Selected Essays of Plutarch, Vol. II. · Plutarch
ON THE ‘E’ AT DELPHI
From seed it produces, in its constant changes, an embryo, then an infant, then a child; in due order a boy, a young man; then a man, an elderly man, an old man; it undoes the former becomings and the age which has been, to make those which come after. Yet we fear (how absurdly!) a single death, we who have died so many deaths, and yet are dying. For it is not only that, as Heraclitus[74] would say, “death of fire is birth of air”, and “death of air is birth of water”; the thing is much clearer in [Sidenote: D] our own selves. The man in his strength is destroyed when the old man comes into being, the young man was destroyed for the man in his strength to be, so the boy for the young man, the babe for the boy. He of yesterday has died into him of to-day; he of to-day is dying into him of to-morrow. No one abides, no one is; we that come into being are many, while matter is driven around, and then glides away, about some one appearance and a common mould. Else how is it, if we remain the same, that the things in which we find pleasure now are different from those of a former time; that we love, hate, admire, and censure [Sidenote: E] different things; that our words are different and our feelings; that our look, our bodily form, our intellect are not the same now as then? If a man does not change, these various conditions are unnatural; if he does change, he is not the same man. But if he is not the same man, he is not at all; his so-called being is simply change and new birth of man out of man. In our ignorance of what being is, sense falsely tells us that what appears is.
XIX. ‘What then really is? That which is eternal, was never brought into being, is never destroyed, to which no time ever brings change. Time is a thing which moves and takes the fashion of moving matter, which ever flows or is a sort of leaky vessel which holds destruction and becoming. Of time we use the words “afterwards”, “before”, “shall be”, and [Sidenote: F] “has been”, each on its face an avowal of not being. For, in this question of being, to say of a thing which has not yet come into being, or which has already ceased from being, that “it is”, is silly and absurd. When we strain to the uttermost our apprehension of time, and say “it is at hand”, “it is here”, or “now”, a rational development of the argument brings it all to nothing. “Now” is squeezed out into the future or into the past, as though we should try to see a point, which of necessity passes away to right or left. But if the case be the [Sidenote: 393] same with Nature, which is measured, as with time which measures, nothing in it abides or really is. All things are coming into being, or being destroyed, even while we measure them by time. Hence it is not permissible, even in speaking of that which is, to say that “it was”, or “it shall be”; these all are inclinations, transitions, passages, for of permanent being there is none in Nature.
XX. ‘But the God IS, we are bound to assert; he is, with reference to no time but to that age wherein is no movement, or time, or duration; to which nothing is prior or subsequent; no future, no past, no elder, no younger, which by one long “now” has made the “always” perfect. Only with reference to this that which really is, is; it has not come into being, it is [Sidenote: B] not yet to be, it did not begin, it will not cease. Thus then we ought to hail him in worship, and thus to address him as “Thou Art”, aye, or in the very words of some of the old people, “Ei Hen”, “Thou art one thing”.[75] For the Divine is not many things, in the sense in which each one of us is made up of ten thousand different and successive states, a scrap-heap of units, a mob of individuals. No, that which is must be one, as that which is one is. Variety, any difference in being, passes to one side to produce that which is not. Therefore the first [Sidenote: C] of the names of the God is right, and the second, and the third. “Apollo” (Not-many) denies plurality and excludes multitude. Ieïus means one and one only; Phoebus, we know, is a word by which the ancients expressed that which is clean and pure, even as to this day the Thessalians, when their priests pass their solemn days in strict seclusion outside the temple, apply to them a verb formed from Phoebus. Now The One is transparent and pure, pollution comes by commixture of this with that, just as Homer,[76] you remember, says of ivory dyed red that it is stained, and dyers say of mingled pigments that they are [Sidenote: D] destroyed, and call the process “destruction”. Therefore it is the property of that which is indestructible and pure to be one and without admixture.
XXI. ‘There are those who think that Apollo and the sun are the same; we hail them and love them for the fair name they give, and it is fitting to do so; for they associate their idea of the God with that which they honour and desire more than all other things which they know. But now that we see them dreaming of the God in the fairest of nightly visions, let us rise and encourage them to mount yet higher, to contemplate him in a dream of the day, and to see his own being. Let them pay honour also to the image of him and worship the principle of increase which is about it; so far as what is of sense can lead to what is of mind, a moving body to that which abides, it allows presentments and appearances of his kind and blessed [Sidenote: E] self to shine through after a fashion. But as to transitions and changes in himself, that he now discharges fire, and so is drawn up, as they put it, or again presses down and strains himself into earth and sea, winds and animals, and all the strange passages into animals and also plants, piety forbids us so much as to hear them.
Otherwise the God will be a greater trifler than the boy in Homer,[77] for ever playing with the universe the game which the boy plays with a pile of sand, which is heaped together and sucked away under his hand; moulding the universe when there is none, and again destroying it when it has come into being. The opposite principle which we find in the [Sidenote: F] universe, whatever its origin, is that which binds being together and prevails over the corporeal weakness tending to destruction. To my thinking the word “EI” is confronted with this false view, and testifies to the God that THOU ART, meaning that no shift or change has place in him, but that such things belong [Sidenote: 394] to some other God, or rather to some Spirit set over Nature in its perishing and becoming, whether to effect either process or to undergo it. This appears from the names, in themselves opposite and contradictory. He is called Apollo, another is called Pluto; he is Delius, the other Aidoneus; he is Phoebus, the other “Skotios”; by his side are the Muses, and Memory, with the other are Oblivion and Silence; he is Theorius and Phanaeus, the other is “King of dim Night and ineffectual Sleep”.[78] The other is [Sidenote: B] _Of all the Gods to men the direst foe._[79]
Whereas of him Pindar[80] has pleasantly said: _Well tried and mildest found, to men who live and die._ so Euripides[81] was right: _Draughts to the dead out-poured, Songs which our bright-haired lord Apollo hath abhorred._ And still earlier Stesichorus:[82] _Jest and song Apollo owns, Let Hades keep his woes and groans._ Sophocles again,[83] in his actual assignment of instruments to each, is quite clear, thus: _Nor harp nor lyre to wailing strains is dear_, for it was quite late, indeed only the other day, that the flute [Sidenote: C] ventured to let itself speak “on themes of joy”; in early times it trailed along in mourning, nor was its service therein much esteemed or very cheerful; then there came a general confusion. It was specially by mingling things which were of Gods with those which were of daemons that the distinction of the instruments was lost. Anyhow, the phrase “KNOW THYSELF” seems to stand in a sort of antithesis to the letter “E”, and yet, again, to accord with it. The letter is an appeal, a cry raised in awe and worship to the God, as being throughout all eternity; the phrase is a reminder to mortal man of his own nature and of his weakness.’ Footnote 51: Fr. 960. Footnote 52: i.e. at draughts, with a play on words.
Ideas discussed in this chapter
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