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The Interpretation of Dreams · Sigmund Freud

THE FAIR ONE.

“Apples have been desired by you, Since first in Paradise they grew; And I am moved with joy to know That such within my garden grow.” _Translated by_ BAYARD TAYLOR. There remains not the slightest doubt what is meant by the apple tree and the apples. A beautiful bosom stood high among the charms with which the actress had bewitched our dreamer. According to the connections of the analysis we had every reason to assume that the dream went back to an impression from childhood. In this case it must have reference to the nurse of the patient, who is now a man of nearly fifty years of age. The bosom of the nurse is in reality a road-house for the child. The nurse as well as Daudet’s Sappho appears as an allusion to his abandoned sweetheart.

The (elder) brother of the patient also appears in the dream content; he is upstairs, the dreamer himself is below. This again is an _inversion_, for the brother, as I happen to know, has lost his social position, my patient has retained his. In reporting the dream content the dreamer avoided saying that his brother was upstairs and that he himself was _down_. It would have been too frank an expression, for a person is said to be “down and out” when he has lost his fortune and position. Now the fact that at this point in the dream something is represented as inverted must have a meaning. The inversion must apply rather to some other relation between the dream thoughts and dream content. There is an indication which suggests how this inversion is to be taken. It obviously applies to the end of the dream, where the circumstances of climbing are the reverse of those in _Sappho_. Now it may easily be seen what inversion is referred to; in _Sappho_ the man carries the woman who stands in a sexual relation to him; in the dream thoughts, _inversely_, a woman carries a man, and as this state of affairs can only occur during childhood, the reference is again to the nurse who carries the heavy child. Thus the final portion of the dream succeeds in representing _Sappho_ and the nurse in the same allusion.

Just as the name _Sappho_ has not been selected by the poet without reference to a Lesbian custom, so the elements of the dream in which persons act _above_ and _below_, point to fancies of a sexual nature with which the dreamer is occupied and which as suppressed cravings are not without connection with his neurosis. Dream interpretation itself does not show that these are fancies and not recollections of actual happenings; it only furnishes us with a set of thoughts and leaves us to determine their value as realities. Real and fantastic occurrences at first appear here as of equal value—and not only here but also in the creation of more important psychic structures than dreams. Much company, as we already know, signifies a secret. The brother is none other than a representative, drawn into the childhood scene by “fancying backwards,” of all of the later rivals for the woman. Through the agency of an experience which is indifferent in itself, the episode with the gentleman who scolds about the King of Italy again refers to the intrusion of people of low rank into aristocratic society. It is as though the warning which Daudet gives to youth is to be supplemented by a similar warning applicable to the suckling child.[DJ] In order that we may have at our disposal a third example for the study of condensation in dream formation, I shall cite the partial analysis of another dream for which I am indebted to an elderly lady who is being psychoanalytically treated. In harmony with the condition of severe anxiety from which the patient suffered, her dreams contained a great abundance of sexual thought material, the discovery of which astonished as well as frightened her. Since I cannot carry the interpretation of the dream to completion, the material seems to fall apart into several groups without apparent connection.

III. Content of the dream: _She remembers that she has two June bugs in a box, which she must set at liberty, for otherwise they will suffocate. She opens the box, and the bugs are quite exhausted; one of them flies out of the window, but the other is crushed on the casement while she is shutting the window, as some one or other requests her to do (expressions of disgust)._ Analysis: Her husband is away travelling, and her fourteen-year-old daughter is sleeping in the bed next to her. In the evening the little one calls her attention to the fact that a moth has fallen into her glass of water; but she neglects to take it out, and feels sorry for the poor little creature in the morning. A story which she had read in the evening told of boys throwing a cat into boiling water, and the twitchings of the animal were described. These are the occasions for the dream, both of which are indifferent in themselves. She is further occupied with the subject of _cruelty to animals_. Years before, while they were spending the summer at a certain place, her daughter was very cruel to animals. She started a butterfly collection, and asked her for arsenic with which to kill the butterflies. Once it happened that a moth flew about the room for a long time with a needle through its body; on another occasion she found that some moths which had been kept for metamorphosis had died of starvation. The same child while still at a tender age was in the habit of pulling out the wings of beetles and butterflies; now she would shrink in horror from these cruel actions, for she has grown very kind.

