The Principles of Psychology, Volume 1 · William James
THE MUTATIONS OF THE SELF
"It is an intelligent _ego_ who writes, or else the influence assumes individuality, which practically makes of the influence a personality. It is _not_ myself; of that I am conscious at every step of the process. I have also traversed the whole field of the claims of 'unconscious cerebration,' so called, so far as I am competent to critically examine it, and it fails, as a theory, in numberless points, when applied to this strange work through me. It would be far more reasonable and satisfactory for me to accept the silly hypothesis of re-incarnation,--the old doctrine of metempsychosis,--as taught by some spiritualists to-day, and to believe that I lived a former life here, and that once in a while it dominates my intellectual powers, and writes chapters upon the philosophy of life, or opens a post-office for spirits to drop their effusions, and have them put into English script. No; the easiest and most natural solution to me is to admit the claim made, i.e., that it is a decarnated intelligence who writes. But _who?_ that is the question. The names of scholars and thinkers who once lived are affixed to the most ungrammatical and weakest of _bosh_....
"It seems reasonable to me--upon the hypothesis that it is a person using another's mind or brain--that there must be more or less of that other's style or tone incorporated in the message, and that to the unseen personality, i.e., the power which impresses, the thought, the fact, or the philosophy, and not the style or tone, belongs. For instance, while the influence is impressing my brain with the greatest force and rapidity, so that my pencil fairly flies over the paper to record the thoughts, I am conscious that, in many cases, the vehicle of the thought, i.e., the language, is very natural and familiar to me, as if, somehow, _my_ personality as a writer was getting mixed up with the message. And, again, the style, language, everything, is entirely foreign to my own style." I am myself persuaded by abundant acquaintance with the trances of one medium that the 'control' may be altogether different from any _possible_ waking self of the person. In the case I have in mind, it professes to be a certain departed French doctor; and is, I am convinced, acquainted with facts about the circumstances, and the living and dead relatives and acquaintances, of numberless sitters whom the medium never met before, and of whom she has never heard the names. I record my bare opinion here unsupported by the evidence, not, of course, in order to convert anyone to my view, but because I am persuaded that a serious study of these trance-phenomena is one of the greatest needs of psychology, and think that my personal confession may possibly draw a reader or two into a field which the _soi-disant_ 'scientist' usually refuses to explore.
Many persons have found evidence conclusive to their minds that in some cases the control is really the departed spirit whom it pretends to be. The phenomena shade off so gradually into cases where this is obviously absurd, that the presumption (quite apart from _a priori_ 'scientific' prejudice) is great against its being true. The case of Lurancy Vennum is perhaps as extreme a case of 'possession' of the modern sort as one can find.[319] Lurancy was a young girl of fourteen, living with her parents at Watseka, Ill., who (after various distressing hysterical disorders and spontaneous trances, during which she was possessed by departed spirits of a more or less grotesque sort) finally declared herself to be animated by the spirit of Mary Roff (a neighbor's daughter, who had died in an insane asylum twelve years before) and insisted on being sent 'home' to Mr. Roff's house. After a week of 'homesickness' and importunity on her part, her parents agreed, and the Roffs, who pitied her, and who were spiritualists into the bargain, took her in. Once there, she seems to have convinced the family that their dead Mary had exchanged habitations with Lurancy. Lurancy was said to be temporarily in heaven, and Mary's spirit now controlled her organism, and lived again in her former earthly home.
"She wanted me to take her home, which I did. She called me Mr. Roff, and talked with me as a young girl would, not being acquainted. I asked her how things appeared to her--if they seemed natural. She said it seemed like a dream to her. She met her parents and brothers in a very affectionate manner, hugging and kissing each one in tears of gladness. She clasped her arms around her father's neck a long time, fairly smothering him with kisses. I saw her father just now (eleven o'clock). He says she has been perfectly natural, and seems entirely well." Lurancy's mother writes, a couple of months later, that she was "perfectly and entirely well and natural. For two or three weeks after her return home, she seemed a little strange to what she had been before she was taken sick last summer, but only, perhaps, the natural change that had taken place with the girl, and except it seemed to her as though she had been dreaming or sleeping, etc. Lurancy has been smarter, more intelligent, more industrious, more womanly, and more polite than before. We give the credit of her complete cure and restoration to her family, to Dr. E. W. Stevens, and Mr. and Mrs. Roff, by their obtaining her removal to Mr. Roff's, where her cure was perfected. We firmly believe that, had she remained at home, she would have died, or we would have been obliged to send her to the insane asylum; and if so, that she would have died there; and further, that I could not have lived but a short time with the care and trouble devolving on me. Several of the relatives of Lurancy, including ourselves, now believe she was cured by spirit power, and that Mary Roff controlled the girl."
Eight years later, Lurancy was reported to be married and a mother, and in good health. She had apparently outgrown the mediumistic phase of her existence.[320] * * * * * On the condition of the sensibility during these invasions, few observations have been made. I have found the hands of two automatic writers anæsthetic during the act. In two others I have found this not to be the case. Automatic writing is usually preceded by shooting pains along the arm-nerves and irregular contractions of the arm-muscles. I have found one medium's tongue and lips apparently insensible to pin-pricks during her (speaking) trance. * * * * * If we speculate on the brain-condition during all these different perversions of personality, we see that it must be supposed capable of successively changing all its modes of action, and abandoning the use for the time being of whole sets of well-organized association-paths. In no other way can we explain the loss of memory in passing from one alternating condition to another. And not only this, but we must admit that organized systems of paths can be thrown out of gear with others, so that the processes in one system give rise to one consciousness, and those of another system to another _simultaneously_ existing consciousness. Thus only can we understand the facts of automatic writing, etc., whilst the patient is out of trance, and the false anæsthesias and amnesias of the hysteric type. But just what sort of dissociation the phrase 'thrown out of gear' may stand for, we cannot even conjecture; only I think we ought not to talk of the doubling of the self as if it consisted in the failure to combine on the part of certain systems of _ideas_ which usually do so. It is better to talk of _objects_ usually combined, and which are now divided between the two 'selves,' in the hysteric and automatic cases in question. Each of the selves is due to a system of cerebral paths acting by itself. If the brain acted normally, and the dissociated systems came together again, we should get a new affection of consciousness in the form of a third 'Self' different from the other two, but knowing their objects together, as the result.--After all I have said in the last chapter, this hardly needs further remark.
Some peculiarities in the lower automatic performances suggest that the systems thrown out of gear with each other are contained one in the right and the other in the left hemisphere. The subjects, e.g., often write backwards, or they transpose letters, or they write mirror-script. All these are symptoms of agraphic disease. The left hand, if left to its natural impulse, will in most people write mirror-script more easily than natural script. Mr. F. W. H. Myers has laid stress on these analogies.[321] He has also called attention to the usual inferior moral tone of ordinary planchette writing. On Hughlings Jackson's principles, the left hemisphere, being the more evolved organ, at ordinary times inhibits the activity of the right one; but Mr. Myers suggests that during the automatic performances the usual inhibition may be removed and the right hemisphere set free to act all by itself. This is very likely to some extent to be the case. But the crude explanation of 'two' selves by 'two' hemispheres is of course far from Mr. Myers's thought. The selves may be more than two, and the brain-systems severally used for each must be conceived as interpenetrating each other in very minute ways.
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