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Pier Paolo Pasolini

Pier Paolo Pasolini
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Overview

Pier Paolo Pasolini (Italian: [ˌpjɛr ˈpaːolo pazoˈliːni]; 5 March 1922 – 2 November 1975) was an Italian poet, writer, film director, actor and playwright. He is considered one of the defining public intellectuals in 20th-century Italian history, influential both as an artist and a political figure. He is known for directing The Gospel According to St. Matthew, the films from Trilogy of Life (The Decameron, The Canterbury Tales and Arabian Nights) and Salò, or the 120 Days of Sodom.

A controversial personality due to his straightforward style, Pasolini's legacy remains contentious. Openly gay while also a vocal advocate for heritage language revival, cultural conservatism, and Christian values in his youth, Pasolini became an avowed Marxist shortly after the end of World War II. He began voicing extremely harsh criticism of Italian petite bourgeoisie and what he saw as the Americanization, cultural degeneration, and greed-driven consumerism taking over Italian culture. As a filmmaker, Pasolini often juxtaposed socio-political polemics with an extremely graphic and critical examination of taboo sexual matters. A prominent protagonist of the Roman intellectual scene during the post-war era, Pasolini became an established and major figure in European literature and cinema.

Pasolini's unsolved and extremely brutal abduction, torture, and murder at Ostia in November 1975 prompted an outcry in Italy, where it continues to be a matter of heated debate. Recent leads by Italian cold case investigators suggest a contract killing by the Banda della Magliana, a criminal organisation with close links to the Propaganda Due masonic lodge and far-right terrorism, as the most likely cause.

Overview adapted from Wikipedia (CC BY-SA 4.0; see the article history for authors).

Possible passages

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  1. A few words may however be here devoted to the subject, as it is one with some bearing on the manner in which he would be regarded by those around him, and through that on the tenor of his life. That Dante conformed to Church observances, and, except with a few malevolent critics, bore the reputation of a good Catholic, there can be no doubt. It was as a politician and not as a heretic that he suffered persecution…

    Dante Alighieri, The Divine Comedy of Dante Alighieri

    Close in meaning to Pier Paolo Pasolini; the term itself is not named.

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  2. The cowardice in thought of the theoreticians of the Austro-Marxian school has completely and wholly been revealed when faced with the great problems of a revolutionary epoch. In his immortal attempt to include the Soviet system in the Ebert-Noske Constitution, Hilferding gave voice not only to his own spirit but to the spirit of the whole Austro-Marxian school, which, with the approach of the revolutionary epoch…

    Leon Trotsky, Dictatorship vs. Democracy

    Close in meaning to Pier Paolo Pasolini; the term itself is not named.

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  3. The whole object of his attainment as an artist is not merely to understand what is of vital significance in the truth he faces, but to be able to give it the precise form which will best direct our own eyes and ears and heart to his own discovery. To attain this it is obvious that he must keep in view the particular culture of his own time no less than all its various powers of expression. In the time of the Trojan…

    Georg Wilhelm Friedrich Hegel, The Philosophy of Fine Art, volume 1

    Close in meaning to Pier Paolo Pasolini; the term itself is not named.

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Philosophers who discussed Pier Paolo Pasolini

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Place in the tradition

Part of Italian philosophy.

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