Elements of Folk Psychology Outline of a Psychological History of the Development of Mankind · Wilhelm Max Wundt
2. THE STAGES OF TOTEMIC CULTURE.
The conditions differ in the southern and, to some extent also, in the western portion of the great American continent. Closely related as the various tribes are, the old hypothesis that they migrated from Asia across Behring Strait is untenable. Moreover, in spite of their physical relationship and, in part also, of their linguistic similarities, their culture shows important differences. In the southern and central parts of America particularly, we find widely different cultural levels, ranging from the forest Indians of Brazil, who have made scarcely any essential advance beyond the primitive culture of the Veddahs or of the natives of Malacca, to the tribes of New Mexico and Arizona, who have obviously been influenced by the cultural peoples of the New World, and, under this influence, have undergone an independent development. All advances that they have made, however, clearly depend upon the development of agriculture. In addition to numerous elements of celestial mythology that have found their way from Mexico, we find vegetation cults and agricultural ceremonies. The latter are often closely fused with the borrowed mythology, particularly among the semi-cultural peoples of the central region of America. These cults--sometimes governed by totemic conceptions, while in other cases dominated by celestial mythology--underlie the development of art throughout the whole of America.
Whereas the chief expression of the æsthetic impulse in Polynesia is the decoration of the body, particularly by means of tattooing, this practice is secondary, in the case of the American Indian, to the possession of external means of adornment. It is primarily the beautiful plumage of the bird kingdom that furnishes the decorations of the head and of the garment. At the ceremonies of the Zunis and other New Mexican tribes, the altars are decked with the feathers of birds. These festivals exhibit a wealth of colour and a complexity of ceremonial performances that have always aroused the astonishment of the strangers who have been able to witness them. The decoration of garments, of altars, and of festal places is paralleled in its development by that of the pictorial decoration of clay vessels. Here for the first time we have a developed art of ceramics which employs ornamentations, pictures of totemic animals, and combinations of the two or transitional forms. Originally, no doubt, these ornamentations were intended as means of magic, but they came more and more to serve the purposes of decoration. All of these factors exert an influence on the numerous cult dances.
All over America, from the Esquimos in the north far down to the south, a very important part of the equipment of the dancers is the mask. This mask reproduces either animal features or some fantastic form intermediate between man and animal. Thus, this culture is of a peculiar nature. Even externally it combines the huntsman's culture with that of the tiller of the soil, although in its agriculture it has not advanced beyond the level of hoe-culture. As compared with Malayo-Polynesian culture, however, it presents an important additional factor. This consists in the community of labour, which is obviously connected with the more stable tribal organization and with the development of more comprehensive cult associations. It is this factor that accounts for those great cult festivals that are associated with sowing and harvest and that extend far down into the higher civilizations, as numerous rudimentary customs still testify. The changes which we likewise find in mythological conceptions also carry us beyond the narrow circle of original totemism. Again there appear elements of a nature-mythology, particularly of a celestial mythology. These supplant the animal cult, but nevertheless retain some connection with the totem animal; the culture is one in which the totem animal never entirely loses its earlier significance. Thus, the vegetation festivals, especially those of North and Central America, exhibit many cult forms in which ideas that belong to a celestial mythology combine with the worship of animals and of ancestors. The conceptions of ancestors and of gods thus play over into one another, and these god-ancestors are believed to have their seat in the clouds and in the heavens above. However constantly, therefore, totemic ideas may be in evidence within the field of external phenomena, a much superior point of view is attained, by the American races, as regards the inner life.
Among the _African_ peoples we find the second important form of culture belonging to this third stage--a culture which in many respects diverges from the one which we have just described. More clearly even than in the case of America has the idea been disproven that the inhabitants of the interior of Africa are essentially a homogeneous race that has developed independently of external influences. Even more than other peoples, the Africans show the effects of great and far-reaching external influences. Hamitic and Semitic tribes entered the country from the north at an early time; even from the distant south of Asia, probably from Sumatra and its neighbouring islands, great waves of immigration, crossing Madagascar in the distant past, swept on towards the west even to the Gold Coast, introducing elements of Papuan-Negritic culture into Africa. There were frequent fusions between these tribes and the negro peoples proper, as well as with the Hamites, the Semites, and also with those who were probably the original inhabitants of this region, remnants of whom are still to be found in the Bushmen.
