Introductory lectures on psycho-analysis · Sigmund Freud
TWENTY-THIRD LECTURE THE PATHS OF SYMPTOM-FORMATION
In the famous _Struwelpeter_ by the Frankfort physician for children, Hoffmann, which owes its popularity precisely to his understanding of the sexual and other complexes of children, you will find the castration idea modified and replaced by cutting off the thumbs as a punishment for stubborn sucking of them. It is, however, highly improbable that the threat of castration has been delivered as often as would appear from the analysis of a neurotic. We are content to understand that the child concocts a threat of this kind out of its knowledge that auto-erotic satisfactions are forbidden, on the basis of hints and allusions, and influenced by the impression received on discovering the female genital organ. Similarly, it is not at all impossible that a small child, credited as he is with no understanding and no memory, may be witness of the sexual act on the part of his parents or other adults in other families besides those of the proletariat; and there is reason to think that the child can _subsequently_ understand the impression received and react to it. But when this act of intercourse is described with minute details which can hardly have been observed, or when it appears, as it most frequently does, to have been performed from behind, _more ferarum_, there can be little doubt that this phantasy has grown out of the observation of copulating animals (dogs) and that its motive force lies in the unsatisfied skoptophilia (gazing-impulse) of the child during puberty. The greatest feat achieved by this kind of phantasy is that of observing parental intercourse while still unborn in the mother’s womb.
The phantasy of seduction has special interest, because only too often it is no phantasy but a real remembrance; fortunately, however, it is still not as often real as it seemed at first from the results of analysis. Seduction by children of the same age or older is more frequent than by adults; and when girls who bring forward this event in the story of their childhood fairly regularly introduce the father as the seducer, neither the phantastic character of this accusation nor the motive actuating it can be doubted. When no seduction has occurred, the phantasy is usually employed to cover the childhood period of auto-erotic sexual activity; the child evades feelings of shame about onanism by retrospectively attributing in phantasy a desired object to the earliest period. Do not suppose, however, that sexual misuse of children by the nearest male relatives is entirely derived from the world of phantasy; most analysts will have treated cases in which such occurrences actually took place and could be established beyond doubt; only even then they belonged to later years of childhood and had been transposed to an earlier time.
All this seems to lead to but one impression, that childhood experiences of this kind are in some way necessarily required by the neurosis, that they belong to its unvarying inventory. If they can be found in real events, well and good; but if reality has not supplied them they will be evolved out of hints and elaborated by phantasy. The effect is the same, and even to-day we have not succeeded in tracing any variation in the results according as phantasy or reality plays the greater part in these experiences. Here again is one of those complemental series so often referred to already; it is certainly the strangest of all those we have encountered. Whence comes the necessity for these phantasies, and the material for them? There can be no doubt about the instinctive sources; but how is it to be explained that the same phantasies are always formed with the same content? I have an answer to this which I know will seem to you very daring. I believe that these _primal phantasies_ (as I should like to name these, and certainly some others also) are a phylogenetic possession. In them the individual, wherever his own experience has become insufficient, stretches out beyond it to the experience of past ages. It seems to me quite possible that all that to-day is narrated in analysis in the form of phantasy, seduction in childhood, stimulation of sexual excitement upon observation of parental coitus, the threat of castration—or rather, castration itself—was in prehistoric periods of the human family a reality; and that the child in its phantasy simply fills out the gaps in its true individual experiences with true prehistoric experiences. We have again and again been led to suspect that more knowledge of the primordial forms of human development is stored up for us in the psychology of the neuroses than in any other field we may explore.