She blames herself because a bad book by de Maupassant had fallen into the hands of one of her daughters.[DL] The arsenic which her little girl asks for recalls the arsenic pills which restored the power of youth to the Duc de Mora in _Nabab_. “Set at liberty” recalls to her a passage from the _Magic Flute_: “I cannot compel you to love, But I will not give you your liberty.” “June bugs” suggests the speech of Katie:[DM] “I love you like a little beetle.” Meanwhile the speech from _Tannhauser_: “For you are wrought with evil passion.” She is living in fear and anxiety about her absent husband. The dread that something may happen to him on the journey is expressed in numerous fancies of the day. A little while before, during the analysis, she had come upon a complaint about his “senility” in her unconscious thoughts. The wish thought which this dream conceals may perhaps best be conjectured if I say that several days before the dream she was suddenly astounded by a command which she directed to her husband in the midst of her work: “_Go hang yourself_.” It was found that a few hours before she had read somewhere that a vigorous erection is induced when a person is hanged. It was for the erection which freed itself from repression in this terror-inspiring veiled form. “Go hang yourself” is as much as to say: “Get up an erection, at any cost.” Dr. Jenkin’s arsenic pills in _Nabab_ belong in this connection; for it was known to the patient that the strongest aphrodisiac, cantharides, is prepared by _crushing bugs_ (so-called Spanish flies). The most important part of the dream content has a significance to this effect.

Opening and shutting the _window_ is the subject of a standing quarrel with her husband. She herself likes to sleep with plenty of air, and her husband does not. _Exhaustion_ is the chief ailment of which she complains these days. In all three of the dreams just cited I have emphasized by italics those phrases where one of the elements of the dream recurs in the dream thoughts in order to make the manifold references of the former obvious. Since, however, the analysis of none of these dreams has been carried to completion, it will be well worth while to consider a dream with a fully detailed analysis, in order to demonstrate the manifold determination of its content. I select the dream of Irma’s injection for this purpose. We shall see without effort in this example that the condensation work has used more than one means for the formation of the dream.

The chief person in the content of the dream is my patient Irma, who is seen with the features which belong to her in waking life, and who therefore in the first instance represents herself. But her attitude as I examine her at the window is taken from the recollection of another person, of the lady for whom I should like to exchange my patient, as the dream thoughts show. In as far as Irma shows a diphtheritic membrane which recalls my anxiety about my eldest daughter, she comes to represent this child of mine, behind whom is concealed the person of the patient who died from intoxication and who is brought into connection by the identity of her name. In the further course of the dream the significance of Irma’s personality changes (without the alteration of her image as it is seen in the dream); she becomes one of the children whom we examine in the public dispensaries for children’s diseases, where my friends show the difference of their mental capabilities. The transference was obviously brought about through the idea of my infant daughter. By means of her unwillingness to open her mouth the same Irma is changed into an allusion to another lady who was once examined by me, and besides that to my wife, in the same connection. Furthermore, in the morbid transformations which I discover in her throat I have gathered allusions to a great number of other persons.

