Concept
Aphrodite

Overview
Aphrodite ( , AF-rə-DY-tee) is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, procreation, and as her syncretised Roman counterpart Venus, desire, sex, fertility, prosperity, and victory. Aphrodite's major symbols include seashells, myrtles, roses, doves, sparrows, and swans. The cult of Aphrodite may have been derived from the Phoenician goddess Astarte, a cognate of the East Semitic goddess Ishtar, whose cult was based on the Sumerian cult of Inanna. Aphrodite's main cult centers were Cythera, Cyprus, Corinth, and Athens. Her main festival was the Aphrodisia, which was celebrated annually in midsummer. In Laconia, Aphrodite was worshipped as a warrior goddess. She was also the patron goddess of prostitutes, an association which led early scholars to propose the concept of sacred prostitution in Greco-Roman culture, an idea which is now generally seen as erroneous.
A major goddess in the Greek pantheon, Aphrodite featured prominently in ancient Greek literature. According to many sources, like Homer's Iliad and Sappho's Ode to Aphrodite, she is the daughter of Zeus and Dione. In Hesiod's Theogony, however, Aphrodite is born off the coast of Cythera from the foam (ἀφρός, aphrós) produced by Uranus's genitals, which his son Cronus had severed and thrown into the sea. In his Symposium, Plato asserts that these two origins actually belong to separate entities; Aphrodite Urania (a transcendent "Heavenly" Aphrodite, who "partakes not of the female but only of the male", with Plato describing her as inspiring love between men, but having nothing to do with the love of women) and Aphrodite Pandemos (Aphrodite common to "all the people" who Plato described as "wanton", to contrast her with the virginal Aphrodite Urania, who did not engage in sexual acts at all. Pandemos inspired love between men and women, unlike her older counterpart). The epithet Aphrodite Areia (the "Warlike") reveals her contrasting nature in ancient Greek religion. Aphrodite had many other epithets, each emphasizing a different aspect of the same goddess or used by a different local cult. Thus she was also known as Cytherea (Lady of Cythera) and Cypris (Lady of Cyprus), because both locations claimed to be the place of her birth. Sappho's Ode to Aphrodite is one of the earliest poems dedicated to the goddess and survives from the Archaic period nearly complete.
In Greek mythology, Aphrodite was married to Hephaestus, the god of fire, blacksmiths and metalworking. Aphrodite was frequently unfaithful to him and had many lovers; in the Odyssey, she is caught in the act of adultery with Ares, the god of war. In the First Homeric Hymn to Aphrodite, she seduces the mortal shepherd Anchises after Zeus made her fall in love with him. Aphrodite was also the surrogate mother and lover of the mortal shepherd Adonis, who was killed by a wild boar. Along with Athena and Hera, Aphrodite was one of the three goddesses whose feud resulted in the beginning of the Trojan War and plays a major role throughout the Iliad. Aphrodite has been featured in Western art as a symbol of female beauty and has appeared in numerous works of Western literature. She is a major deity in modern Neopagan religions, including the Church of Aphrodite, Wicca, and Hellenism.
Overview adapted from Wikipedia (CC BY-SA 4.0; see the article history for authors).
In the original texts
Passages from public-domain books where Aphrodite is discussed.
On the birthday of Aphrodite there was a feast of the gods, at which the god Poros or Plenty, who is the son of Metis or Discretion, was one of the guests. When the feast was over, Penia or Poverty, as the manner is on such occasions, came about the doors to beg. Now Plenty who was the worse for nectar (there was no wine in those days), went into the garden of Zeus and fell into a heavy sleep, and Poverty…
Plato, Symposium
states what it is; names the idea; author linked in the graph; opens on it
Round about this enclosure dwell Phenicians of Tyre, and this whole region is called the Camp of the Tyrians. Within the enclosure of Proteus there is a temple called the temple of the "foreign Aphrodite," which temple I conjecture to be one of Helen the daughter of Tyndareus, not only because I have heard the tale how Helen…
Herodotus, An Account of Egypt
states what it is; names the idea
Dionusos is simply didous oinon (giver of wine), Didoinusos, as he might be called in fun,—and oinos is properly oionous, because wine makes those who drink, think (oiesthai) that they have a mind (noun) when they have none. The derivation of Aphrodite, born of the foam (aphros), may be fairly accepted on the authority of Hesiod.
Plato, Cratylus
states what it is; names the idea; author linked in the graph
So then as many as have attained to beauty and stature 211 are speedily released, but those of them who are unshapely remain there much time, not being able to fulfil the law; for some of them remain even as much as three or four years: and in some parts of Cyprus too there is a custom similar to this.
Herodotus, The History of Herodotus — Volume 1
names the idea; opens on it
Aphrodite, while leading Paris to the shores of Lacedæmon, had not forgotten her promise, and in Sparta itself she was at work at its fulfilment. She inspired Queen Helen with a growing discontent and restlessness of spirit. Menelaos had not noticed any change in her, and it was with an utterly unsuspicious mind that he received the fatal strangers and made them welcome guests in his land and home. More than that…
Homer, Odysseus, the Hero of Ithaca Adapted from the Third Book of the Primary Schools of Athens, Greece
names the idea; opens on it
Philosophers who discussed Aphrodite
Related ideas
- Giorgio Vasari
- Aristophanes
- Pre-Raphaelite Brotherhood
- Feminism
- Athena
- Athens
- Harvard University Press
- Homer
- Hesiod
- Ancient Greek
- Indo-European languages
- Isidore of Seville
- Julius Caesar
- Ancient Corinth
- Lucian
- Athenaeus
- Louvre
- Lebanon
- Livy
- Levant
- Archimedes
- Archaic Greece
- Middle Ages
- Birth control
Opposing perspectives
Place in the tradition
Part of Myth.