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Alfred, Lord Tennyson

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Alfred Tennyson, 1st Baron Tennyson (; 6 August 1809 – 6 October 1892) was an English poet. He was Poet Laureate of the United Kingdom during much of Queen Victoria's reign. In 1829 he was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu". He published his first solo collection of poems, Poems, Chiefly Lyrical, in 1830. "Claribel" and "Mariana", which remain some of Tennyson's most celebrated poems, were included in this volume. Some critics described Tennyson as overly sentimental. However, his poems proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge. Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood.

Tennyson also focused on short lyrics, such as "Break, Break, Break", "The Charge of the Light Brigade", "Tears, Idle Tears", and "Crossing the Bar". Much of his verse was based on classical mythological themes, such as "Ulysses" and "The Lotos-Eaters". "In Memoriam A.H.H." was written to commemorate his friend Arthur Hallam, a fellow poet and student at Trinity College, Cambridge, after he died of a stroke at the age of 22. Tennyson also wrote notable blank verse, including Idylls of the King, "Ulysses", and "Tithonus". During his career, Tennyson attempted drama, but his plays enjoyed little success.

A number of phrases from Tennyson's work have become commonplace in the English language, including "Nature, red in tooth and claw" ("In Memoriam A.H.H."), "'Tis better to have loved and lost / Than never to have loved at all", "Theirs not to reason why, / Theirs but to do and die", "My strength is as the strength of ten, / Because my heart is pure", "To strive, to seek, to find, and not to yield", "Knowledge comes, but Wisdom lingers", and "The old order changeth, yielding place to new". He is the ninth most frequently quoted writer in The Oxford Dictionary of Quotations.

Overview adapted from Wikipedia (CC BY-SA 4.0; see the article history for authors).

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In the third, I say what it is I purpose to speak so as not to be impeded by faintheartedness. In the fourth, repeating to whom I purpose speaking, I tell the reason why I speak to them. The second begins here, “And I declare;” the third here, “Wherefore I will not speak;” the fourth here, “With you alone.” Then, when I say “An Angel,” I begin treating of this lady: and this part is divided into two. In the first, I…
Dante Alighieri, The New Life
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His lyre had many strings, and he had equal command over them all; striking each, and frequently in chords, with the skill and power of a master. That his satire sometimes degenerates into coarse invective, can not be denied; but where personality is not permitted to interfere, his poems of this description may take their place beside any thing of the kind which has ever been produced, without being disgraced by the…
Thomas Carlyle, Life of Robert Burns
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His Songs are already part of the mother-tongue, not of Scotland only, but of Britain, and of the millions that in all ends of the earth speak a British language. In hut and hall, as the heart unfolds itself in many-colored joy and woe of existence, the _name_, the _voice_ of that joy and that woe, is the name and voice which Burns has given them. Strictly speaking, perhaps no British man has so deeply affected the…
Thomas Carlyle, Essay on Burns
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Alfred, Lord Tennyson

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