All these people whom I encounter as I follow the associations suggested by “Irma,” do not appear personally in the dream; they are concealed behind the dream person “Irma,” who is thus developed into a collective image, as might be expected, with contradictory features. Irma comes to represent these other persons, who are discarded in the work of condensation, in that I cause to happen to her all the things which recall these persons detail for detail. I may also construct a collective person for the condensation of the dream in another manner, by uniting the actual features of two or more persons in one dream image. It is in this manner that Dr. M. in my dream was constructed, he bears the name of Dr. M., and speaks and acts as Dr. M. does, but his bodily characteristics and his suffering belong to another person, my eldest brother; a single feature, paleness, is doubly determined, owing to the fact that it is common to both persons. Dr. R. in my dream about my uncle is a similar composite person. But here the dream image is prepared in still another manner. I have not united features peculiar to the one with features of the other, and thereby abridged the remembered image of each by certain features, but I have adopted the method employed by Galton in producing family portraits, by which he projects both pictures upon one another, whereupon the common features stand out in stronger relief, while those which do not coincide neutralize one another and become obscure in the picture. In the dream of my uncle the _blond beard_ stands out in relief, as an emphasized feature, from the physiognomy, which belongs to two persons, and which is therefore blurred; furthermore the beard contains an allusion to my father and to myself, which is made possible by its reference to the fact of growing grey.

The construction of collective and composite persons is one of the chief resources of the activity of dream condensation. There will soon be an occasion for treating of this in another connection. The notion “dysentery” in the dream about the injection likewise has a manifold determination, on the one hand because of its paraphasic assonance with diphtheria, and on the other because of its reference to the patient, whom I have sent to the Orient, and whose hysteria has been wrongly recognised. The mention of “propyls” in the dream also proves to be an interesting case of condensation. Not “propyls” but “amyls” were contained in the dream thoughts. One might think that here a simple displacement had occurred in the dream formation. And this is the case, but the displacement serves the purposes of condensation, as is shown by the following supplementary analysis. If I dwell for a moment upon the word “propyls,” its assonance to the word “propylæum” suggests itself to me. But the propylæum is to be found not only in Athens but also in Munich. In the latter city I visited a friend the year before who was seriously ill, and the reference to him becomes unmistakable on account of _trimethylamin_, which follows closely upon _propyls_. I pass over the striking circumstance that here, as elsewhere in the analysis of dreams, associations of the most widely different values are employed for the establishment of thought connections as though they were equivalent, and I yield to the temptation to regard the process by which _amyls_ in the dream thoughts are replaced by _propyls_, as though it were plastic in the dream content.

On the one hand is the chain of ideas about my friend Otto, who does not understand me, who thinks I am in the wrong, and who gives me the cordial that smells like amyls; on the other the chain of ideas—connected with the first by contrast—about my friend William, who understands me and who would always think I was in the right, and to whom I am indebted for so much valuable information about the chemistry of the sexual processes. Those characteristics of the associations centering about Otto which ought particularly to attract my attention are determined by the recent occasions which are responsible for the dream; _amyls_ belong to these elements so determined which are destined to get into the dream content. The group of associations “William” is distinctly vivified by the contrast to Otto, and the elements in it which correspond to those already excited in the “Otto” associations are thrown into relief. In this whole dream I am continually referring to a person who excites my displeasure and to another person whom I can oppose to him or her at will, and I conjure up the friend as against the enemy, feature for feature. Thus amyls in the Otto-group suggests recollections in the other group belonging to chemistry; trimethylamin, which receives support from several quarters, finds its way into the dream content. “Amyls,” too, might have got into the dream content without undergoing change, but it yields to the influence of the “William” group of associations, owing to the fact that an element which is capable of furnishing a double determination for amyls is sought out from the whole range of recollections which the name “William” covers. The association “propyls” lies in the neighbourhood of _amyls_; Munich with the propylæum comes to meet _amyls_ from the series of associations belonging to “William.” Both groups are united in _propyls—propylœum_. As though by a compromise, this intermediary element gets into the dream content. Here a _common mean_ which permits of a manifold determination has been created. It thus becomes perfectly obvious that manifold determination must facilitate penetration into the dream content. A displacement of attention from what is really intended to something lying near in the associations has thoughtlessly taken place, for the sake of this mean-formation.

