The Interpretation of Dreams · Sigmund Freud
VI THE DREAM-WORK
All previous attempts to solve the problems of the dream have been based directly upon the manifest dream content as it is retained in the memory, and have undertaken to obtain an interpretation of the dream from this content, or, if interpretation was dispensed with, to base a judgment of the dream upon the evidence furnished by this content. We alone are in possession of new data; for us a new psychic material intervenes between the dream content and the results of our investigations: and this is the _latent_ dream content or the dream thoughts which are obtained by our method. We develop a solution of the dream from this latter, and not from the manifest dream content. We are also confronted for the first time with a problem which has not before existed, that of examining and tracing the relations between the latent dream thoughts and the manifest dream content, and the processes through which the former have grown into the latter.
We regard the dream thoughts and the dream content as two representations of the same meaning in two different languages; or to express it better, the dream content appears to us as a translation of the dream thoughts into another form of expression, whose signs and laws of composition we are to learn by comparing the original with the translation. The dream thoughts are at once intelligible to us as soon as we have ascertained them. The dream content is, as it were, presented in a picture-writing, whose signs are to be translated one by one into the language of the dream thoughts. It would of course be incorrect to try to read these signs according to their values as pictures instead of according to their significance as signs. For instance, I have before me a picture-puzzle (rebus): a house, upon whose roof there is a boat; then a running figure whose head has been apostrophised away, and the like. I might now be tempted as a critic to consider this composition and its elements nonsensical. A boat does not belong on the roof of a house and a person without a head cannot run; the person, too, is larger than the house, and if the whole thing is to represent a landscape, the single letters of the alphabet do not fit into it, for of course they do not occur in pure nature. A correct judgment of the picture-puzzle results only if I make no such objections to the whole and its parts, but if, on the contrary, I take pains to replace each picture by the syllable or word which it is capable of representing by means of any sort of reference, the words which are thus brought together are no longer meaningless, but may constitute a most beautiful and sensible expression. Now the dream is a picture-puzzle of this sort, and our predecessors in the field of dream interpretation have made the mistake of judging the rebus as an artistic composition. As such it appears nonsensical and worthless.
An objection, which at first sight seems very plausible, might be raised against the assertion that the disproportion between dream content and dream thought justifies the conclusion that an abundant condensation of psychic material has taken place in the formation of dreams. For we so often have the impression that we have dreamed a great deal throughout the night and then have forgotten the greater part. The dream which we recollect upon awakening would thus be only a remnant of the total dream-work, which would probably equal the dream thoughts in range if we were able to remember the former completely. In part this is certainly true; there can be no mistake about the observation that the dream is most accurately reproduced if one tries to remember it immediately after awakening, and that the recollection of it becomes more and more defective towards evening. On the other hand, it must be admitted that the impression that we have dreamed a good deal more than we are able to reproduce is often based upon an illusion, the cause of which will be explained later. Moreover, the assumption of condensation in the dream activity is not affected by the possibility of forgetting in dreams, for it is proved by groups of ideas belonging to those particular parts of the dream which have remained in the memory. If a large part of the dream has actually been lost to memory, we are probably deprived of access to a new series of dream thoughts. It is altogether unjustifiable to expect that those portions of the dream which have been lost also relate to the thoughts with which we are already acquainted from the analysis of the portions which have been preserved.
In view of the great number of ideas which analysis furnishes for each individual element of the dream content, the chief doubt with many readers will be whether it is permissible to count everything that subsequently comes to mind during analysis as a part of the dream thoughts—to assume, in other words, that all these thoughts have been active in the sleeping state and have taken part in the formation of the dream. Is it not more probable that thought connections are developed in the course of analysis which did not participate in the formation of the dream? I can meet this doubt only conditionally. It is true, of course, that particular thought connections first arise only during analysis; but one may always be sure that such new connections have been established only between thoughts which have already been connected in the dream thoughts by other means; the new connections are, so to speak, corollaries, short circuits, which are made possible by the existence of other more fundamental means of connection. It must be admitted that the huge number of trains of thought revealed by analysis have already been active in the formation of the dream, for if a chain of thoughts has been worked out, which seems to be without connection with the formation of the dream, a thought is suddenly encountered which, being represented in the dream, is indispensable to its interpretation—which nevertheless is inaccessible except through that chain of thoughts. The reader may here turn to the dream of the botanical monograph, which is obviously the result of an astonishing condensation activity, even though I have not given the analysis of it completely.
