Introductory lectures on psycho-analysis · Sigmund Freud
ELEVENTH LECTURE THE DREAM-WORK
The details of the long platform at the bottom of the first shaft, and beyond that the second shaft, were explained by the dreamer himself from his own history. He had practised intercourse for some time and then given it up on account of inhibitions, but hoped to be able to resume it by the help of the treatment. 8. I quote the two following dreams, dreamt by a foreigner with marked polygamous tendencies, because they may serve to illustrate the statement that the dreamer’s own person is present in every dream, even when it is disguised in the manifest content. The trunks in the dreams are female symbols. (_a_) _The dreamer was going on a journey and his luggage was being taken to the station on a carriage. There were a number of trunks piled one on the top of the other, and amongst them two large black boxes like those of a commercial traveller. He said consolingly to someone: “You see those are only going as far as the station.”_ He does, as a matter of fact, travel with a great deal of luggage, and he also brings many stories about women to the treatment. The two black trunks stand for two dark women who at the moment are playing the principal part in his life. One of them wanted to follow him to Vienna, but on my advice he had telegraphed to put her off.
10. Here is an example of death symbolism in dreams:—_The dreamer was crossing a very high, steep, iron bridge, with two people whose names he knew, but forgot on waking. Suddenly both of them had vanished and he saw a ghostly man in a cap and an overall. He asked him whether he were the telegraph messenger.... “No.” Or the coachman?... “No.” He then went on_, and in the dream, had a feeling of great dread; on waking, he followed it up with the phantasy that the iron bridge suddenly broke and that he fell into the abyss. When stress is laid upon the fact that people in a dream are unknown to the dreamer, or that he has forgotten their names, they are, as a rule, persons with whom he is intimately connected. The dreamer was one of a family of three children; if he had ever wished for the death of the other two, it would be only just that he should be visited with the fear of death. With reference to the telegraph messenger, he remarked that they always bring bad news. From his uniform, the man in the dream might have been a lamp-lighter, who also puts out the lights, as the spirit of death extinguishes the torch of life. With the coachman he associated Uhland’s poem of the voyage of King Karl, and recalled a dangerous sail on a lake with two companions, when he played the part of the king in the poem. The iron bridge suggested to him a recent accident, also the stupid saying: “Life is a suspension bridge.”
11. The following may be regarded as another example of a death-dream:— _An unknown gentleman was leaving a black-edged visiting card on the dreamer._ 12. I give another dream which will interest you from several points of view; it is to be traced partly, however, to a neurotic condition in the dreamer:— _He was in a train which stopped in the open country. He thought there was going to be an accident and that he must make his escape, so he went through all the compartments, killing everyone he met,—driver, guard, and so on._ This dream recalls a story told him by a friend. On a certain Italian line, an insane man was being conveyed in a small compartment, but by some mistake a passenger was allowed to get in with him. The madman murdered the other traveller. Thus the dreamer identified himself with this insane man, his reason being that he was at times tormented by an obsession that he must make away with “everyone who shared his knowledge.” Then he himself found a better motivation for the dream. The day before, he had seen at the theatre a girl he had meant to marry but had given up because she gave him cause for jealousy. Knowing the intensity which jealousy could assume in him, he would really have been mad to want to marry her. That is to say, he thought her so unreliable that his jealousy would have led him to murder everyone who got in his way. The going through a number of rooms, or, as here, compartments, we have already learnt to know as a symbol of marriage (the expression of monogamy according to the rule of opposites).
With reference to the train’s stopping in the open country and the fear of an accident, he told the following story:— Once when such a sudden halt occurred on the line outside a station, a young lady who was in the carriage said that perhaps there was going to be a collision, and that the best thing to do was to raise the legs high. This phrase “raise the legs” had associations with many walks and excursions into the country, which he had shared with the girl mentioned above in the happy early days of their love. Here was a new argument for the contention that he would be mad to marry her now; nevertheless, my knowledge of the situation led me to regard it as certain that there existed in him all the same the desire to fall a victim to this form of madness.
Text from Project Gutenberg, public domain in the United States.