Tradition
Futurism
Overview
Futurism (Italian: Futurismo [futuˈrizmo]) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included Italian artists Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and, according to its doctrine, "aimed to liberate Italy from the weight of its past." Important Futurist works included Marinetti's 1909 Manifesto of Futurism, Boccioni's 1913 sculpture Unique Forms of Continuity in Space, Balla's 1913–1914 painting Abstract Speed + Sound, and Russolo's The Art of Noises (1913).
Although Futurism was largely an Italian phenomenon, parallel movements emerged in the Russian Empire, where some Russian Futurists would later go on to found groups of their own; other countries either had a few Futurists or had movements inspired by Futurism. The Futurists practiced in every medium of art, including painting, sculpture, ceramics, graphic design, industrial design, interior design, urban design, theatre, film, fashion, textiles, literature, music, architecture, and cuisine.
To some extent, Futurism influenced the art movements Art Deco, Constructivism, Surrealism, and Dada; to a greater degree, Precisionism, Rayonism, and Vorticism. Passéism can represent an opposing trend or attitude.
Overview adapted from Wikipedia (CC BY-SA 4.0; see the article history for authors).
Possible passages
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To sum up, whatever be the doctrine to which our reason assents, our imagination has a very clear-cut philosophy of its own: in every human form it sees the effort of a soul which is shaping matter, a soul which is infinitely supple and perpetually in motion, subject to no law of gravitation, for it is not the earth that attracts it. This soul imparts a portion of its winged lightness to the body it animates: the…
Henri Bergson, Laughter
States what Futurism is; the author is tied to Futurism in the knowledge graph.
We must therefore have managed to extract resemblances from nature, which enable us to anticipate the future. Thus we must, consciously or unconsciously, have made use of the law of causality. Moreover, the more sharply the idea of efficient causality is defined in our mind, the more it takes the form of a _mechanical_ causality. And this scheme, in its turn, is the more mathematical according as it expresses a more…
Henri Bergson, Creative Evolution
States what Futurism is; the author is tied to Futurism in the knowledge graph.
Isolated from such ends, it is matter of indifference whether its disclosures are used to cure disease or to spread it; to increase the means of sustenance of life or to manufacture war material to wipe life out. If society is interested in one of these things rather than another, science shows the way of attainment. Philosophy thus has a double task: that of criticizing existing aims with respect to the existing…
John Dewey, Democracy and Education
States what Futurism is.
Philosophers who discussed Futurism
Related ideas
- Fascism
- Feminism
- Florence
- Henri Bergson
- Italy
- Internet
- London
- Modernity
- Munich
- Benito Mussolini
- Modernism
- Russian Empire
- Western culture
- Architecture
- Nature
- Opera
- French Third Republic
- Paris
- Pablo Picasso
- Boston
- Roman Empire
- Russian Revolution
- Science
- Soviet Union
Place in the tradition
Part of Fascism.