But how, then, is the psychic condition during sleep which precedes dreaming to be imagined? Do all the dream thoughts exist side by side, or do they occur one after another, or are many simultaneous trains of thought constructed from different centres, which meet later on? I am of the opinion that it is not yet necessary to form a plastic conception of the psychic condition of dream formation. Only let us not forget that we are concerned with unconscious thought, and that the process may easily be a different one from that which we perceive in ourselves in intentional contemplation accompanied by consciousness. The fact, however, that dream formation is based on a process of condensation, stands indubitable. How, then, is this condensation brought about? If it be considered that of those dream thoughts which are found only the smallest number are represented in the dream by means of one of its ideal elements, it might be concluded that condensation is accomplished by means of ellipsis, in that the dream is not an accurate translation or a projection point by point of the dream thoughts, but a very incomplete and defective reproduction of them. This view, as we shall soon find, is a very inadequate one. But let us take it as a starting point for the present, and ask ourselves: If only a few of the elements of the dream thoughts get into the dream content, what conditions determine their choice?
In order to gain enlightenment on this subject let us turn our attention to those elements of the dream content which must have fulfilled the conditions we are seeking. A dream to the formation of which an especially strong condensation has contributed will be the most suitable material for this investigation. I select the dream, cited on page 142, of the botanical monograph. Dream content: _I have written a monograph upon a (obscure) certain plant. The book lies before me, I am just turning over a folded coloured plate. A dried specimen of the plant is bound with every copy as though from a herbarium._ The most prominent element of this dream is the botanical monograph. This comes from the impressions received on the day of the dream; I had actually _seen a monograph on the genus “cyclamen”_ in the show-window of a book-store. The mention of this genus is lacking in the dream content, in which only the monograph and its relation to botany have remained. The “botanical monograph” immediately shows its relation to the work on cocaine which I had once written; thought connections proceed from cocaine on the one hand to a “Festschrift,” and on the other to my friend, the eye specialist, Dr. Koenigstein, who has had a share in the utilisation of cocaine. Moreover, with the person of this Dr. Koenigstein is connected the recollection of the interrupted conversation which I had had with him on the previous evening and of the manifold thoughts about remuneration for medical services among colleagues. This conversation, then, is properly the actual stimulus of the dream; the monograph about cyclamen is likewise an actuality but of an indifferent nature; as I soon see, the “botanical monograph” of the dream turns out to be a common mean between the two experiences of the day, and to have been taken over unchanged from an indifferent impression and bound up with the psychologically significant experience by means of the most abundant associations.
“One tread moves thousands of threads, The little shuttles fly back and forth, The threads flow on unseen, One stroke ties thousands of knots.” “_Monograph_” in the dream, again, has a bearing upon two subjects, the one-sidedness of my studies and the costliness of my hobbies. The impression is gained from this first investigation that the elements “botanical” and “monograph” have been accepted in the dream content because they were able to show the most extensive connections with the dream thoughts, and thus represent nuclei in which a great number of dream thoughts come together, and because they have manifold significance for the dream interpretation. The fact upon which this explanation is based may be expressed in another form: Every element of the dream content turns out to be _over-determined_—that is, it enjoys a manifold representation in the dream thoughts.
We shall learn more by testing the remaining component parts of the dream as to their occurrence in the dream thoughts. _The coloured plate_ refers (_cf._ the analysis on p. 145) to a new subject, the criticism passed upon my work by colleagues, and to a subject already represented in the dream—my hobbies—and also to a childish recollection in which I pull to pieces the book with the coloured plates; the dried specimen of the plant relates to an experience at the Gymnasium centering about and particularly emphasizing the herbarium. Thus I see what sort of relation exists between the dream content and dream thoughts: Not only do the elements of the dream have a manifold determination in the dream thoughts, but the individual dream thoughts are represented in the dream by many elements. Starting from an element of the dream the path of associations leads to a number of dream thoughts; and from a dream thought to several elements of the dream. The formation of the dream does not, therefore, take place in such fashion that a single one of the dream thoughts or a group of them furnishes the dream content with an abridgment as its representative therein, and that then another dream thought furnishes another abridgment as its representative—somewhat as popular representatives are elected from among the people—but the whole mass of the dream thoughts is subjected to a certain elaboration, in the course of which those elements that receive the greatest and completest support stand out in relief, analogous, perhaps, to election by _scrutins des listes_. Whatever dream I may subject to such dismemberment, I always find the same fundamental principle confirmed—that the dream elements are constructed from the entire mass of the dream thoughts and that every one of them appears in relation to the dream thoughts to have a multiple determination.
