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Joseph Conrad

Joseph Conrad
George Charles Beresford · Public domain · source

Overview

Joseph Conrad (born Józef Teodor Konrad Korzeniowski, Polish: [ˈjuzɛf tɛˈɔdɔr ˈkɔnrat kɔʐɛˈɲɔfskʲi] ; 3 December 1857 – 3 August 1924) was a Polish-British novelist and story writer. He is regarded as one of the greatest writers in the English language and – though he did not speak English fluently until his twenties (always with a strong foreign accent) – he became a master prose stylist who brought a non-English sensibility into English literature.

He wrote novels and stories, many in nautical settings, that depicted crises of human individuality in the midst of what he saw as an indifferent, inscrutable, and amoral world. Conrad is considered a literary impressionist by some and an early modernist by others, though his works also contain elements of 19th-century realism. His narrative style and anti-heroic characters, as in Lord Jim, have influenced numerous authors. Many dramatic films have been adapted from and inspired by his works.

Numerous writers and critics have commented that his fictional works, written mostly in the first two decades of the 20th century, seem to have anticipated later world events. Writing near the peak of the British Empire, Conrad drew on the national experiences of his native Poland—during nearly all his life, parcelled out among three occupying empires—and on his own experiences in the French and British merchant navies, to create short stories and novels that reflect aspects of a European-dominated world—including imperialism and colonialism—and that profoundly explore the human psyche.

Overview adapted from Wikipedia (CC BY-SA 4.0; see the article history for authors).

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  1. The attitude of uncompromising heroism is attractive, and appeals especially to the dramatic instinct. But the purpose of the serious revolutionary is not personal heroism, nor martyrdom, but the creation of a happier world. Those who have the happiness of the world at heart will shrink from attitudes and the facile hysteria of "no parley with the enemy." They will not embark upon enterprises, however arduous and…

    Bertrand Russell, The Practice and Theory of Bolshevism

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  2. This artist's impulse, as it may be called, is a thing of infinite value to the individual, and often to the world; to respect it in oneself and in others makes up nine tenths of the good life. In most human beings it is rather frail, rather easily destroyed or disturbed; parents and teachers are too often hostile to it, and our economic system crushes out its last remnants in young men and young women. The result…

    Bertrand Russell, Political Ideals

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  3. This is the sort of inferiority which their works manifest: for in point of execution, in the detailed application of thought, and the perfection of style, there is no inferiority. Our best novelists in point of composition, and of the management of detail, have mostly been women; and there is not in all modern literature a more eloquent vehicle of thought than the style of Madame de Stael, nor, as a specimen of…

    John Stuart Mill, The Subjection of Women

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