains all the intelligibles (Intelligence) with the supreme Principle? Impossible, because the supreme Principle must be essentially one, and simple, while essences form a multitude. But as these essences form a multitude, we are forced to explain how this multitude, and all these essences can exist. How can (the single) Intelligence be all these things? Whence does it proceed? This we shall have to study elsewhere.[146] THE SOUL RECEIVES ACCIDENTS FROM MATTER, BUT DEFECTS ARE NOT IN THE INTELLIGIBLE. It may further be asked whether the intelligible world contains the ideas of objects which are derived from decay, which are harmful or disagreeable, such as, for instance, mud or excreta. We answer that all the things that universal Intelligence receives from the First are excellent. Among them are not found ideas of those dirty and vile objects mentioned above; Intelligence does not contain them. But though receiving from Intelligence ideas, the soul receives from matter other things, among which may be found the above-mentioned accidents. Besides, a more thorough answer to this question must be sought for in our book where we explain "How the Multitude of Ideas Proceeds from the One."[147] In conclusion, the accidental composites in which Intelligence does not share and which are formed by a fortuitous complex of sense-objects, have no ideas corresponding to them in the intelligible world. Things that proceed from decay are produced only because the Soul is unable to produce anything better in this case; otherwise she would have rather produced some object more agreeing with nature; she therefore produces what she can. All the arts concerned with things natural to man are contained within the ideas of Man himself. The Art that is universal is prior to the other arts; but Art is posterior to the Soul herself, or rather, to the life that is in Intelligence before becoming soul, and which, on becoming soul, deserves to be called the Soul herself. (Transcriber's note: see footnotes 134a and 148.) Of the Descent of the Soul Into the Body.[149]
Text from Project Gutenberg, public domain in the United States.