It is certainly not out of place to demonstrate this relation of the dream content to the dream thoughts by means of a fresh example, which is distinguished by a particularly artful intertwining of reciprocal relations. The dream is that of a patient whom I am treating for claustrophobia (fear in enclosed spaces). It will soon become evident why I feel myself called upon to entitle this exceptionally intellectual piece of dream activity in the following manner: II. “_A Beautiful Dream_” _The dreamer is riding with much company to X-street, where there is a modest road-house_ (which is not the fact). _A theatrical performance is being given in its rooms. He is first audience, then actor. Finally the company is told to change their clothes, in order to get back into the city. Some of the people are assigned to the rooms on the ground floor, others to the first floor. Then a dispute arises. Those above are angry because those below have not yet finished, so that they cannot come down. His brother is upstairs, he is below, and he is angry at his brother because there is such crowding._ (This part obscure.) _Besides it has already been decided upon their arrival who is to be upstairs and who down. Then he goes alone over the rising ground, across which X-street leads toward the city, and he has such difficulty and hardship in walking that he cannot move from the spot. An elderly gentleman joins him and scolds about the King of Italy. Finally, towards the end of the rising ground walking becomes much easier._
The difficulties experienced in walking were so distinct that for some time after waking he was in doubt whether they were dream or reality. According to the manifest content, this dream can hardly be praised. Contrary to the rules, I shall begin with that portion which the dreamer referred to as the most distinct. The difficulties which were dreamed of, and which were probably experienced during the dream—difficult climbing accompanied by dyspnœa—is one of the symptoms which the patient had actually shown years before, and which, in conjunction with other symptoms, was at that time attributed to tuberculosis (probably hysterically simulated). We are already from exhibition dreams acquainted with this sensation of being hindered, peculiar to the dream, and here again we find it used for the purpose of any kind of representation, as an ever-ready material. That part of the dream content which ascribes the climbing as difficult at first, and as becoming easier at the end of the hill, made me think while it was being told of the well-known masterful introduction to _Sappho_ by A. Daudet.
Here a young man carries the girl whom he loves upstairs—she is at first as light as a feather; but the higher he mounts the more heavily she weighs upon his arm, and this scene symbolises a course of events by recounting which Daudet tries to warn young men not to waste serious affection upon girls of humble origin or of questionable past.[DI] Although I knew that my patient had recently had a love affair with a lady of the theatre, and had broken it off, I did not expect to find that the interpretation which had occurred to me was correct. Moreover, the situation in _Sappho_ was the _reverse_ of that in the dream; in the latter the climbing was difficult at the beginning and easy later on; in the novel the symbolism serves only if what was at first regarded as easy finally turns out to be a heavy load. To my astonishment, the patient remarked that the interpretation corresponded closely to the plot of a play which he had seen on the evening before at the theatre. The play was called _Round about Vienna_, and treated of the career of a girl who is respectable at first but later goes over to the _demi-monde_, who has affairs with persons in high places, thus “climbing,” but finally “goes down” faster and faster. This play had reminded him of another entitled _From Step to Step_, in the advertisement of which had appeared a _stairway_ consisting of several steps.
Now to continue the interpretation. The actress with whom he had had his most recent affair, a complicated one, had lived in X-street. There is no inn in this street. However, while he was spending a part of the summer in Vienna for the sake of the lady, he had lodged (German _abgestiegen_ = stopped, literally _stepped off_) at a little hotel in the neighbourhood. As he was leaving the hotel he said to the cab-driver, “I am glad I didn’t get any vermin anyway” (which incidentally is one of his phobias). Whereupon the cab-driver answered: “How could anybody stop there! It isn’t a hotel at all, it’s really nothing but a _road-house_!” The road-house immediately suggests to the dreamer’s recollection a quotation: “Of that marvellous host I was once a guest.” But the host in the poem by Uhland is an apple tree. Now a second quotation continues the train of thought: FAUST (_dancing with the young witch_). “A lovely dream once came to me; I then beheld an apple tree, And there two fairest apples shone: They lured me so, I climbed thereon.”
Text from Project Gutenberg, public domain in the United States.