Sartor Resartus, and · Thomas Carlyle
THE HERO AS DIVINITY. ODIN. PAGANISM: SCANDINAVIAN MYTHOLOGY
And then consider what mere Time will do in such cases; how if a man was great while living, he becomes tenfold greater when dead. What an enormous _camera-obscura_ magnifier is Tradition! How a thing grows in the human Memory, in the human Imagination, when love, worship and all that lies in the human Heart, is there to encourage it. And in the darkness, in the entire ignorance; without date or document, no book, no Arundel-marble; only here and there some dumb monumental cairn. Why, in thirty or forty years, were there no books, any great man would grow _mythic_, the contemporaries who had once seen him, being all dead. And in three-hundred years, and three-thousand years--!--To attempt _theorising_ on such matters would profit little: they are matters which refuse to be _theoremed_ and diagramed; which Logic ought to know that she _cannot_ speak of. Enough for us to discern, far in the uttermost distance, some gleam as of a small real light shining in the centre of that enormous camera-obscura image; to discern that the centre of it all was not a madness and nothing, but a sanity and something.
This light, kindled in the great dark vortex of the Norse mind, dark but living, waiting only for light; this is to me the centre of the whole. How such light will then shine out, and with wondrous thousandfold expansion spread itself, in forms and colours, depends not on _it_, so much as on the National Mind recipient of it. The colours and forms of your light will be those of the _cut-glass_ it has to shine through.--Curious to think how, for every man, any the truest fact is modelled by the nature of the man! I said, The earnest man, speaking to his brother men, must always have stated what seemed to him a _fact_, a real Appearance of Nature. But the way in which such Appearance or fact shaped itself,--what sort of _fact_ it became for him,--was and is modified by his own laws of thinking; deep, subtle, but universal, ever-operating laws. The world of Nature, for every man, is the Phantasy of Himself; this world is the multiplex 'Image of his own Dream.' Who knows to what unnameable subtleties of spiritual law all these Pagan Fables owe their shape! The number _Twelve_, divisiblest of all, which could be halved, quartered, parted into three, into six, the most remarkable number,--this was enough to determine the _Signs of the Zodiac_, the number of Odin's _Sons_, and innumerable other Twelves. Any vague rumour of number had a tendency to settle itself into Twelve. So with regard to every other matter. And quite unconsciously too,--with no notion of building-up 'Allegories'! But the fresh clear glance of those First Ages would be prompt in discerning the secret relations of things, and wholly open to obey these. Schiller finds in the _Cestus of Venus_ an everlasting æsthetic truth as to the nature of all Beauty; curious:--but he is careful not to insinuate that the old Greek Mythists had any notion of lecturing about the 'Philosophy of Criticism'!----On the whole we must leave those boundless regions. Cannot we conceive that Odin was a reality? Error indeed, error enough: but sheer falsehood, idle fables, allegory aforethought,--we will not believe that our Fathers believed in these.
Writing by Runes has some air of being original among the Norsemen: not a Phoenician Alphabet, but a native Scandinavian one. Snorro tells us farther that Odin invented Poetry; the music of human speech, as well as that miraculous runic marking of it. Transport yourselves into the early childhood of nations; the first beautiful morning-light of our Europe, when all yet lay in fresh young radiance as of a great sunrise, and our Europe was first beginning to think, to be! Wonder, hope; infinite radiance of hope and wonder, as of a young child's thoughts, in the hearts of these strong men! Strong sons of Nature; and here was not only a wild Captain and Fighter; discerning with his wild flashing eyes what to do, with his wild lion-heart daring and doing it; but a Poet too, all that we mean by a Poet, Prophet, great devout Thinker and Inventor,--as the truly Great Man ever is. A Hero is a Hero at all points; in the soul and thought of him first of all. This Odin, in his rude semi-articulate way, had a word to speak. A great heart laid open to take in this great Universe, and man's Life here, and utter a great word about it.
