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Ashmolean Museum

Ashmolean Museum
Lewis Clarke · CC BY-SA 2.0 · source

Overview

The Ashmolean Museum of Art and Archaeology () on Beaumont Street in Oxford, England, is Britain's first public museum. Its first building was erected in 1678–1683 to house the cabinet of curiosities that Elias Ashmole gave to the University of Oxford in 1677. It is also the world's second university museum, after the establishment of the Kunstmuseum Basel in 1661 by the University of Basel.

The present building was built between 1841 and 1845. The museum reopened in 2009 after a major redevelopment, and in November 2011, new galleries focusing on Egypt and Nubia were unveiled. In May 2016, the museum redisplayed galleries of 19th-century art.

Overview adapted from Wikipedia (CC BY-SA 4.0; see the article history for authors).

Possible passages

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  1. _The Oxford University Almanack_ has been printed annually since 1674, and of the illustrations since 1716 the Press possesses the original plates. By far the greater number are still on sale. Many of the recent plates are of great interest and beauty; those for 1906-10, and that for 1918, are collotypes from drawings made for the Almanack by Mr. Muirhead Bone; most of the later issues are chromo-collotypes…

    Oxford University Press, Some Account of the Oxford University Press, 1468-1921

    Names Ashmolean Museum.

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  2. An Egyptian sculpture-fresco usually represents all its figures as at the same distance from the eye; and so is less heterogeneous than a painting that represents them as at various distances from the eye. It exhibits all objects as exposed to the same degree of light; and so is less heterogeneous than a painting which exhibits its different objects and different parts of each object as in different degrees of…

    Herbert Spencer, Essays

    Close in meaning to Ashmolean Museum; the term itself is not named.

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  3. Here it had the advantage of a position with the right light exposure, on a wall visited, though but briefly, by the evening sun. About one-third life-size, the bas-relief represented a complete female figure in the act of walking; she was still young, but no longer in childhood and, on the other hand, apparently not a woman, but a Roman virgin about in her twentieth year. In no way did she remind one of the…

    Sigmund Freud, Delusion and Dream

    Close in meaning to Ashmolean Museum; the term itself is not named.

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Related ideas

Place in the tradition

Part of British philosophy.

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