The Merry Wives of Windsor The Works of William Shakespeare [Cambridge Edition] [9 vols.] · William Shakespeare
NOTE VII.
III. 1. 74. 78. Mr Staunton is unquestionably right in supposing that one part of Evans’s speech is spoken aside to his opponent, and the other part aloud. It is impossible else to account for the sudden change of tone. It might have been conjectured that, being a parson, he wished to appear peacefully minded, and therefore made his offers of reconciliation aloud and his menaces in an under tone, but Caius’s reply shews that it was the threat which had been made aloud. Evans’s valour, it would seem, had already evaporated when he had ‘a great dispositions to cry’ (III. 1. 20) and, besides, he had just begun to see that he was being made a laughing-stock. As his former speech (74, 75,) is also conciliatory, it was probably spoken so as to be heard by Caius only. He wished to keep up his credit for courage in the eyes of the bystanders. In the corresponding scene of the first Quartos we have the words ‘Hark van urd in your ear,’ and the meaning of the text may have been obscured by some omission in the Folio. IV. 4. 41. No doubt there is an omission here in the Folio, which may be partly supplied from the Quarto. But it is probable that Mrs Ford gave a still fuller explanation of her device and the grounds on which the disguise was recommended to Falstaff, otherwise Page would not have been so confident of his falling into the snare.
IV. 5. 49. In the edition of 1778 Steevens reads ‘Ay, sir Tike, like’ ... but it is clear from Farmer’s note that it should be ‘Ay, sir Tike,’ ... and so it is corrected in the later Editions of Steevens. In the Edition annotated by Fanner, mentioned in note V., we find another conjecture of his: ‘Ay, sir, if you like,’ ... or it may have been ‘Ay, sir, an you like,’ for the word preceding ‘you’ has been cut away by the binder.
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