The study of the injection dream has now enabled us to get some insight into the process of condensation which takes place in the formation of dreams. The selection of those elements which occur in the dream content more than once, the formation of new unities (collective persons, composite images), and the construction of the common mean, these we have been able to recognise as details of the condensing process. The purpose which is served by condensation and the means by which it is brought about will be investigated when we come to study the psychic processes in the formation of dreams as a whole. Let us be content for the present with establishing dream _condensation_ as an important relation between the dream thoughts and the dream content. The condensing activity of the dream becomes most tangible when it has selected words and names as its object. In general words are often treated as things by the dream, and thus undergo the same combinations, displacements, and substitutions, and therefore also condensations, as ideas of things. The results of such dreams are comical and bizarre word formations. Upon one occasion when a colleague had sent me one of his essays, in which he had, in my judgment, overestimated the value of a recent physiological discovery and had expressed himself in extravagant terms, I dreamed the following night a sentence which obviously referred to this treatise: “_That is in true norekdal style_.” The solution of this word formation at first gave me difficulties, although it was unquestionably formed as a parody after the pattern of the superlatives “colossal,” “pyramidal”; but to tell where it came from was not easy. At last the monster fell apart into the two names Nora and Ekdal from two well-known plays by Ibsen. I had previously read a newspaper essay on Ibsen by the same author, whose latest work I was thus criticising in the dream.

II.[DN] One of my female patients dreams that _a man with a light beard and a peculiar glittering eye is pointing to a sign board attached to a tree which reads: uclamparia—wet_. Analysis. The man was rather authoritative looking, and his peculiar glittering eye at once recalled St. Paul’s Cathedral, near Rome, where she saw in mosaics the Popes that have so far ruled. One of the early Popes had a golden eye (this was really an optical illusion which the guides usually call attention to). Further associations showed that the general physiognomy corresponded to her own clergyman (Pope), and the shape of the light beard recalled her doctor (myself), while the stature of the man in the dream recalled her father. All these persons stand in the same relation to her; they are all guiding and directing her course of life. On further questioning, the golden eye recalled gold—money—the rather expensive psychoanalytic treatment which gives her a great deal of concern. Gold, moreover, recalls the gold cure for alcoholism—Mr. D., whom she would have married if it had not been for his clinging to the disgusting alcohol habit—she does not object to a person taking an occasional drink; she herself sometimes drinks beer and cordials—this again brings her back to her visit to St. Paul’s without the walls and its surroundings. She remembers that in the neighbouring monastery of the Three Fountains she drank a liquor made of eucalyptus by the Trappist monks who inhabit this monastery.

III. In a somewhat long and wild dream of my own, the chief point of which is apparently a sea voyage, it happens that the next landing is called _Hearsing_ and the one farther on _Fliess_. The latter is the name of my friend living in B., who has often been the objective point of my travels. But Hearsing is put together from the names of places in the local environment of Vienna, which so often end in _ing_: _Hietzing_, _Liesing_, _Moedling_ (Medelitz, “meæ deliciæ,” my own name, “_my joy_”) (joy = German Freude), and the English _hearsay_, which points to libel and establishes the relation to the indifferent dream excitement of the day—a poem in the _Fliegende Blaetter_ about a slanderous dwarf, “Saidhe Hashesaid.” By connecting the final syllable “_ing_” with the name _Fliess_, “_Vlissingen_” is obtained, which is a real port on the sea-voyage which my brother passes when he comes to visit us from England. But the English for _Vlissingen_ is _Flushing_, which signifies blushing and recalls erythrophobia (fear of blushing), which I treat, and also reminds me of a recent publication by Bechterew about this neurosis, which has given occasion for angry feelings in me. IV. Upon another occasion I had a dream which consisted of two parts. The first was the vividly remembered word “Autodidasker,” the second was truthfully covered by a short and harmless fancy which had been developed a few days before, and which was to the effect that I must tell Professor N., when I saw him next: “The patient about whose condition I last consulted you is really suffering from a neurosis, just as you suspected.” The coinage “_Autodidasker_” must, then, not only satisfy the requirement that it should contain or represent a compressed meaning, but also that this meaning should have a valid connection with my purpose, which is repeated from waking life, of giving Professor N. his due credit.