Now these things that we have been discussing require us to consider more closely the origin and meaning of that mental activity called “phantasy-making.” In general, as you know, it enjoys high esteem, although its place in mental life has not been clearly understood. I can tell you as much as this about it. You know that the Ego in man is gradually trained by the influence of external necessity to appreciate reality and to pursue the reality-principle, and that in so doing it must renounce temporarily or permanently various of the objects and aims—not only sexual—of its desire for pleasure. But renunciation of pleasure has always been very hard to man; he cannot accomplish it without some kind of compensation. Accordingly he has evolved for himself a mental activity in which all these relinquished sources of pleasure and abandoned paths of gratification are permitted to continue their existence, a form of existence in which they are free from the demands of reality and from what we call the exercise of ‘testing reality.’ Every longing is soon transformed into the idea of its fulfilment; there is no doubt that dwelling upon a wish-fulfilment in phantasy brings satisfaction, although the knowledge that it is not reality remains thereby unobscured.
In phantasy, therefore, man can continue to enjoy a freedom from the grip of the external world, one which he has long relinquished in actuality. He has contrived to be alternately a pleasure-seeking animal and a reasonable being; for the meagre satisfaction that he can extract from reality leaves him starving. “There is no doing without accessory constructions,” said Fontane. The creation of the mental domain of phantasy has a complete counterpart in the establishment of “reservations” and “nature-parks” in places where the inroads of agriculture, traffic, or industry threaten to change the original face of the earth rapidly into something unrecognizable. The “reservation” is to maintain the old condition of things which has been regretfully sacrificed to necessity everywhere else; there everything may grow and spread as it pleases, including what is useless and even what is harmful. The mental realm of phantasy is also such a reservation reclaimed from the encroaches of the reality-principle. The best-known productions of phantasy have already been met by us; they are called day-dreams, and are imaginary gratifications of ambitious, grandiose, erotic wishes, dilating the more extravagantly the more reality admonishes humility and patience. In them is shown unmistakably the essence of imaginary happiness, the return of gratification to a condition in which it is independent of reality’s sanction. We know that these day-dreams are the kernels and models of night-dreams; fundamentally the night-dream is nothing but a day-dream distorted by the nocturnal form of mental activity and made possible by the nocturnal freedom of instinctive excitations. We are already familiar with the idea that a day-dream is not necessarily conscious, that unconscious day-dreams also exist; such unconscious day-dreams are therefore just as much the source of night-dreams as of neurotic symptoms.
The significance of phantasy for symptom-formation will become clear to you in what follows. We said that under privation the Libido regressively invests the positions it had left, but to which nevertheless some portions of its energy had remained attached. We shall not retract or correct this statement, but we shall have to interpolate a connecting-link in it. How does the Libido find its way back to these fixation-points? Now the objects and channels which have been forsaken by the Libido have not been forsaken in every sense; they, or their derivatives, are still retained to some degree of intensity in the conceptions of phantasy. The Libido has only to withdraw on to the phantasies in order to find the way open to it back to all the repressed fixations. These phantasies had enjoyed a certain sort of toleration; no conflict between them and the Ego had developed, however sharp an opposition there was between them, as long as a certain condition was preserved—a condition of a _quantitative_ nature, now disturbed by the return of the Libido-stream on to the phantasies. By this accession, the investment of the phantasies with energy becomes so much augmented that they become assertive and begin to press towards realization; then, however, conflict between them and the Ego becomes unavoidable. Although previously they were preconscious or conscious, now they are subject to repression from the side of the Ego and are exposed to the attraction exerted from the side of the Unconscious. The Libido travels from the phantasies, now unconscious, to their sources in the Unconscious—back to its own fixation-points again.
The return of the Libido on to phantasy is an intermediate step on the way to symptom-formation which well deserves a special designation. C. G. Jung has coined for it the very appropriate name of INTROVERSION, but inappropriately he uses it also to describe other things. We will adhere to the position that _introversion_ describes the deflection of the Libido away from the possibilities of real satisfaction and its excessive accumulation upon phantasies previously tolerated as harmless. An introverted person is not yet neurotic, but he is in an unstable condition; the next disturbance of the shifting forces will cause symptoms to develop, unless he can yet find other outlets for his pent-up Libido. The unreal character of neurotic satisfaction and the disregard of the difference between phantasy and reality are already determined by the delay at this stage of introversion.
