Psychology · William James
WILL.
Of course if such a reaction has many times occurred we learn what to expect of ourselves, and can then foresee our conduct, even though it remain as involuntary and uncontrollable as it was before. But if, in voluntary action properly so called, the act must be foreseen, it follows that no creature not endowed with prophetic power can perform an act voluntarily for the first time. Well, we are no more endowed with prophetic vision of what movements lie in our power than we are endowed with prophetic vision of what sensations we are capable of receiving. As we must wait for the sensations to be given us, so we must wait for the movements to be performed involuntarily, before we can frame ideas of what either of these things are. We learn all our possibilities by the way of experience. When a particular movement, having once occurred in a random, reflex, or involuntary way, has left an image of itself in the memory, then the movement can be desired again, and deliberately willed. But it is impossible to see how it could be willed before. _A supply of ideas of the various movements that are possible, left in the memory by experiences of their involuntary performance, is thus the first prerequisite of the voluntary life._
"Passive movements could be imprinted on all the extremities to the greatest extent, without attracting the patient's notice. Only in violent forced hyperextension of the joints, especially of the knees, there arose a dull vague feeling of strain, but this was seldom precisely localized. We have often, after bandaging the eyes of the patient, carried him about the room, laid him on a table, given to his arms and legs the most fantastic and apparently the most inconvenient attitudes without his having a suspicion of it. The expression of astonishment in his face, when all at once the removal of the handkerchief revealed his situation, is indescribable in words. Only when his head was made to hang away down he immediately spoke of dizziness, but could not assign its ground. Later he sometimes inferred from the sounds connected with the manipulation that something special was being done with him.... He had no feelings of muscular fatigue. If, with his eyes shut, we told him to raise his arm and to keep it up, he did so without trouble. After one or two minutes, however, the arm began to tremble and sink without his being aware of it. He asserted still his ability to keep it up.... Passively holding still his fingers did not affect him. He thought constantly that he opened and shut his hand, whereas it was really fixed."
_No third kind of idea is called for._ We need, then, when we perform a movement, either a kinæsthetic or a remote idea of which special movement it is to be. In addition to this it has often been supposed that we need an _idea of the amount of innervation_ required for the muscular contraction. The discharge from the motor centre into the motor nerve is supposed to give a sensation _sui generis_, opposed to all our other sensations. These accompany incoming currents, whilst that, it is said, accompanies an outgoing current, and no movement is supposed to be totally defined in our mind, unless an anticipation of this feeling enter into our idea. The movement's degree of strength, and the effort required to perform it, are supposed to be specially revealed by the feeling of innervation. Many authors deny that this feeling exists, and the proofs given of its existence are certainly insufficient. The various degrees of 'effort' actually felt in making the same movement against different resistances are all accounted for by the incoming feelings from our chest, jaws, abdomen, and other parts sympathetically contracted whenever the effort is great. There is no need of a consciousness of the amount of outgoing current required. If anything be obvious to introspection, it is that the degree of strength put forth is completely revealed to us by incoming feelings from the muscles themselves and their insertions, from the vicinity of the joints, and from the general fixation of the larynx, chest, face, and body. When a certain degree of energy of contraction rather than another is thought of by us, this complex aggregate of afferent feelings, forming the material of our thought, renders absolutely precise and distinctive our mental image of the exact strength of movement to be made, and the exact amount of resistance to be overcome.
Let the reader try to direct his will towards a particular movement, and then notice what _constituted_ the direction of the will. Was it anything over and above the notion of the different feelings to which the movement when effected would give rise? If we abstract from these feelings, will any sign, principle, or means of orientation be left by which the will may innervate the proper muscles with the right intensity, and not go astray into the wrong ones? Strip off these images anticipative of the results of the motion, and so far from leaving us with a complete assortment of directions into which our will may launch itself, you leave our consciousness in an absolute and total vacuum. If I will to write _Peter_ rather than _Paul_, it is the thought of certain digital sensations, of certain alphabetic sounds, of certain appearances on the paper, and of no others, which immediately precedes the motion of my pen. If I will to utter the word _Paul_ rather than _Peter_, it is the thought of my voice falling on my ear, and of certain muscular feelings in my tongue, lips, and larynx, which guide the utterance. All these are incoming feelings, and between the thought of them, by which the act is mentally specified with all possible completeness, and the act itself, there is no room for any third order of mental phenomenon.