Now _Autodidasker_ is easily separated into _author_ (German _Autor_), _autodidact_, and _Lasker_, with whom is associated the name Lasalle. The first of these words leads to the occasion of the dream—which this time is significant. I had brought home to my wife several volumes by a well-known author, who is a friend of my brother’s, and who, as I have learned, comes from the same town as I (J. J. David). One evening she spoke to me about the profound impression which the touching sadness of a story in one of David’s novels, about a talented but degenerate person, had made upon her, and our conversation turned upon the indications of talent which we perceive in our own children. Under the influence of what she had just read, my wife expressed a concern relative to our children, and I comforted her with the remark that it is just such dangers that can be averted by education. During the night my train of thoughts proceeded further, took up the concern of my wife, and connected with it all sorts of other things. An opinion which the poet had expressed to my brother upon the subject of marriage showed my thoughts a by-path which might lead to a representation in the dream. This path led to Breslau, into which city a lady who was a very good friend of ours had married. I found in Breslau Lasker and Lasalle as examples realising our concern about being ruined at the hands of a woman, examples which enabled me to represent both manifestations of this influence for the bad at once.[DP] The “Cherchez la femme,” in which these thoughts may be summed up, when taken in another sense, brings me to my brother, who is still unmarried and whose name is Alexander. Now I see that Alex, as we abbreviate the name, sounds almost like inversion of Lasker and that this factor must have taken part in giving my thoughts their detour by way of Breslau.

But this playing with names and syllables in which I am here engaged contains still another meaning. The wish that my brother may have a happy family life is represented by it in the following manner. In the artistic romance _L’Œuvre_, the writer, as is well known, has incidentally given an episodic account of himself and of his own family happiness, and he appears under the name of _Sandoz_. Probably he has taken the following course in the name transformation. _Zola_ when inverted (as children like so much to do) gives _Aloz_. But that was still too undisguised for him; therefore he replaced the syllable _Al_, which stands at the beginning of the name Alexander, by the third syllable of the same name, _sand_, and thus _Sandoz_ came about. In a similar manner my _autodidasker_ originated.

My fancy, that I am telling Professor N. that the patient whom we had both seen is suffering from a neurosis, got into the dream in the following manner. Shortly before the close of my working year I received a patient in whose case my diagnosis failed me. A serious organic affliction—perhaps some changes in the spine—was to be assumed, but could not be proved. It would have been tempting to diagnose the trouble as a neurosis, and this would have put an end to all difficulties, had it not been for the fact that the sexual anamnesis, without which I am unwilling to admit a neurosis, was so energetically denied by the patient. In my embarrassment I called to my assistance the physician whom I respect most of all men (as others do also), and to whose authority I surrender most completely. He listened to my doubts, told me he thought them justified, and then said: “Keep on observing the man, it is probably a neurosis.” Since I know that he does not share my opinions about the etiology of neuroses, I suppressed my disagreement, but I did not conceal my scepticism. A few days after I informed the patient that I did not know what to do with him, and advised him to go to some one else. Thereupon, to my great astonishment, he began to beg my pardon for having lied to me, saying that he had felt very much ashamed; and now he revealed to me just that piece of sexual etiology which I had expected, and which I found necessary for assuming the existence of a neurosis. This was a relief to me, but at the same time a humiliation; for I had to admit that my consultant, who was not disconcerted by the absence of anamnesis, had made a correct observation. I made up my mind to tell him about it when I saw him again, and to say to him that he had been in the right and I in the wrong.

Ideas discussed in this chapter

Text from Project Gutenberg, public domain in the United States.

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