A Hero, as I say, in his own rude manner; a wise, gifted, noble-hearted man. And now, if we still admire such a man beyond all others, what must these wild Norse souls, first awakened into thinking, have made of him! To them, as yet without names for it, he was noble and noblest; Hero, Prophet, God; _Wuotan_, the greatest of all. Thought is Thought, however it speak or spell itself. Intrinsically, I conjecture, this Odin must have been of the same sort of stuff as the greatest kind of men. A great thought in the wild deep heart of him! The rough words he articulated, are they not the rudimental roots of those English words we still use? He worked so, in that obscure element. But he was as a _light_ kindled in it; a light of Intellect, rude Nobleness of heart, the only kind of lights we have yet; a Hero, as I say: and he had to shine there, and make his obscure element a little lighter,--as is still the task of us all. We will fancy him to be the Type Norseman; the finest Teuton whom that race had yet produced. The rude Norse heart burst-up into _boundless_ admiration round him; into adoration. He is as a root of so many great things; the fruit of him is found growing, from deep thousands of years, over the whole field of Teutonic Life. Our own Wednesday, as I said, is it not still Odin's Day? Wednesbury, Wansborough, Wanstead, Wandsworth: Odin grew into England too, these are still leaves from that root! He was the Chief God to all the Teutonic Peoples; their Pattern Norseman;--in such way did _they_ admire their Pattern Norseman; that was the fortune he had in the world.
Thus if the man Odin himself have vanished utterly, there is this huge Shadow of him which still projects itself over the whole History of his People. For this Odin once admitted to be God, we can understand well that the whole Scandinavian Scheme of Nature, or dim No-scheme, whatever it might before have been, would now begin to develop itself altogether differently, and grow thenceforth in a new manner. What this Odin saw into, and taught with his runes and his rhymes, the whole Teutonic People laid to heart and carried forward. His way of thought became their way of thought:--such, under new conditions, is the history of every great thinker still. In gigantic confused lineaments, like some enormous camera-obscura shadow thrown upwards from the dead deeps of the Past, and covering the whole Northern Heaven, is not that Scandinavian Mythology in some sort the Portraiture of this man Odin? The gigantic image of _his_ natural face, legible or not legible there, expanded and confused in that manner! Ah, Thought, I say, is always Thought. No great man lives in vain. The History of the world is but the Biography of great men.
To me there is something very touching in this primeval figure of Heroism; in such artless, helpless, but hearty entire reception of a Hero by his fellow-men. Never so helpless in shape, it is the noblest of feelings, and a feeling in some shape or other perennial as man himself. If I could show in any measure, what I feel deeply for a long time now, That it is the vital element of manhood, the soul of man's history here in our world,--it would be the chief use of this discoursing at present. We do not now call our great men Gods, nor admire _without_ limit; ah, no, _with_ limit enough! But if we have no great men, or do not admire at all,--that were a still worse case.
The essence of the Scandinavian, as indeed of all Pagan Mythologies, we found to be recognition of the divineness of Nature; sincere communion of man with the mysterious invisible Powers visibly seen at work in the world round him. This, I should say, is more sincerely done in the Scandinavian than in any Mythology I know. Sincerity is the great characteristic of it. Superior sincerity (far superior) consoles us for the total want of old Grecian grace. Sincerity, I think, is better than grace. I feel that these old Northmen were looking into Nature with open eye and soul: most earnest, honest; childlike, and yet manlike; with a great-hearted simplicity and depth and freshness, in a true, loving, admiring, unfearing way. A right valiant, true old race of men. Such recognition of Nature one finds to be the chief element of Paganism: recognition of Man, and his Moral Duty, though this too is not wanting, comes to be the chief element only in purer forms of religion. Here, indeed, is a great distinction and epoch in Human Beliefs; a great landmark in the religious development of Mankind. Man first puts himself in relation with Nature and her Powers, wonders and worships over those; not till a later epoch does he discern that all Power is Moral, that the grand point is the distinction for him of Good and Evil, of _Thou shalt_ and _Thou shalt not_.