There is indeed the _fiat_, the element of consent, or resolve that the act shall ensue. This, doubtless, to the reader's mind, as to my own, constitutes the essence of the voluntariness of the act. This _fiat_ will be treated of in detail farther on. It may be entirely neglected here, for it is a constant coefficient, affecting all voluntary actions alike, and incapable of serving to distinguish them. No one will pretend that its quality varies according as the right arm, for example, or the left is used. _An anticipatory image, then, of the sensorial consequences of a movement, plus (on certain occasions) the fiat that these consequences shall become actual, is the only psychic state which introspection lets us discern as the forerunner of our voluntary acts._ There is no coercive evidence of any feeling attached to the efferent discharge. The entire content and material of our consciousness--consciousness of movement, as of all things else--seems thus to be of peripheral origin, and to come to us in the first instance through the peripheral nerves. _The Motor-cue._--Let us call the last idea which in the mind precedes the motor discharge the 'motor-cue.' Now do 'resident' images form the only motor-cue, or will 'remote' ones equally suffice?
_There can be no doubt whatever that the cue may be an image either of the resident or of the remote kind._ Although, at the outset of our learning a movement, it would seem that the resident feelings must come strongly before consciousness, later this need not be the case. The rule, in fact, would seem to be that they tend to lapse more and more from consciousness, and that the more practised we become in a movement, the more 'remote' do the ideas become which form its mental cue. What we are _interested_ in is what sticks in our consciousness; everything else we get rid of as quickly as we can. Our resident feelings of movement have no substantive interest for us at all, as a rule. What interest us are the ends which the movement is to attain. Such an end is generally a remote sensation, an impression which the movement produces on the eye or ear, or sometimes on the skin, nose, or palate. Now let the idea of such an end associate itself definitely with the right discharge, and the thought of the innervation's _resident_ effects will become as great an encumbrance as we have already concluded that the feeling of the innervation itself is. The mind does not need it; the end alone is enough.
The idea of the end, then, tends more and more to make itself all-sufficient. Or, at any rate, if the kinæsthetic ideas are called up at all, they are so swamped in the vivid kinæsthetic feelings by which they are immediately overtaken that we have no time to be aware of their separate existence. As I write, I have no anticipation, as a thing distinct from my sensation, of either the look or the digital feel of the letters which flow from my pen. The words chime on my mental _ear_, as it were, before I write them, but not on my mental eye or hand. This comes from the rapidity with which the movements follow on their mental cue. An end consented to as soon as conceived innervates directly the centre of the first movement of the chain which leads to its accomplishment, and then the whole chain rattles off _quasi_-reflexly, as was described on pp. 115-6.
The reader will certainly recognize this to be true in all fluent and unhesitating voluntary acts. The only special fiat there is at the outset of the performance. A man says to himself, "I must change my clothes," and involuntarily he has taken off his coat, and his fingers are at work in their accustomed manner on his waistcoat-buttons, etc.; or we say, "I must go downstairs," and ere we know it we have risen, walked, and turned the handle of the door;--all through the idea of an end coupled with a series of guiding sensations which successively arise. It would seem indeed that we fail of accuracy and certainty in our attainment of the end whenever we are preoccupied with the way in which the movement will feel. We walk a beam the better the less we think of the position of our feet upon it. We pitch or catch, we shoot or chop the better the less tactile and muscular (the less resident), and the more exclusively optical (the more remote), our consciousness is. Keep your _eye_ on the place aimed at, and your hand will fetch it; think of your hand, and you will very likely miss your aim. Dr. Southard found that he could touch a spot with a pencil-point more accurately with a visual than with a tactile mental cue. In the former case he looked at a small object and closed his eyes before trying to touch it. In the latter case he _placed_ it with closed eyes, and then after removing his hand tried to touch it again. The average error with touch (when the results were most favorable) was 17.13 mm. With sight it was only 12.37 mm.--All these are plain results of introspection and observation. By what neural machinery they are made possible we do not know.