The negro race, which, relatively speaking, has remained the purest, lives in the Soudan region; the Bantus inhabit the south of Africa; the north is occupied mostly by Hamitic tribes, whose advent into this region was followed by that of a people of related origin, the Semites. Corresponding to the racial mixtures that thus arose, there are various forms of culture. As regards the Bantus, it is highly probable that they are a mixed people, sprung from a union of the Soudan negroes with the Hamites. That the Hamites pressed on, in very early times, into southern Africa, is proved by the Hottentot tribe, whose language exhibits Hamitic characteristics, and the colour of whose skin, furthermore, is lighter than that of the negro proper or that of the Bantu. The language of the Bantus shows traits resembling partly the negro idioms of the Soudan and partly Hamitic-Asiatic characteristics. The element of culture, however, which is peculiar to the Hamites and which was introduced by them into the northern part of the continent, is the raising of cattle and of sheep. There can be scarcely any doubt that the African cattle originally came from Asia.
Probably, however, cattle were brought to Africa on the occasion of two different Hamitic migrations; this is indicated by the fact that two breeds of cattle are found in Africa. Moreover, it is clear that, at the time of their introduction, cattle were not totem animals, but had already gained a position intermediate between the totem and the breeding animal. The Hottentot, as well as the Bantu, prizes his cattle as his dearest possession. Since, however, he slaughters them only in times of extreme necessity, he has progressed only to the point of obtaining a milk supply. Yet even this represents an important advance. Owing to his efforts, the cow no longer merely provides the calf with milk, as in the natural state, but, long after the time of suckling has passed, places the milk at man's disposal. Everywhere in the interior of Africa the cow is still a common milk animal. As such, it is a highly prized source of nourishment, but it is not used for agricultural purposes. Thus, its position is midway between that of the original totem animal of cult and that of the draught animal. For the Hottentot, cattle are objects of supreme value. As such, they are accorded a certain degree of reverence.
They are not utilized as beasts of burden nor for slaughter, but only as a source of such means of nourishment as do not cost their lives. South Africa, therefore, has remained on the level of hoe-culture. The boundary between these southern districts in which hoe-culture and the nomadic life prevail and the northern regions into which the Hamites and Semites have introduced plough-culture is, practically speaking, the desert of Sahara. It is only when the animal is used to draw the plough that it becomes in all respects a useful animal. Thenceforth it no longer merely gives its milk for food, but it performs the work that is too hard for man, and, finally, as an animal of slaughter, it takes the place of the gradually disappearing wild animal of the chase. Coincident with this development, totemic ideas and customs disappear. Though these have still left distinct traces in the south, particularly among the Bantus, it is, at most, isolated survivals that remain among the Hamitic population of the north.
Thus, the animal has come to be a breeding and a work animal throughout the whole of Africa, though this is particularly the case wherever the cultural influences of the immigrant peoples from the East have been operative. The relations of man to man have likewise undergone a change in this locality, due, in part, to migrations and tribal wars. No region so much as Africa has become the centre of despotic forms of government. It is this factor, together with the potent influence of ideas of personal property associated with it, that has contributed, on the one hand, to the origin of polygyny, and, on the other, to the rise of slavery. Long before Africa became the slave market of the New World it harboured an intertribal traffic in human beings. These changes in culture undermined the older cults, so that, with the dissolution of the totemic tribal organization, the original totem conceptions disappeared from all parts of this region. All the more marked was the progress of animism and fetishism, of which the former is closely connected, in its origin, with totem belief, while the latter is a sort of degenerate totemism. In certain regions, furthermore, as among the Bantus and the Hamitic tribes, another outgrowth of the cult of the dead--namely, ancestor worship--has gained great prominence alongside of elements of a celestial mythology.
To a far greater extent than in Africa, totemic culture has almost entirely disappeared throughout the entire _Asiatic_ world. Only in the extreme north among the Tchuktchis, the Yakutes, and Ghilyaks, and in the far south among the Dravidian tribes of Hindustan who were pushed back by the influx of Hindoos, have remnants of totemic institutions survived. In addition to these, only scanty fragments of totemism proper may be found in Asia--the home of the great cultural peoples of the Old World. Surviving effects of totemic culture, however, are everywhere apparent, no less in the sacred animals of the Babylonians, Egyptians, Hindoos, Greeks, and the Germanic peoples, than in the significance attached by the Romans to the flight of birds and to the examination of entrails, and in the Israelitic law which forbids the eating of the flesh of certain animals. In the light of all these facts, the conclusion appears highly probable that at some time totemic culture everywhere paved the way for a more advanced civilization, and, thus, that it represents a transitional stage between the age of primitive man and the era of heroes and gods.
Text from Project Gutenberg, public domain in the United States.