The Winter's Tale · William Shakespeare
SCENE IV. The same. A Shepherd’s Cottage.
Enter Florizel and Perdita. FLORIZEL. These your unusual weeds to each part of you Do give a life, no shepherdess, but Flora Peering in April’s front. This your sheep-shearing Is as a meeting of the petty gods, And you the queen on ’t. PERDITA. Sir, my gracious lord, To chide at your extremes it not becomes me; O, pardon that I name them! Your high self, The gracious mark o’ th’ land, you have obscur’d With a swain’s wearing, and me, poor lowly maid, Most goddess-like prank’d up. But that our feasts In every mess have folly, and the feeders Digest it with a custom, I should blush To see you so attir’d; swoon, I think, To show myself a glass. FLORIZEL. I bless the time When my good falcon made her flight across Thy father’s ground. PERDITA. Now Jove afford you cause! To me the difference forges dread. Your greatness Hath not been us’d to fear. Even now I tremble To think your father, by some accident, Should pass this way, as you did. O, the Fates! How would he look to see his work, so noble, Vilely bound up? What would he say? Or how Should I, in these my borrow’d flaunts, behold The sternness of his presence? FLORIZEL. Apprehend Nothing but jollity. The gods themselves, Humbling their deities to love, have taken The shapes of beasts upon them. Jupiter Became a bull and bellow’d; the green Neptune A ram and bleated; and the fire-rob’d god, Golden Apollo, a poor humble swain, As I seem now. Their transformations Were never for a piece of beauty rarer, Nor in a way so chaste, since my desires Run not before mine honour, nor my lusts Burn hotter than my faith.
PERDITA. O, but, sir, Your resolution cannot hold when ’tis Oppos’d, as it must be, by the power of the king: One of these two must be necessities, Which then will speak, that you must change this purpose, Or I my life. FLORIZEL. Thou dearest Perdita, With these forc’d thoughts, I prithee, darken not The mirth o’ th’ feast. Or I’ll be thine, my fair, Or not my father’s. For I cannot be Mine own, nor anything to any, if I be not thine. To this I am most constant, Though destiny say no. Be merry, gentle. Strangle such thoughts as these with anything That you behold the while. Your guests are coming: Lift up your countenance, as it were the day Of celebration of that nuptial which We two have sworn shall come. PERDITA. O lady Fortune, Stand you auspicious! FLORIZEL. See, your guests approach: Address yourself to entertain them sprightly, And let’s be red with mirth. Enter Shepherd with Polixenes and Camillo, disguised; Clown, Mopsa, Dorcas with others. SHEPHERD. Fie, daughter! When my old wife liv’d, upon This day she was both pantler, butler, cook, Both dame and servant; welcom’d all; serv’d all; Would sing her song and dance her turn; now here At upper end o’ th’ table, now i’ th’ middle; On his shoulder, and his; her face o’ fire With labour, and the thing she took to quench it She would to each one sip. You are retired, As if you were a feasted one, and not The hostess of the meeting: pray you, bid These unknown friends to ’s welcome, for it is A way to make us better friends, more known. Come, quench your blushes, and present yourself That which you are, mistress o’ th’ feast. Come on, And bid us welcome to your sheep-shearing, As your good flock shall prosper.
PERDITA. [_To Polixenes._] Sir, welcome. It is my father’s will I should take on me The hostess-ship o’ the day. [_To Camillo._] You’re welcome, sir. Give me those flowers there, Dorcas. Reverend sirs, For you there’s rosemary and rue; these keep Seeming and savour all the winter long. Grace and remembrance be to you both! And welcome to our shearing! POLIXENES. Shepherdess— A fair one are you—well you fit our ages With flowers of winter. PERDITA. Sir, the year growing ancient, Not yet on summer’s death nor on the birth Of trembling winter, the fairest flowers o’ th’ season Are our carnations and streak’d gillyvors, Which some call nature’s bastards: of that kind Our rustic garden’s barren; and I care not To get slips of them. POLIXENES. Wherefore, gentle maiden, Do you neglect them? PERDITA. For I have heard it said There is an art which, in their piedness, shares With great creating nature. POLIXENES. Say there be; Yet nature is made better by no mean But nature makes that mean. So, over that art Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race. This is an art Which does mend nature, change it rather, but The art itself is nature.