In Chapter XIX we saw how enormously individuals differ in respect to their mental imagery. In the type of imagination called _tactile_ by the French authors, it is probable that the kinæsthetic ideas are more prominent than in my account. We must not expect too great a uniformity in individual accounts, nor wrangle overmuch as to which one 'truly' represents the process. I trust that I have now made clear what that 'idea of a movement' is which must precede it in order that it be voluntary. It is not the thought of the innervation which the movement requires. It is the anticipation of the movement's sensible effects, resident or remote, and sometimes very remote indeed. Such anticipations, to say the least, determine _what_ our movements shall be. I have spoken all along as if they also might determine _that_ they shall be. This, no doubt, has disconcerted many readers, for it certainly seems as if a special fiat, or consent to the movement, were required in addition to the mere conception of it, in many cases of volition; and this fiat I have altogether left out of my account. This leads us to the next point in our discussion. =Ideo-motor Action.=--The question is this: _Is the bare idea of a movement's sensible effects its sufficient motor-cue, or must there be an additional mental antecedent, in the shape of a fiat, decision, consent, volitional mandate, or other synonymous phenomenon of consciousness, before the movement can follow?_
"We see in writing or piano-playing a great number of very complicated movements following quickly one upon the other, the instigative representations of which remained scarcely a second in consciousness, certainly not long enough to awaken any other volition than the general one of resigning one's self without reserve to the passing over of representation into action. All the acts of our daily life happen in this wise: Our standing up, walking, talking, all this never demands a distinct impulse of the will, but is adequately brought about by the pure flux of thought."[54] In all this the determining condition of the unhesitating and resistless sequence of the act seems to be _the absence of any conflicting notion in the mind_. Either there is nothing else at all in the mind, or what is there does not conflict. We know what it is to get out of bed on a freezing morning in a room without a fire, and how the very vital principle within us protests against the ordeal. Probably most persons have lain on certain mornings for an hour at a time unable to brace themselves to the resolve. We think how late we shall be, how the duties of the day will suffer; we say, "I _must_ get up, this is ignominious," etc.; but still the warm couch feels too delicious, the cold outside too cruel, and resolutions faints away and postpones itself again and again just as it seemed on the verge of bursting the resistance and passing over into the decisive act. Now how do we _ever_ get up under such circumstances? If I may generalize from my own experience, we more often than not get up without any struggle or decision at all. We suddenly find that we _have_ got up. A fortunate lapse of consciousness occurs; we forget both the warmth and the cold; we fall into some revery connected with the day's life, in the course of which the idea flashes across us, "Hollo! I must lie here no longer"--an idea which at that lucky instant awakens no contradictory or paralyzing suggestions, and consequently produces immediately its appropriate motor effects. It was our acute consciousness of both the warmth and the cold during the period of struggle, which paralyzed our activity then and kept our idea of rising in the condition of _wish_ and not of _will_. The moment these inhibitory ideas ceased, the original idea exerted its effects.
This case seems to me to contain in miniature form the data for an entire psychology of volition. It was in fact through meditating on the phenomenon in my own person that I first became convinced of the truth of the doctrine which these pages present, and which I need here illustrate by no farther examples. The reason why that doctrine is not a self-evident truth is that we have so many ideas which _do not_ result in action. But it will be seen that in every such case, without exception, that is because other ideas simultaneously present rob them of their impulsive power. But even here, and when a movement is inhibited from _completely_ taking place by contrary ideas, it will _incipiently_ take place. To quote Lotze once more: "The spectator accompanies the throwing of a billiard-ball, or the thrust of the swordsman, with slight movements of his arm; the untaught narrator tells his story with many gesticulations; the reader while absorbed in the perusal of a battle-scene feels a slight tension run through his muscular system, keeping time as it were with the actions he is reading of. These results become the more marked the more we are absorbed in thinking of the movements which suggest them; they grow fainter exactly in proportion as a complex consciousness, under the dominion of a crowd of other representations, withstands the passing over of mental contemplation into outward action."
The 'willing-game,' the exhibitions of so-called 'mind-reading,' or more properly muscle-reading, which have lately grown so fashionable, are based on this incipient obedience of muscular contraction to idea, even when the deliberate intention is that no contraction shall occur. We may then lay it down for certain that _every representation of a movement awakens in some degree the actual movement which is its object; and awakens it in a maximum degree whenever it is not kept from so doing by an antagonistic representation present simultaneously to the mind_. The express fiat, or act of mental consent to the movement, comes in when the neutralization of the antagonistic and inhibitory idea is required. But that there is no express fiat needed when the conditions are simple, the reader ought now to be convinced. Lest, however, he should still share the common prejudice that voluntary action without 'exertion of will-power' is Hamlet with the prince's part left out, I will make a few farther remarks. The first point to start from, in understanding voluntary action and the possible occurrence of it with no fiat or express resolve, is the fact that consciousness is _in its very nature impulsive_. We do not first have a sensation or thought, and then have to _add_ something dynamic to it to get a movement. Every pulse of feeling which we have is the correlate of some neural activity that is already on its way to instigate a movement. Our sensations and thoughts are but cross-sections, as it were, of currents whose essential consequence is motion, and which have no sooner run in at one nerve than they are ready to run out by another.
