Concept

Literary criticism

Overview

A genre of arts criticism, literary criticism or literary studies is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical analysis of literature's goals and methods. Although the two activities are closely related, literary critics are not always, and have not always been, theorists.

Whether or not literary criticism should be considered a separate field of inquiry from literary theory is a matter of some controversy. For example, The Johns Hopkins Guide to Literary Theory and Criticism draws no distinction between literary theory and literary criticism, and almost always uses the terms together to describe the same concept. Some critics consider literary criticism a practical application of literary theory, because criticism always deals directly with particular literary works, while theory may be more general or abstract. Although rare, literary criticism can even bear the form of mathematical propositions.

Literary criticism is often published in essay or book form. Academic literary critics teach in literature departments and publish in academic journals, and more popular critics publish their reviews in broadly circulating periodicals such as The Times Literary Supplement, The New York Times Book Review, The New York Review of Books, the London Review of Books, the Dublin Review of Books, The Nation, Bookforum, and The New Yorker.

Overview adapted from Wikipedia (CC BY-SA 4.0; see the article history for authors).

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The most universal of the forms in which this difference of method is accustomed to present itself, is the ancient feud between what is called theory, and what is called practice or experience. There are, on social and political questions, two kinds of reasoners: there is one portion who term themselves practical men, and call the others theorists; a title which the latter do not reject, though they by no…
John Stuart Mill, Essays on some unsettled Questions of Political Economy
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A book without content is, as every one knows, not a book with empty leaves, but one of which the content is as good as none. We shall find as the last result on closer analysis, that by what is called content an educated mind means nothing but the presence and power of thought. But this is to admit that thoughts are not empty forms without affinity to their content, and that in other spheres as well as in art the…
Georg Wilhelm Friedrich Hegel, The Logic of Hegel
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But, for this very reason, what is called good taste takes fright at all more profound effects of art, and is silent where the reality comes in question, and where externalities and trivialities vanish. For when great passions and the movements of a profound soul are unveiled, we are no longer concerned with the finer distinctions of taste and its pettifogging particularities.
Georg Wilhelm Friedrich Hegel, The Introduction to Hegel's Philosophy of Fine Arts Translated from the German with Notes and Prefatory Essay
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Literary criticism

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