With regard to all these fabulous delineations in the _Edda_, I will remark, moreover, as indeed was already hinted, that most probably they must have been of much newer date; most probably, even from the first, were comparatively idle for the old Norsemen, and as it were a kind of Poetic sport. Allegory and Poetic Delineation, as I said above, cannot be religious Faith; the Faith itself must first be there, then Allegory enough will gather round it, as the fit body round its soul. The Norse Faith, I can well suppose, like other Faiths, was most active while it lay mainly in the silent state, and had not yet much to say about itself, still less to sing. Among those shadowy _Edda_ matters, amid all that fantastic congeries of assertions, and traditions, in their musical Mythologies, the main practical belief a man could have was probably not much more than this: of the _Valkyrs_ and the _Hall of Odin_; of an inflexible _Destiny_; and that the one thing needful for a man was _to be brave_. The _Valkyrs_ are Choosers of the Slain: a Destiny inexorable, which it is useless trying to bend or soften, has appointed who is to be slain; this was a fundamental point for the Norse believer;--as indeed it is for all earnest men everywhere, for a Mahomet, a Luther, for a Napoleon too. It lies at the basis this for every such man; it is the woof out of which his whole system of thought is woven. The _Valkyrs_; and then that these _Choosers_ lead the brave to a heavenly _Hall of Odin_; only the base and slavish being thrust elsewhither, into the realms of Hela the Death-goddess: I take this to have been the soul of the whole Norse Belief. They understood in their heart that it was indispensable to be brave; that Odin would have no favour for them, but despise and thrust them out, if they were not brave. Consider too whether there is not something in this!
It is an everlasting duty, valid in our day as in that, the duty of being brave. _Valour_ is still _value_. The first duty of a man is still that of subduing _Fear_. We must get rid of Fear; we cannot act at all till then. A man's acts are slavish, not true but specious: his very thoughts are false, he thinks too as a slave and coward, till he have got Fear under his feet. Odin's creed, if we disentangle the real kernel of it, is true to this hour. A man shall and must be valiant; he must march forward, and quit himself like a man--trusting imperturbably in the appointment and _choice_ of the upper Powers; and, on the whole, not fear at all. Now and always, the completeness of his victory over Fear will determine how much of a man he is.
It is doubtless very savage that kind of valour of the old Northmen. Snorro tells us they thought it a shame and misery not to die in battle; and if natural death seemed to be coming on, they would cut wounds in their flesh, that Odin might receive them as warriors slain. Old kings, about to die, had their body laid into a ship; the ship sent forth, with sails set and slow fire burning it; that, once out at sea, it might blaze-up in flame, and in such manner bury worthily the old hero, at once in the sky and in the ocean! Wild bloody valour; yet valour of its kind; better, I say, than none. In the old Sea-kings too, what an indomitable rugged energy! Silent, with closed lips, as I fancy them, unconscious that they were specially brave; defying the wild ocean with its monsters, and all men and things;--progenitors of our own Blakes and Nelsons! No Homer sang these Norse Sea-kings; but Agamemnon's was a small audacity, and of small fruit in the world, to some of them;--to Hrolf's of Normandy, for instance! Hrolf, or Rollo Duke of Normandy, the wild Sea-king, has a share in governing England at this hour.
Nor was it altogether nothing, even that wild sea-roving and battling, through so many generations. It needed to be ascertained which was the _strongest_ kind of men; who were to be ruler over whom. Among the Northland Sovereigns, too, I find some who got the title _Wood-cutter_; Forest-felling Kings. Much lies in that. I suppose at bottom many of them were forest-fellers as well as fighters, though the Skalds talk mainly of the latter,--misleading certain critics not a little; for no nation of men could ever live by fighting alone; there could not produce enough come out of that! I suppose the right good fighter was oftenest also the right good forest-feller,--the right good improver, discerner, doer and worker in every kind; for true valour, different enough from ferocity, is the basis of all. A more legitimate kind of valour that; showing itself against the untamed Forests and dark brute Powers of Nature, to conquer Nature for us. In the same direction have not we their descendants since carried it far? May such valour last forever with us!