The popular notion that consciousness is not essentially a forerunner of activity, but that the latter must result from some superadded 'will-force,' is a very natural inference from those special cases in which we think of an act for an indefinite length of time without the action taking place. These cases, however, are not the norm; they are cases of inhibition by antagonistic thoughts. When the blocking is released we feel as if an inward spring were let loose, and this is the additional impulse or _fiat_ upon which the act effectively succeeds. We shall study anon the blocking and its release. Our higher thought is full of it. But where there is no blocking, there is naturally no hiatus between the thought-process and the motor discharge. _Movement is the natural immediate effect of the process of feeling, irrespective of what the quality of the feeling may be. It is so in reflex action, it is so in emotional expression, it is so in the voluntary life._ Ideo-motor action is thus no paradox, to be softened or explained away. It obeys the type of all conscious action, and from it one must start to explain the sort of action in which a special fiat is involved.
It may be remarked in passing, that the inhibition of a movement no more involves an express effort or command than its execution does. Either of them _may_ require it. But in all simple and ordinary cases, just as the bare presence of one idea prompts a movement, so the bare presence of another idea will prevent its taking place. Try to feel as if you were crooking your finger, whilst keeping it straight. In a minute it will fairly tingle with the imaginary change of position; yet it will not sensibly move, because _its not really moving_ is also a part of what you have in mind. Drop _this_ idea, think purely and simply of the movement, and nothing else, and, presto! it takes place with no effort at all. A waking man's behavior is thus at all times the resultant of two opposing neural forces. With unimaginable fineness some currents among the cells and fibres of his brain are playing on his motor nerves, whilst other currents, as unimaginably fine, are playing on the first currents, damming or helping them, altering their direction or their speed. The upshot of it all is, that whilst the currents must always end by being drained off through _some_ motor nerves, they are drained off sometimes through one set and sometimes through another; and sometimes they keep each other in equilibrium so long that a superficial observer may think they are not drained off at all. Such an observer must remember, however, that from the physiological point of view a gesture, an expression of the brow, or an expulsion of the breath are movements as much as an act of locomotion is. A king's breath slays as well as an assassin's blow; and the outpouring of those currents which the magic imponderable streaming of our ideas accompanies need not always be of an explosive or otherwise physically conspicuous kind.
The process of deliberation contains endless degrees of complication. At every moment of it our consciousness is of an extremely complex thing, namely, the whole set of motives and their conflict. Of this complicated object, the totality of which is realized more or less dimly all the while by consciousness, certain parts stand out more or less sharply at one moment in the foreground, and at another moment other parts, in consequence of the oscillations of our attention, and of the 'associative' flow of our ideas. But no matter how sharp the foreground-reasons may be, or how imminently close to bursting through the dam and carrying the motor consequences their own way, the background, however dimly felt, is always there as a fringe (p. 163); and its presence (so long as the indecision actually lasts) serves as an effective check upon the irrevocable discharge. The deliberation may last for weeks or months, occupying at intervals the mind. The motives which yesterday seemed full of urgency and blood and life to-day feel strangely weak and pale and dead. But as little to-day as to-morrow is the question finally resolved. Something tells us that all this is provisional; that the weakened reasons will wax strong again, and the stronger weaken; that equilibrium is unreached; that testing our reasons, not obeying them, is still the order of the day, and that we must wait awhile, patiently or impatiently, until our mind is made up 'for good and all.' This inclining first to one, then to another future, both of which we represent as possible, resembles the oscillations to and fro of a material body within the limits of its elasticity. There is inward strain, but no outward rupture. And this condition, plainly enough, is susceptible of indefinite continuance, as well in the physical mass as in the mind. If the elasticity give way, however, if the dam ever do break, and the currents burst the crust, vacillation is over and decision is irrevocably there.
The decision may come in either of many modes. I will try briefly to sketch the most characteristic types of it, merely warning the reader that this is only an introspective account of symptoms and phenomena, and that all questions of causal agency, whether neural or spiritual, are relegated to a later page. =Five Chief Types of Decision.=--Turning now to the form of the decision itself, we may distinguish five chief types. _The first may be called the reasonable type._ It is that of those cases in which the arguments for and against a given course seem gradually and almost insensibly to settle themselves in the mind and to end by leaving a clear balance in favor of one alternative, which alternative we then adopt without effort or constraint. Until this rational balancing of the books is consummated we have a calm feeling that the evidence is not yet all in, and this keeps action in suspense. But some day we wake with the sense that we see the matter rightly, that no new light will be thrown on it by farther delay, and that it had better be settled _now_. In this easy transition from doubt to assurance we seem to ourselves almost passive; the 'reasons' which decide us appearing to flow in from the nature of things, and to owe nothing to our will. We have, however, a perfect sense of being _free_, in that we are devoid of any feeling of coercion.
Text from Project Gutenberg, public domain in the United States.