PERDITA. So it is. POLIXENES. Then make your garden rich in gillyvors, And do not call them bastards. PERDITA. I’ll not put The dibble in earth to set one slip of them; No more than, were I painted, I would wish This youth should say ’twere well, and only therefore Desire to breed by me. Here’s flowers for you: Hot lavender, mints, savory, marjoram, The marigold, that goes to bed with th’ sun And with him rises weeping. These are flowers Of middle summer, and I think they are given To men of middle age. You’re very welcome. CAMILLO. I should leave grazing, were I of your flock, And only live by gazing. PERDITA. Out, alas! You’d be so lean that blasts of January Would blow you through and through. [_To Florizel_] Now, my fair’st friend, I would I had some flowers o’ th’ spring, that might Become your time of day; and yours, and yours, That wear upon your virgin branches yet Your maidenheads growing. O Proserpina, From the flowers now that, frighted, thou let’st fall From Dis’s waggon! daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno’s eyes Or Cytherea’s breath; pale primroses, That die unmarried ere they can behold Bright Phoebus in his strength (a malady Most incident to maids); bold oxlips and The crown imperial; lilies of all kinds, The flower-de-luce being one. O, these I lack, To make you garlands of; and my sweet friend, To strew him o’er and o’er!
FLORIZEL. What, like a corse? PERDITA. No, like a bank for love to lie and play on; Not like a corse; or if, not to be buried, But quick, and in mine arms. Come, take your flowers. Methinks I play as I have seen them do In Whitsun pastorals. Sure this robe of mine Does change my disposition. FLORIZEL. What you do Still betters what is done. When you speak, sweet, I’d have you do it ever. When you sing, I’d have you buy and sell so, so give alms, Pray so; and, for the ord’ring your affairs, To sing them too. When you do dance, I wish you A wave o’ th’ sea, that you might ever do Nothing but that, move still, still so, And own no other function. Each your doing, So singular in each particular, Crowns what you are doing in the present deeds, That all your acts are queens. PERDITA. O Doricles, Your praises are too large. But that your youth, And the true blood which peeps fairly through ’t, Do plainly give you out an unstained shepherd, With wisdom I might fear, my Doricles, You woo’d me the false way. FLORIZEL. I think you have As little skill to fear as I have purpose To put you to ’t. But, come; our dance, I pray. Your hand, my Perdita. So turtles pair That never mean to part.
PERDITA. I’ll swear for ’em. POLIXENES. This is the prettiest low-born lass that ever Ran on the green-sward. Nothing she does or seems But smacks of something greater than herself, Too noble for this place. CAMILLO. He tells her something That makes her blood look out. Good sooth, she is The queen of curds and cream. CLOWN. Come on, strike up. DORCAS. Mopsa must be your mistress: marry, garlic, to mend her kissing with! MOPSA. Now, in good time! CLOWN. Not a word, a word; we stand upon our manners. Come, strike up. [_Music. Here a dance Of Shepherds and Shepherdesses._] POLIXENES. Pray, good shepherd, what fair swain is this Which dances with your daughter? SHEPHERD. They call him Doricles; and boasts himself To have a worthy feeding. But I have it Upon his own report, and I believe it. He looks like sooth. He says he loves my daughter. I think so too; for never gaz’d the moon Upon the water as he’ll stand and read, As ’twere, my daughter’s eyes. And, to be plain, I think there is not half a kiss to choose Who loves another best. POLIXENES. She dances featly. SHEPHERD. So she does anything, though I report it That should be silent. If young Doricles Do light upon her, she shall bring him that Which he not dreams of.
Enter a Servant. SERVANT. O master, if you did but hear the pedlar at the door, you would never dance again after a tabor and pipe; no, the bagpipe could not move you. He sings several tunes faster than you’ll tell money. He utters them as he had eaten ballads, and all men’s ears grew to his tunes. CLOWN. He could never come better: he shall come in. I love a ballad but even too well, if it be doleful matter merrily set down, or a very pleasant thing indeed and sung lamentably. SERVANT. He hath songs for man or woman of all sizes. No milliner can so fit his customers with gloves. He has the prettiest love-songs for maids, so without bawdry, which is strange; with such delicate burdens of dildos and fadings, “jump her and thump her”; and where some stretch-mouthed rascal would, as it were, mean mischief and break a foul gap into the matter, he makes the maid to answer “Whoop, do me no harm, good man”; puts him off, slights him, with “Whoop, do me no harm, good man.” POLIXENES. This is a brave fellow. CLOWN. Believe me, thou talkest of an admirable conceited fellow. Has he any unbraided wares? SERVANT. He hath ribbons of all the colours i’ th’ rainbow; points, more than all the lawyers in Bohemia can learnedly handle, though they come to him by th’ gross; inkles, caddisses, cambrics, lawns; why he sings ’em over as they were gods or goddesses; you would think a smock were a she-angel, he so chants to the sleeve-hand and the work about the square on ’t.
