Concept
The Rite of Spring
Overview
The Rite of Spring (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich. When first performed at the Théâtre des Champs-Élysées on 29 May 1913, the avant-garde nature of the music and choreography caused a sensation. Many have called the first-night reaction a "riot" or "near-riot", though this wording did not come about until reviews of later performances in 1924, over a decade later. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved equal if not greater recognition as a concert piece and is widely considered to be one of the most influential musical works of the 20th century.
Stravinsky was a young, virtually unknown composer when Diaghilev recruited him to create works for the Ballets Russes. Le Sacre du printemps was the third such major project, after the acclaimed Firebird (1910) and Petrushka (1911). The concept behind The Rite of Spring, developed by Roerich from Stravinsky's outline idea, is suggested by its subtitle, "Pictures of Pagan Russia in Two Parts"; the scenario depicts various primitive rituals celebrating the advent of spring, after which a young girl is chosen as a sacrificial victim and dances herself to death. After a mixed critical reception for its original run and a short London tour, the ballet was not performed again until the 1920s, when a version choreographed by Léonide Massine replaced Nijinsky's original, which saw only eight performances. Massine's was the forerunner of many innovative productions directed by the world's leading choreographers, gaining the work worldwide acceptance. In the 1980s, Nijinsky's original choreography, long believed lost, was reconstructed by the Joffrey Ballet in Los Angeles.
Stravinsky's score contains many novel features for its time, including experiments in tonality, metre, rhythm, stress and dissonance. Analysts have noted in the score a significant grounding in Russian folk music, a relationship Stravinsky tended to deny. Regarded as among the first modernist works, the music influenced many of the 20th century's leading composers and is one of the most recorded works in the classical repertoire.
Overview adapted from Wikipedia (CC BY-SA 4.0; see the article history for authors).
Possible passages
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Next follows dancing, which is of two kinds; imitative, first, of the serious and beautiful; and, secondly, of the ludicrous and grotesque. The first kind may be further divided into the dance of war and the dance of peace. The former is called the Pyrrhic; in this the movements of attack and defence are imitated in a direct and manly style, which indicates strength and sufficiency of body and mind. The latter of…
Plato, Laws
States what The Rite of Spring is.
Again, in the essential nature of harmony and rhythm there is no difficulty in discerning love which has not yet become double. But when you want to use them in actual life, either in the composition of songs or in the correct performance of airs or metres composed already, which latter is called education, then the difficulty begins, and the good artist is needed. Then the old tale has to be repeated of fair and…
Plato, Symposium
States what The Rite of Spring is.
A catalectic meter lacks the last syllable, which, musically considered, is to be regarded as a pause so as to make a musical halt between the lines. According to another rule, the last syllable is always indifferent, i. e., it may be either long or short (̲◡). [C] The name “dactyl” or “finger” (Greek δάκτυλος) indicates that, like a finger, it consists of one long and two short members. The dactylic (or, as it is…
Johann Wolfgang von Goethe, Goethe and Schiller's Xenions
States what The Rite of Spring is.
Philosophers who discussed The Rite of Spring
Related ideas
- The Independent
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- Saint Petersburg
- Russian Revolution
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- Igor Stravinsky
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- Oxford University Press
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Place in the tradition
Part of Modernism.