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Concept

Copyright

Copyright
Arthur Shlain · CC BY 3.0 · source

Overview

A copyright is a type of intellectual property that gives its owner the exclusive legal right to copy, distribute, adapt, display, and perform a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States and fair dealing doctrine in the United Kingdom.

Some jurisdictions require "fixing" copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders. These rights normally include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.

Copyrights can be granted by public law and are in that case considered "territorial rights". This means that copyrights granted by the law of a certain state do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works "cross" national borders or national rights are inconsistent.

Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities to establishing copyright, others recognize copyright in any completed work, without a formal registration. When the copyright of a work expires, it enters the public domain.

Overview adapted from Wikipedia (CC BY-SA 4.0; see the article history for authors).

In the original texts

Passages from public-domain books where Copyright is discussed.

  1. The application for copyright registration shall be made on a form prescribed by the Register of Copyrights and shall include-- (1) the name and address of the copyright claimant; (2) in the case of a work other than an anonymous or pseudonymous work, the name and nationality or domicile of the author or authors, and, if one or more of the authors is dead, the dates of their deaths; (3) if the work is anonymous or…

    Library of Congress. Copyright Office, Copyright Law of the United States of America

    names the idea; a chapter is titled for it; the book is about it; opens on it

    Read the chapter · Open in the reader

  2. [2] Section 202. Ownership of copyright as distinct from ownership of material object. Ownership of a copyright, or of any of the exclusive rights under a copyright, is distinct from ownership of any material object in which the work is embodied. Transfer of ownership of any material object, including the copy or phonorecord in which the work is first fixed, does not of itself convey any rights in the copyrighted…

    United States, Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code, Circular 92

    names the idea; a chapter is titled for it; the book is about it; opens on it

    Read the chapter · Open in the reader

  3. On the other hand, the choice to record a song digitally and to increase the sound of violins or to bring up the tympani constitutes the results of conversion that are copyrightable. Moreover, if a work is protected by copyright in the United States, one generally needs the permission of the copyright owner to convert it. Normally, who will own the new--that is, converted- -material is a matter of contract. In the…

    Library of Congress, Workshop on Electronic Texts

    names the idea; a chapter is titled for it; opens on it

    Read the chapter · Open in the reader

  4. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic…

    Thomas Carlyle, Latter-Day Pamphlets

    names the idea; opens on it

    Read the chapter · Open in the reader

  5. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of…

    Benedictus de Spinoza, On the Improvement of the Understanding

    names the idea

    Read the chapter · Open in the reader

Philosophers who discussed Copyright

Related ideas

Place in the tradition

Part of Political philosophy.

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