Concept

Ludwig Tieck

Overview

German poet, writer, and critic (1773–1853)

Overview adapted from Wikipedia (CC BY-SA 4.0; see the article history for authors).

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In him, criticism rests upon pleasure, pleasure upon knowledge, and these criteria, which are usually thought of as distinct, are here fused into a satisfying whole. His reverence for Kleist is highly praiseworthy.
Johann Wolfgang von Goethe, Goethe's literary essays
The chapter “LUDWIG TIECK’S _DRAMATURGIC FRAGMENTS_” is titled for Ludwig Tieck.
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Thus, Tieck no doubt always says there ought to be Irony; but when he himself approaches the criticism of great works of art, though his recognition and portrayal of their greatness is excellent, yet, if we fancy that now is the best opportunity to explain where the Irony is, _e.g._ in such a work as "Romeo and Juliet," we are taken in--for we hear no more about the Irony.
Georg Wilhelm Friedrich Hegel, The Introduction to Hegel's Philosophy of Fine Arts Translated from the German with Notes and Prefatory Essay
Opens on Ludwig Tieck; names Ludwig Tieck.
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The same is true of Kleist's contemporary, Ludwig Tieck, of the amiable Theodor Storm, and of the prolific Paul Heyse. The character, in its peculiar makeup and its peculiar circumstances, presents a problem, and the most significant evidence that its experiences furnish is its reaction upon the outside world.
Theodor Fontane, German Fiction
Names Ludwig Tieck.
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