Tradition
Oscar Wilde

Overview
Oscar Fingal O'Fflahertie Wills Wilde (16 October 1854 – 30 November 1900) was an Irish author, poet and playwright. After writing in different literary styles throughout the 1880s, he became one of the most popular and influential dramatists in London in the early 1890s. He was a key figure in the emerging Aestheticism movement of the late 19th century and is widely regarded as the greatest playwright of the Victorian era. Wilde is best known for his Gothic novel The Picture of Dorian Gray (1890), his epigrams, plays and bedtime stories for children, as well as his criminal conviction in 1895 for gross indecency and for practicing homosexual acts.
Wilde's parents were Anglo-Irish intellectuals in Dublin. In his youth, Wilde became conversant in French and German. At university, he read Greats; he demonstrated himself to be an exceptional classicist, first at Trinity College Dublin, then at Magdalen College, Oxford. He became associated with the emerging philosophy of aestheticism during this time, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles.
Wilde tried his hand at various literary activities: he wrote a play, published a book of poems, lectured in the United States and Canada on "The English Renaissance" in art and interior decoration, and then returned to London where he lectured on his American travels and wrote reviews for various periodicals. Known for his biting wit, flamboyant dress and glittering conversational skill, Wilde became one of the best-known personalities of his day. At the turn of the 1890s, he refined his ideas about the supremacy of art in a series of dialogues and essays, and incorporated themes of decadence, duplicity and beauty into what would be his only novel, The Picture of Dorian Gray (1890). Wilde returned to drama, writing Salome (1891) in French while in Paris, but it was refused a licence for England complicated by a prohibition on the portrayal of biblical subjects on the English stage. Undiscouraged, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late-Victorian London.
At the height of his fame and success, while An Ideal Husband (1895) and The Importance of Being Earnest (1895) were still being performed in London, Wilde issued a civil writ against John Sholto Douglas, the 9th Marquess of Queensberry for criminal libel. The Marquess was the father of Wilde's lover, Lord Alfred Douglas. The libel hearings unearthed evidence that caused Wilde to drop his charges and led to his own arrest and criminal prosecution for gross indecency with other males. The jury was unable to reach a verdict and so, a retrial was ordered. In the second trial, however, Wilde was convicted and sentenced to two years' hard labour, the maximum penalty, and jailed from 1895 to 1897. During his last year in prison he wrote De Profundis (published posthumously in abridged form in 1905, and in full in 1962 in his Complete Letters), a long letter that discusses his spiritual journey through his trials and is a dark counterpoint to his earlier philosophy of pleasure. On the day of his release, he caught the overnight steamer to France, never to return to Britain or Ireland. In France and Italy, he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life.
Overview adapted from Wikipedia (CC BY-SA 4.0; see the article history for authors).
Possible passages
Found by search and not yet checked by a person; they may only mention the idea in passing.
And what self-restraint was that when, having received from Dido so much pleasure, as will be spoken of in the seventh treatise, and enjoying so much delectation with her, he departed, in order to follow the upright and praiseworthy path fruitful of good works, even as it is written in the fourth book of the Æneid! What impetus was that when Æneas had the fortitude alone with Sybilla to enter into Hades, to search…
Dante Alighieri, The Banquet
States what Oscar Wilde is; the author is tied to Oscar Wilde in the knowledge graph.
Of these plays, the most inoffensive are comedies and tragedies, that is to say, the dramas which poets write for the stage, and which, though they often handle impure subjects, yet do so without the filthiness of language which characterizes many other performances; and it is these dramas which boys are obliged by their seniors to read and learn as a part of what is called a liberal and gentlemanly education.[96]
of Hippo Augustine, The City of God, Volume I
States what Oscar Wilde is; the author is tied to Oscar Wilde in the knowledge graph.
For these too I call for, and forthwith they appear. And though my tongue be still, and my throat mute, so can I sing as much as I will; nor do those images of colours, which notwithstanding be there, intrude themselves and interrupt, when another store is called for, which flowed in by the ears. So the other things, piled in and up by the other senses, I recall at my pleasure.
of Hippo Augustine, The Confessions of St. Augustine
States what Oscar Wilde is; the author is tied to Oscar Wilde in the knowledge graph.
Philosophers who discussed Oscar Wilde
- Max Stirner
- Heraclitus
- Christopher Hitchens
- Simon Critchley
- Julius Evola
- Walt Whitman
- Emma Goldman
- Fernando Pessoa
- James Martineau
- Sarah Kofman
- Renzo Novatore
Related ideas
- The Independent
- Freemasonry
- BBC News
- George Orwell
- Anarchism
- Anglicanism
- Geoffrey Chaucer
- Magdalen College, Oxford
- Hedonism
- Prostitution
- Jesuits
- Aestheticism
- Library of Congress
- Plagiarism
- The Observer
- Fabian Society
- The Guardian
- BBC
- Augustine of Hippo
- The Daily Telegraph
- Pulitzer Prize
- Boston
- Russia
- University of Cambridge
Place in the tradition
Part of Aesthetics.