That the man Odin, speaking with a Hero's voice and heart, as with an impressiveness out of Heaven, told his People the infinite importance of Valour, how man thereby became a god; and that his People, feeling a response to it in their own hearts, believed this message of his, and thought it a message out of Heaven, and him a Divinity for telling it them: this seems to me the primary seed-grain of the Norse Religion, from which all manner of mythologies, symbolic practices, speculations, allegories, songs and sagas would naturally grow. Grow,--how strangely! I called it a small light shining and shaping in the huge vortex of Norse darkness. Yet the darkness itself was _alive_; consider that. It was the eager inarticulate uninstructed Mind of the whole Norse People, longing only to become articulate, to go on articulating ever farther! The living doctrine grows, grows;--like a Banyan-tree; the first _seed_ is the essential thing: any branch strikes itself down into the earth, becomes a new root; and so, in endless complexity, we have a whole wood, a whole jungle, one seed the parent of it all. Was not the whole Norse Religion, accordingly, in some sense, what we called 'the enormous shadow of this man's likeness'? Critics trace some affinity in some Norse mythuses, of the Creation and suchlike, with those of the Hindoos. The Cow Adumbla, 'licking the rime from the rocks,' has a kind of Hindoo look. A Hindoo Cow, transported into frosty countries. Probably enough; indeed we may say undoubtedly, these things will have a kindred with the remotest lands, with the earliest times. Thought does not die, but only is changed. The first man that began to think in this Planet of ours, he was the beginner of all. And then the second man, and the third man:--nay, every true Thinker to this hour is a kind of Odin, teaches men _his_ way of thought, spreads a shadow of his own likeness over sections of the History of the World.
For indeed Valour is the fountain of Pity too;--of Truth, and all that is great and good in man. The robust homely vigour of the Norse heart attaches one much, in these delineations. Is it not a trait of right honest strength, says Uhland, who has written a fine _Essay_ on Thor, that the Old Norse heart finds its friend in the Thunder-god? That it is not frightened away by his thunder; but finds that Summer-heat, the beautiful noble summer, must and will have thunder withal! The Norse heart _loves_ this Thor and his hammer-bolt; sports with him. Thor is Summer-heat; the god of Peaceable Industry as well as Thunder. He is the Peasant's friend; his true henchman and attendant is Thialfi, _Manual Labour_. Thor himself engages in all manner of rough manual work, scorns no business for its plebeianism; is ever and anon travelling to the country of the Jötuns, harrying those chaotic Frost-monsters, subduing them, at least straitening and damaging them. There is a great broad humour in some of these things.
Thor, as we saw above, goes to Jötun-land, to seek Hymir's Caldron, that the Gods may brew beer. Hymir the huge Giant enters, his grey beard all full of hoar-frost; splits pillars with the very glance of his eye; Thor, after much rough tumult, snatches the Pot, claps it on his head; the 'handles of it reach down to his heels.' The Norse Skald has a kind of loving sport with Thor. This is the Hymir whose cattle, the critics have discovered, are Icebergs. Huge untutored Brobdignag genius,--needing only to be tamed-down; into Shakspeares, Dantes, Goethes! It is all gone now, that old Norse work,--Thor the Thunder-god changed into Jack the Giant-killer: but the mind that made it is here yet. How strangely things grow, and die, and do not die! There are twigs of that great world-tree of Norse Belief still curiously traceable. This poor Jack of the Nursery, with his miraculous shoes of swiftness, coat of darkness, sword of sharpness, he is one. _Hynde Etin_, and still more decisively _Red Etin of Ireland_, in the Scottish Ballads, these are both derived from Norseland; _Etin_ is evidently a _Jötun_. Nay, Shakspeare's _Hamlet_ is a twig too of this same world-tree; there seems no doubt of that. Hamlet, _Amleth_, I find, is really a mythic personage; and his Tragedy, of the poisoned Father, poisoned asleep by drops in his ear, and the rest, is a Norse mythus! Old Saxo, as his wont was, made it a Danish history; Shakspeare, out of Saxo, made it what we see. That is a twig of the world-tree that has _grown_, I think;--by nature or accident that one has grown!
In fact, these old Norse songs have a _truth_ in them, an inward perennial truth and greatness,--as, indeed, all must have that can very long preserve itself by tradition alone. It is a greatness not of mere body and gigantic bulk, but a rude greatness of soul. There is a sublime uncomplaining melancholy traceable in these old hearts. A great free glance into the very deeps of thought. They seem to have seen, these brave old Northmen, what Meditation has taught all men in all ages, That this world is after all but a show,--a phenomenon or appearance, no real thing. All deep souls see into that,--the Hindoo Mythologist, the German Philosopher,--the Shakspeare, the earnest Thinker, wherever he may be: 'We are such stuff as Dreams are made of!'
