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Camille Paglia

Overview

Camille Anna Paglia ( PAH-lee-ə; born April 2, 1947) is an American academic, social critic and feminist. Paglia was a professor at the University of the Arts in Philadelphia, Pennsylvania from 1984 until the university's closure in 2024. She is critical of many aspects of modern culture and is the author of Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990) and other books. She is also a critic of contemporary American feminism and of post-structuralism, as well as a commentator on multiple aspects of American culture such as its visual art, music, and film history.

Overview adapted from Wikipedia (CC BY-SA 4.0; see the article history for authors).

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We understand why so feeble a culture hates true art; it fears destruction thereby. But must not an entire domain of culture, namely the Socratic-Alexandrine, have exhausted its powers after contriving to culminate in such a daintily-tapering point as our present culture? When it was not permitted to heroes like Goethe and Schiller to break open the enchanted gate which leads into the Hellenic magic mountain, when…
Friedrich Wilhelm Nietzsche, The Birth of Tragedy
Close in meaning to Camille Paglia; the term itself is not named.
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The figurativeness of his sexual life asserted itself, his activity and ability to quick decisions began to weaken, the tendency to reflection and delay was already noticeable as a disturbance in The Holy Supper, and with the influence of the technique determined the fate of this magnificent work. Slowly a process developed in him which can be put parallel only to the regressions of neurotics.
Sigmund Freud, Leonardo da Vinci
Close in meaning to Camille Paglia; the term itself is not named.
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But this very twig which is carried like a lily and as though by an innocent girl, is also an allusion to Camille, who, as is known, always wore a white camelia, but a red one at the time of her menstruation. The same blossoming twig (“the flower of maidenhood” in the songs about the miller’s daughter by Goethe) represents at once sexual innocence and its opposite.
Sigmund Freud, The Interpretation of Dreams
Close in meaning to Camille Paglia; the term itself is not named.
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Camille Paglia

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