You will doubtless have noticed that in these last remarks I have introduced a new factor into the concatenation of the ætiological chain—namely, the _quantity_, the magnitude of the energies concerned; we must always take this factor into account as well. A purely qualitative analysis of the ætiological conditions does not suffice; or, to put it in another way, a purely _dynamic_ conception of these processes is insufficient, the _economic_ aspect is also required. We have to realize that the conflict between the two forces in opposition does not break out until a certain intensity in the degree of investment is reached, even though the substantive conditions have long been in existence. In the same way, the pathogenic significance of the constitutional factor is determined by the preponderance of one of the component-instincts in _excess_ over another in the disposition; it is even possible to conceive disposition as qualitatively the same in all men and only differentiated by this quantitative factor. No less important is this quantitative factor for the capacity to withstand neurotic illness; it depends upon the _amount_ of undischarged Libido that a person can hold freely suspended, and upon _how large_ a portion of it he can deflect from the sexual to a non-sexual goal in sublimation. The final aim of mental activity, which can be qualitatively described as a striving towards pleasure and avoidance of pain, is represented economically in the task of mastering the distribution of the quantities of excitation (stimulus-masses) present in the mental apparatus, and in preventing the accumulation of them which gives rise to pain.
I set out to tell you as much as this about symptom-formation in the neuroses. Yes, but I must not neglect to mention once more that everything said to-day relates only to symptom-formation in hysteria. Even the obsessional neurosis shows great differences, although the essentials are the same. The ‘counter-charges’ from the Ego against the demands made by instincts for satisfaction, mentioned already in connection with hysteria, are more strongly marked in the obsessional neurosis and govern the clinical picture in the form of what we call ‘reaction-formations.’ Similar and more extensive deviations still are found in the other neuroses, in which field researches into the mechanisms of symptom-formation are not yet complete in any direction. Before you leave to-day I should like to direct your attention for a moment to a side of phantasy-life of very general interest. There is, in fact, a path from phantasy back again to reality, and that is—art. The artist has also an introverted disposition and has not far to go to become neurotic. He is one who is urged on by instinctive needs which are too clamorous; he longs to attain to honour, power, riches, fame, and the love of women; but he lacks the means of achieving these gratifications. So, like any other with an unsatisfied longing, he turns away from reality and transfers all his interest, and all his Libido too, on to the creation of his wishes in the life of phantasy, from which the way might readily lead to neurosis. There must be many factors in combination to prevent this becoming the whole outcome of his development; it is well known how often artists in particular suffer from partial inhibition of their capacities through neurosis. Probably their constitution is endowed with a powerful capacity for sublimation and with a certain flexibility in the repressions determining the conflict.
But the way back to reality is found by the artist thus: He is not the only one who has a life of phantasy; the intermediate world of phantasy is sanctioned by general human consent, and every hungry soul looks to it for comfort and consolation. But to those who are not artists the gratification that can be drawn from the springs of phantasy is very limited; their inexorable repressions prevent the enjoyment of all but the meagre day-dreams which can become conscious. A true artist has more at his disposal. First of all he understands how to elaborate his day-dreams, so that they lose that personal note which grates upon strange ears and become enjoyable to others; he knows too how to modify them sufficiently so that their origin in prohibited sources is not easily detected. Further, he possesses the mysterious ability to mould his particular material until it expresses the ideas of his phantasy faithfully; and then he knows how to attach to this reflection of his phantasy-life so strong a stream of pleasure that, for a time at least, the repressions are out-balanced and dispelled by it. When he can do all this, he opens out to others the way back to the comfort and consolation of their own unconscious sources of pleasure, and so reaps their gratitude and admiration; then he has won—through his phantasy—what before he could only win in phantasy: honour, power, and the love of women.
Text from Project Gutenberg, public domain in the United States.