CLOWN. Prithee bring him in; and let him approach singing. PERDITA. Forewarn him that he use no scurrilous words in ’s tunes. [_Exit Servant._] CLOWN. You have of these pedlars that have more in them than you’d think, sister. PERDITA. Ay, good brother, or go about to think. Enter Autolycus, singing. AUTOLYCUS. _Lawn as white as driven snow, Cypress black as e’er was crow, Gloves as sweet as damask roses, Masks for faces and for noses, Bugle-bracelet, necklace amber, Perfume for a lady’s chamber, Golden quoifs and stomachers For my lads to give their dears, Pins and poking-sticks of steel, What maids lack from head to heel. Come buy of me, come; come buy, come buy; Buy, lads, or else your lasses cry. Come, buy._ CLOWN. If I were not in love with Mopsa, thou shouldst take no money of me; but being enthralled as I am, it will also be the bondage of certain ribbons and gloves. MOPSA. I was promised them against the feast; but they come not too late now. DORCAS. He hath promised you more than that, or there be liars. MOPSA. He hath paid you all he promised you. Maybe he has paid you more, which will shame you to give him again. CLOWN. Is there no manners left among maids? Will they wear their plackets where they should bear their faces? Is there not milking-time, when you are going to bed, or kiln-hole, to whistle of these secrets, but you must be tittle-tattling before all our guests? ’Tis well they are whispering. Clamour your tongues, and not a word more.
MOPSA. I have done. Come, you promised me a tawdry lace and a pair of sweet gloves. CLOWN. Have I not told thee how I was cozened by the way and lost all my money? AUTOLYCUS. And indeed, sir, there are cozeners abroad; therefore it behoves men to be wary. CLOWN. Fear not thou, man. Thou shalt lose nothing here. AUTOLYCUS. I hope so, sir; for I have about me many parcels of charge. CLOWN. What hast here? Ballads? MOPSA. Pray now, buy some. I love a ballad in print alife, for then we are sure they are true. AUTOLYCUS. Here’s one to a very doleful tune. How a usurer’s wife was brought to bed of twenty money-bags at a burden, and how she longed to eat adders’ heads and toads carbonadoed. MOPSA. Is it true, think you? AUTOLYCUS. Very true, and but a month old. DORCAS. Bless me from marrying a usurer! AUTOLYCUS. Here’s the midwife’s name to’t, one Mistress Taleporter, and five or six honest wives that were present. Why should I carry lies abroad? MOPSA. Pray you now, buy it. CLOWN. Come on, lay it by; and let’s first see more ballads. We’ll buy the other things anon. AUTOLYCUS. Here’s another ballad, of a fish that appeared upon the coast on Wednesday the fourscore of April, forty thousand fathom above water, and sung this ballad against the hard hearts of maids. It was thought she was a woman, and was turned into a cold fish for she would not exchange flesh with one that loved her. The ballad is very pitiful, and as true.
DORCAS. Is it true too, think you? AUTOLYCUS. Five justices’ hands at it, and witnesses more than my pack will hold. CLOWN. Lay it by too: another. AUTOLYCUS. This is a merry ballad; but a very pretty one. MOPSA. Let’s have some merry ones. AUTOLYCUS. Why, this is a passing merry one and goes to the tune of “Two maids wooing a man.” There’s scarce a maid westward but she sings it. ’Tis in request, I can tell you. MOPSA. We can both sing it: if thou’lt bear a part, thou shalt hear; ’tis in three parts. DORCAS. We had the tune on ’t a month ago. AUTOLYCUS. I can bear my part; you must know ’tis my occupation: have at it with you.
Text from Project Gutenberg, public domain in the United States.