Concept

Islamic geometric patterns

Overview

Islamic geometric patterns are one of the major forms of Islamic ornament, which tends to avoid using figurative images, as it is forbidden to create a representation of an important Islamic figure according to many holy scriptures.

The geometric designs in Islamic art are often built on combinations of repeated squares and circles, which may be overlapped and interlaced, as can arabesques (with which they are often combined), to form intricate and complex patterns, including a wide variety of tessellations. These may constitute the entire decoration, may form a framework for floral or calligraphic embellishments, or may retreat into the background around other motifs. The complexity and variety of patterns used evolved from simple stars and lozenges in the ninth century, through a variety of 6- to 13-point patterns by the 13th century, and finally to include also 14- and 16-point stars in the sixteenth century.

Geometric patterns occur in a variety of forms in Islamic art and architecture. These include kilim carpets, Persian girih and Moroccan zellij tilework, muqarnas decorative vaulting, jali pierced stone screens, ceramics, leather, stained glass, woodwork, and metalwork.

Interest in Islamic geometric patterns is increasing in the West, both among craftsmen and artists like M. C. Escher in the twentieth century, and among mathematicians and physicists such as Peter J. Lu and Paul Steinhardt.

Overview adapted from Wikipedia (CC BY-SA 4.0; see the article history for authors).

Possible passages

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Now geometrically regular figures, such as a circle, a square, a cube, etc., are commonly adduced by critics of taste as the simplest and most indisputable examples of beauty; and yet they are called regular, because we can only represent them by regarding them as mere presentations of a definite concept which prescribes the rule for the figure (according to which alone it is possible). One of these two must be…
Immanuel Kant, Kant's Critique of Judgement
States what Islamic geometric patterns is.
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Therefore proposing to himself this problem, he made and still makes a third, and always preserves it equal to the matter, and like the form; and that is the world. And this world, being in constant changes and alterations because of the natural necessity of body, is helped and preserved by the father and maker of all things, who by proportion terminates the substance according to…
Plutarch, Complete Works of Plutarch — Volume 3
States what Islamic geometric patterns is.
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Geometry, however, among the Greeks passed into a stage of abstraction in which lines, planes, etc., in the sense in which they are understood in our elementary texts, took the place of actually measured surfaces, and also took on the deductive form of presentation that has served as a model for all mathematical presentation since Euclid. Mensuration smacked too much of the exchange, and before the time of…
John Dewey, Creative Intelligence
States what Islamic geometric patterns is.
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Related ideas

Place in the tradition

Part of Aesthetics.

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