One of Thor's expeditions, to Utgard (the _Outer_ Garden, central seat of Jötun-land), is remarkable in this respect. Thialfi was with him, and Loke. After various adventures they entered upon Giant-land; wandered over plains, wild uncultivated places, among stones and trees. At nightfall they noticed a house; and as the door, which indeed formed one whole side of the house, was open, they entered. It was a simple habitation; one large hall, altogether empty. They stayed there. Suddenly in the dead of the night loud noises alarmed them. Thor grasped his hammer; stood in the door, prepared for fight. His companions within ran hither and thither in their terror, seeking some outlet in that rude hall; they found a little closet at last, and took refuge there. Neither had Thor any battle: for, lo, in the morning it turned-out that the noise had been only the _snoring_ of a certain enormous but peaceable Giant, the Giant Skrymir, who lay peaceably sleeping near by; and this that they took for a house was merely his _Glove_, thrown aside there; the door was the Glove-wrist; the little closet they had fled into was the Thumb! Such a glove;--I remark too that it had not fingers as ours have, but only a thumb, and the rest undivided: a most ancient, rustic glove!
Skrymir now carried their portmanteau all day; Thor, however, had his own suspicions, did not like the ways of Skrymir; determined at night to put an end to him as he slept. Raising his hammer, he struck down into the Giant's face a right thunderbolt blow, of force to rend rocks. The Giant merely awoke; rubbed his cheek, and said, Did a leaf fall? Again Thor struck, so soon as Skrymir again slept; a better blow than before: but the Giant only murmured, Was that a grain of sand? Thor's third stroke was with both his hands (the 'knuckles white' I suppose), and seemed to dint deep into Skrymir's visage; but he merely checked his snore, and remarked, There must be sparrows roosting in this tree, I think; what is that they have dropt?--At the gate of Utgard, a place so high that you had to 'strain your neck bending back to see the top of it,' Skrymir went his ways. Thor and his companions were admitted; invited to take share in the games going on. To Thor, for his part, they handed a drinking-horn; it was a common feat, they told him, to drink this dry at one draught. Long and fiercely, three times over, Thor drank; but made hardly any impression. He was a weak child, they told him; could he lift that Cat he saw there? Small as the feat seemed, Thor with his whole godlike strength could not; he bent-up the creature's back, could not raise its feet off the ground, could at the utmost raise one foot. Why, you are no man, said the Utgard people; there is an Old Woman that will wrestle you! Thor, heartily ashamed, seized this haggard Old Woman; but could not throw her.
And now, on their quitting Utgard, the Chief Jötun, escorting them politely a little way, said to Thor: "You are beaten then:--yet be not so much ashamed; there was deception of appearance in it. That Horn you tried to drink was the _Sea_: you did make it ebb; but who could drink that, the bottomless! The Cat you would have lifted,--why, that is the _Midgard-snake_, the Great World-serpent, which, tail in mouth, girds and keeps-up the whole created world; had you torn that up, the world must have rushed to ruin! As for the Old Woman, she was _Time_, Old Age, Duration; with her what can wrestle? No man nor no god with her; gods or men, she prevails over all! And then those three strokes you struck,--look at these _three valleys_; your three strokes made these!" Thor looked at his attendant Jötun: it was Skrymir;--it was, say Norse critics, the old chaotic rocky _Earth_ in person, and that glove-_house_ was some Earth-cavern! But Skrymir had vanished; Utgard with its skyhigh gates, when Thor grasped his hammer to smite them, had gone to air; only the Giant's voice was heard mocking: "Better come no more to Jötunheim!"-- This is of the allegoric period, as we see, and half play, not of the prophetic and entirely devout: but as a mythus is there not real antique Norse gold in it? More true metal, rough from the Mimerstithy, than in many a famed Greek Mythus _shaped_ far better! A great broad Brobdignag grin of true humour is in this Skrymir; mirth resting on earnestness and sadness, as the rainbow on black tempest: only a right valiant heart is capable of that. It is the grim humour of our own Ben Jonson, rare old Ben; runs in the blood of us, I fancy; for one catches tones of it, under a still other shape, out of the American Backwoods.
Ideas discussed in this chapter
Text from Project Gutenberg, public domain in the United States.